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藏族宗教物包装的艺术特征及文化意蕴
引用本文:何青萍,柯胜海.藏族宗教物包装的艺术特征及文化意蕴[J].包装学报,2014,6(1):76-80.
作者姓名:何青萍  柯胜海
作者单位:湖南工业大学 包装设计艺术学院;湖南工业大学 包装设计艺术学院
摘    要:藏族宗教物包装兴于吐蕃时期,受到藏族原始宗教苯教的图腾崇拜、藏传佛教、其他各地区宗教物包装的综合影响,逐渐形成端庄敦厚、庄重肃穆的形制特征,且其装饰纹样精美威严,选材考究,制作精良,极显精美华贵.藏族宗教物包装以其物以载道的象征性及传播性、多元文化交汇下的融合性以及服务于统治阶级的审美性,充分体现出其典型的宗教文化意蕴.

关 键 词:藏族  宗教物包装  艺术特征  文化意蕴
收稿时间:2013/7/13 0:00:00

The Artistic Characteristics and Cultural Implication of Tibetan Religious Packaging
He Qingping and Ke Shenghai.The Artistic Characteristics and Cultural Implication of Tibetan Religious Packaging[J].Packaging Journal,2014,6(1):76-80.
Authors:He Qingping and Ke Shenghai
Affiliation:(School of Packaging Design and Art,Hunan University of Technology,Zhuzhou Hunan 412007,China)
Abstract:The packaging of Tibetan religious statues prospered in Tubo period and was influenced by the comprehensiveeffects of the original Tibetan religion “Bon”, namely, the religious statues packaging of Totem Worship, TibetanBuddhism and other various areas. It gradually developed into the characteristics of dignity and solemnity in shapes, withexquisite and majestic patterns, well-selected materials. The packaging was well-made and showed extreme delicacy andluxury. Through the characteristics of symbolic and propagation of “material forms as ideals”, fusion of the diversifiedcultures, aesthetic nature serving the ruling class, Tibetan packaging fully reflected the typical religious cultural implication.
Keywords:Tibetan  religious packaging  artistic characteristics  cultural implication
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