New Architectural Horizons

In recent years, the over-intellectualisation of architecture has detached it ‘from its experiential, embodied and emotive ground’. Juhani Pallasmaa provides a template for architecture and landscape design that enables a stronger continuum between our outer and inner landscapes, drawing on historic and modern artistic inspirations alike. Copyright © 2007 John Wiley & Sons, Ltd.     

Architecture + Textiles = Architextiles

A hybrid term, ‘architextiles’ encompasses a wide range of projects and ways of thinking that unite architecture and textiles. By way of introduction to this issue, guest-editor Mark Garcia highlights the significant rise of interest in this confluence by theorists, architects, engineers, textile designers, materials scientists and artists. He also explains how, as a hybrid mode of design and practice, architextiles is better able to respond to society's fast-changing cultural and consumer demands, enabling the production of more dynamic, flexible, interactive, event and process-based spaces. Copyright © 2006 John Wiley & Sons, Ltd.     

Biodiversity Targets as the Basis for Green Design

Mike Wells , the Director of Biodiversity by Design, and Ken Yeang outline the need for biodiversity targets in architecture to provide a more far-reaching basis for green design. Rather than just literally ‘greening’ a building by covering it with foliage, they seek to encourage designers to engage with wider ecological processes and in more specific detail. Copyright © 2010 John Wiley & Sons, Ltd.     

Digital Morphogenesis

Taking its inspiration from biology, digital morphogenesis operates through a logic of optimisation. Departing from the notion of architecture primarily as form-finding that privileges appearance, Neil Leach describes how morphogenesis places emphasis on ‘material performance’ and ‘processes over representation’. Copyright © 2009 John Wiley & Sons, Ltd.     

Mathew & Ghosh Architects

The work of Mathew & Ghosh Architects (Nisha Mathew-Ghosh and Soumitro Ghosh) boldly extends an abstract Modernist language and at the same time draws from the vitality of places. While the firm's early works were small in scale, mostly residential in nature and based on a reappraisal of the early Corbusian idiom, recent projects include large-scale urban and landscape interventions with diverse conceptual and metaphorical imperatives. They have moved from a more reticent stance to the urban exuberance of their more recent projects (for example, their own office building), something akin to a ‘savage architecture’ as posited by Kazuo Shinohara in the context of the unsynchronised nature of the modern city. The architects' object of contemplation is the urban ‘box’, whether a private residence, office or part of a church. The box is first fractured and reconstructed as a bricolage of tectonic fragments, memories and events, all tenuously related as if unity in a contemporary culture is for ever denied. Like the Japanese notion of ‘ma’, the moment between fragments - a slit or an emptiness between two hovering planes - is telling. Mathew & Ghosh participate in the continuity of a historical narrative yet mark out the fissures and disjunctions; sometimes negotiations with the continuity emerge from unintended interstices. While these configurations of the contemporary urban ‘box’ are both contextual and abstract, they are also phenomenologically rich. There is a sustained dialect to the architecture of Mathew & Ghosh that includes consummate materiality and fine crafting, light as a medium, and always, as Nisha Mathew-Ghosh states, ‘good spatial possibilities’. Copyright © 2007 John Wiley & Sons, Ltd.     

‘Never Mind All That Environmental Rubbish,Get On With Your Architecture’

Could the primacy of green architecture in recent years be eroding the discipline? Is it reducing architecture to a mere ‘environmental techno-science’? Penelope Dean argues for a revised environmental agenda that is driven by ideas and concepts rather than subservient technologies. Copyright © 2009 John Wiley & Sons, Ltd.     

Architecture Autonomous (Gerard da Cunha)

Gerard da Cunha maintains his practice from the old Portuguese colony of Goa, which he considers has a novel history in that it was the site of the ‘first sustained encounter between the East and the West’. This encounter has engendered a unique culture and architecture that is evident in da Cunha's lively and rather Gaudíesque work. Copyright © 2007 John Wiley & Sons, Ltd.     

Landscape (and) urbanism? Engaging Nolli

Landscape urbanism is articulated against the purported failures of traditional urban design practices to conceptualize adequately the transience, adaptability, and ecological complexity demanded by contemporary urbanism. This paper engages Giambattista Nolli’s 1748 map of Rome, a seminal example of the figure ground representational method, to highlight some contradictions in landscape urbanism’s texts and projects. Whereas the figure ground is often reduced to a binary black and white image, Nolli’s map illustrates the intertwining of public and private spaces, through rendering detailed attributes of site, infrastructure, history, and architecture. Also considered is the assertive restructuring of disciplinary influence within what Linda Pollak identifies as ‘constructed ground.’ This reclamation constitutes a re-territorializing of landscape architecture through re-engagement of the urban fabric, as well as the more aspirational and necessary re-territorializing of design through intentional consideration of ecological complexity in the making of public urban spaces.     

Initiating Change: Architecturing the Body-Environment with Arakawa and Gins

New York-based artists Shusaku Arakawa (1936–2010) and Madeline Gins (1941–) used architecture in their work in an approach that they have referred to as ‘architecting’. Jondi Keane explains how as artists-turned-architects, Arakawa and Gins have not been particularly interested in innovating architecture, but in approaching architecture as a way to innovate, or change the world'.     

Putting the ‘I’ back into Architecture

Neil Spiller gets personal in a bid to put the ‘I’ back into architecture. He celebrates the spatial experimentation of the work of Charlotte Erckrath. Creating a space of desire, she produces a subjective ‘synthesis of architect, body, space and view’. Copyright © 2008 John Wiley & Sons, Ltd.     

Extreme Integration

Tom Wiscombe advances an argument for an architecture of ‘extreme integration’, where the sanctity of the single surface responsible solely for affect is challenged by multilayered and multidimensional built surfaces. The new species of architecture is ‘robust enough to be both formally and technologically innovative’, replacing a mechanistic model with a biological jungle ecology of messiness and excess. Copyright © 2010 John Wiley & Sons, Ltd.     

Exuberance,I Don't Know; Excess,I Like

Hernan Diaz Alonso redefines ‘excess’ and ‘exuberance’ on his own terms. Fully au fait and comfortable with the excessive, he describes how in relation to his own work he views excess as more of a tendency or a logic, which sums up his approach; whereas he perceives the exuberant as removed from the design process and more like an ‘adjective’, an ‘emerging quality’ observed by others. Copyright © 2010 John Wiley & Sons, Ltd.     

Mur Island,Graz, Austria

The New York artist Vito Acconci has chosen to work through architecture, seeing the potential of it as a medium to engage ‘the public with the world around them’. He explains why he believes the location of his highly successful cultural centre for Mur Island, Graz, in Austria missed the opportunity to rejuvenate areas of the city beyond the historic core. Copyright © 2008 John Wiley & Sons, Ltd.     

中国园林博物馆染霞山房展区营建研究

研究山地园林及其景观营造的原理,以中国园林博物馆室外展区染霞山房的建设为例,探讨了山地原有植被的合理利用以及山地水土保持等实践,总结出山地园林建造过程中的技术手段与绿化景观营造和工程措施,以期对山地园林的建造提供一定的研究和实践基础。     

One Space,Many Worlds

‘Cities hold two-thirds of their residents in slums, and the rest in stiflingly limiting, inflexible structures.’ Thus the impoverished parochial Mumbai is one and the same metropolis as the cosmopolitan globalised ‘Bombay’. Ramesh Biswas examines how the speculative housing developments of the aspirational middle classes are creating townships that intensify sprawl and further decentralise cities, squandering the potential for upgrading public space and creating an architecture for the common good. Copyright © 2007 John Wiley & Sons, Ltd.     

Architecture as Initiative (A Manifesto)

Estonian architect Veronika Valk of Zizi&Yoyo provides a manifesto for contemporary practice, based on ‘architecture as initiative’; initiative being defined as the basic catalyst for change in a project, whether it is a small-scale art installation or an urban development. As self-contained ideas factories, initiatives generate ‘open and affirmative ways to approach innovation in architecture’.     

Parallel Biological Futures

Neil Spiller looks beyond the digital and envisions a surreal future of ‘biological parallelism’ that pushes the boundary of architecture deep into the natural sciences, potentially creating ‘huge rafts of new architectural flora and fauna’. Copyright © 2009 John Wiley & Sons, Ltd.     

Raga India: Architecture in the Time of Euphoria

As India celebrates the 60th anniversary of its independence, guest-editor Kazi K Ashraf introduces this special title of AD by holding up a barometer to the nation's cultural identity. Can architecture be best understood through a local sense of place or globalisation? What are the driving impulses behind India's chaotic urban landscape that is simultaneously ‘messy’ and utopian? Can Indian culture be best understood as a national entity or through a more elusive subcontinental substance? Copyright © 2007 John Wiley & Sons, Ltd.     

Local Climates of the City

A specialist in urban effects on climate, particularly the heat island effect, Iain D Stewart is a Postdoctoral Research Fellow in the Department of Geography at the University of British Columbia (UBC). Here he describes how the emergence of ‘borderless’, ‘patchwork’ and ‘polynucleated’ cities has led climatologists to develop a new classification system of urban landscapes. The system divides cities into local climate zones (LCZs) according to their surface structure, cover, fabric and metabolism.     

Urban [IM]plants Tactics for Recombining Landscape and Collective Space in Bonheiden,Belgium

Bonheiden, in the province of Antwerp in Belgium, lies in a region known for its exceptional natural beauty. Though the surrounding rural setting has remained protected this has often been to the detriment of urban life, as the built environment has been subject to a process of banal suburbanisation. Els Verbakel and Elie Derman explain how they propose to turn this situation around by creating public spaces that use the town's ‘original landscape as the base material’. Copyright © 2008 John Wiley & Sons, Ltd.