城市工业遗产保护更新——一种构建创意城市的重要途径

本文从工业遗产的文化价值、资源特性以及保护更新模式等层面阐释城市工业遗产保护更新与构建创意城市之间的关系,论述了城市工业遗产保护更新对构建创意城市的内涵、条件及路径三方面的独特作用,从而说明城市工业遗产保护更新正在成为一种构建创意城市的重要途径.     

The Creative City and the Redevelopment of the Toronto Entertainment District: A BIA-Led Regeneration Process

This paper analyses the conceptualization phase of the Toronto Entertainment District regeneration initiative, as a project led by the local Business Improvement Area Association. We study how the creative city concept is applied in the context of regeneration, and why stakeholders use it to legitimate regeneration strategies embodied in a Master Plan. We relate this analysis to the governance arrangements for this case study. Our main conclusion is that the creative city concept translates strongly in the place-making aspect of the project, and serves the objective of a specific set of stakeholders to enhance the identity of the area and foster the attraction of new residents and businesses.     

以曼彻斯特为例谈城市事件叙事空间

以城市事件为线索,阐明了城市事件叙事空间的研究过程,通过m app ing法,得出城市富有特色文化叙事空间,为提升城市文化底蕴和城市吸引力提供理论依据,实现城市复兴的伟大目标。     

The role of the private actor in cultural regeneration: Hybridizing cultural heritage with creativity in the city

Building on the most relevant literature on cultural regeneration and creative cities, this paper provides an integrated framework to investigate the factors exploited by private actors to stimulate the hybridization of urban cultural heritage with creativity and the strategies adopted to engage stakeholders in bottom-up cultural regeneration processes. Two recent Italian cases of cultural regeneration driven by private actors, which exemplify two sharply contrasting urban extremes, have been chosen to validate this integrated theoretical framework of cultural regeneration in the city. Both have been recognized nationally and internationally as examples of best practice: IlCartastorie Museum in Naples and the Farm Cultural Park, Favara. Our results show that private actors mainly draw upon the innovative thinking of the creative class and innovative approaches to stimulate cultural regeneration. The evolutionary processes, and the resulting models of cultural regeneration, are shaped by the visions of these private actors, which are, in turn, influenced by specific urban conditions. In Naples' highly touristic inner city, the managerial innovation of the IlCartastorie Museum is fostered by the Foundation's pro-tourism growth strategy aimed at increasing both social inclusion and the organizational value of the actual museum. In Sicily, Favara's socio-economic marginalization means that its transformation into a creative city has to be supported by a strategy conducive to social inclusion and sustainability, which conjoins the explicit strategy of the private actor with an implicit emerging community strategy. Preliminary managerial recommendations and suggestions for effective private engagement and community involvement in cultural regeneration and creative city building are given.     

当代英国建筑与城市文脉发展

通过亲历、作者对英国当代建筑与城市文脉发展进行现象学意义上的梳理，指出英国城市文脉的历史性与建筑的开创性之间，存在着创建性的对话。这种对话正渐渐失去着历史性的宏大叙事、而当代因素正渐渐形成着强势地位，这就是当代英国建筑与城市文脉发展的趋向。     

创意产业与城市再生

探讨了创意产业与城市再生之间的关系,阐述了创意产业在城市再生中的四个作用:提高城市竞争力、增加城市就业、延续城市文脉、塑造城市景观特色,并指出创意产业园区是城市再生的新模式.     

创意产业园区集聚效率比较研究——以南京“晨光1865”园区为例

创意产业园区的开发是城市再生的一种新型模式。创意产业园区作为衰退的内城地区城市再生的一种有效途径获得了国内外相关学者的热切关注。纵观国内外研究,目前经济学界与城市规划界对创意产业集群效率均未形成系统研究。本文试图从城市经济学的角度探索理论研究方法,对创意产业园区集聚效率进行概念界定、效率评价流程和指标体系建立、测评方法选取和模型修正。本文选取南京"晨光1865"园区为参照,取样国内其他典型园区进行横向比较研究。尝试通过基于创意产业集聚效率的实证测评,探析物质空间表象背后的园区运营机制及经济要素条件。最后得出结论和优化建议,提供今后园区的规划筹建和高效运作的思路。     

城市工业遗产保护策略研究——以英国谢菲尔德市城市文化复兴计划为例

二战后,英国谢菲尔德市通过合理选择新的主导产业,在以文化为导向的城市复兴计划下,实现了从钢铁制造为中心的工业城市转变为以文化产业为发展动力的城市转型.通过分析工业遗产保护与城市文化复兴计划的关系,从五个方面对该城工业遗产保护与发展策略进行总结,即改造并融入新功能、协调发展整体环境、承载工业文化信息形式的多样化、培养专业技术力量和发展创意产业园区.     

Urban regeneration through cultural creativity and social inclusion: Rethinking creative city theory through a Japanese case study

This paper aims to rethink creative city theory by analyzing urban regeneration processes in Japan through cultural creativity and social inclusion. The impact of Florida’s theory has led to the common misperception that cities prosper as people of the creative class, such as artists and gays, gather. However, attracting people of the creative class does not automatically make a creative city. Empirical analyses of Kanazawa City, clarify that the creative city needs a ‘culture-based production system’, a well-balanced system of cultural production and cultural consumption that takes advantage of accumulated cultural capital. This paper also examines Osaka City, where creative city policies failed to produce adequate results because they did not take root as a comprehensive urban strategy. However, in spite of these failures, a lively and inclusive grassroots movement has emerged around the creative city. This movement brings Osaka towards being a socially-inclusive creative city.     

Neighborhood milieu in the cultural economy of city development: Berlin’s Helmholtzplatz and Soldiner in the German “Social City” program

This paper studies the meaning of neighborhood milieu and its appropriation in social city development by conducting content analysis on two neighborhoods and supplementing it with semi-structured questionnaires. The case study suggests that in social city development, the concept of milieu serves as an image creation goal that attempts to mix marginal neighborhoods with new creative milieu. The focus on local place attachment appears to be a short-term project that does not contribute to residents’ empowerment in the long run. Contrary to the current usage of milieu, which allows for the fabrication of particular images leading to many socio-cultural contradictions, this paper argues for the utility of milieu as place attachment for local residents. This approach could prove to be helpful for social regeneration within the context of city development.     

伦敦市新的创意平台——温室

从20世纪80年代开始，自由形式艺术机构就纷纷在伦敦许多小型场地上开展“艺术存于心中”的城市重建工程，以其独特的使命感为艺术及创新产业提供服务，近来来，该机构在环境改造方面扮演着越来越重要的角色，在伦敦的各个角落许多宏伟的重建计划被实施， 其中包括未来奥运场地的重建工程，新的创意空间是该机构更好地开展创造性工作的必备条件，该项目是该机构的新家，地处伦敦东部的Hackeny区，能够满足这种需要，设计师及建筑师正聚集到该创意空间中.     

高校周边创意集聚区发展初探

创意集聚区被认为是促进创意产业与创意城市建设的最核心的空间载体。而作为城市当中知识的集聚区,高校也正在与创意城市进行着积极的互动。因此,高校周边创意集聚区的发展对城市的发展起着至关重要的作用。     

创意城市与大学在城市中的作用

通过对美国创意城市和大学对城市的作用的理论与案例研究,指出创意城市必须具备“3T”,即技术(Technology)、人才(Talent)和宽容(Tolerance),特别是提供一个开放的、包容的和多样性的环境对创意阶层具有很大的吸引力,从而可以促进城市的繁荣。大学通过与城市发展之间的互动,为城市发展提供了技术、才能和宽容的环境。这为中国发展创意城市和大学城市提供了理论依据。     

Urban history and cultural resources in urban regeneration: a case of creative waterfront renewal

In recent decades, the role of culture and history has often become a driving factor in the process of urban regeneration. The focus on culture and history as factors in regional transformation has been particularly extensive in response not only to competitiveness among cities but also to sustainability requirements in the cultural sector. In the same perspective of this approach, culture in its broadest sense assumes a decisive role in constructing a system of interventions where employment and social and sustainable development become the product of the integration of places, people, economies and traditions. Creative cities are currently working on how to improve the interaction between regeneration building, economic development and social renewal in order to achieve more comprehensive development of the city. Existing creative cities may be seen to revolve around the design, promotion and activation of urban areas established due to their particular local characteristics. Such areas become creative clusters as a result of economic and structural innovations, related to the realization of innovator projects achieved with the help of local development strategies based on the economies of excellence, culture and territorial quality. Starting from such premises, this article aims to show the main factors which condition creativity in cities – such as new policies, participation, history, place identity, cultural resources and sustainability – and an emblematic case study of creative regeneration. This concerns the HafenCity district in Hamburg, where the history has assumed an important role in re-constructing the maritime identity and for many choices of urban nature.     

Culture,creativity and commerce: trajectories and tensions in the case of Beijing's 798 Art Zone

The use of cultural and creative clusters to achieve a range of regeneration outcomes is now common practice in cities world-wide. However, clear evidence is lacking on the potential sustainable benefits of such approaches, particularly where they would appear to be based on planning for the primacy of short-term economic aims often linked primarily to consumption-based uses. The case of Beijing's 798 Art Zone is illustrative of a creative cluster which has achieved major outcomes in terms of city branding and tourism, but which has also suffered from the dilution of creative production activity and related effects of gentrification. This provides lessons for other cultural clusters in China and beyond.     

上海创意空间的崛起与城市复兴

创意城市已经成为当今世界城市发展的一个趋势,并对城市复兴有着重要的意义。探讨了创意产业与城市复兴之间的关系,解读了创意产业的空间集群特征,指出创意空间是城市复兴的新模式。选取了中国比较典型的创意城市上海作为研究对象,对上海创意空间的发展历程和发展动力进行分析。     

创意产业提升南京城市竞争力研究

创意产业是21世纪最富有魅力的产业。创意产业的核心在于创新,而创新是城市发展的灵魂。创意产业具有文化、知识和产业内涵。发展创意产业与提高城市竞争力有密切联系。创意产业对城市发展的作用主要体现在提高文化品味、提升知识能力和促进产业结构升级等几个方面。把握创意产业的特点和发展趋势,了解国内外创意产业发展的主要模式,对于提升南京城市竞争力具有重要意义。     

创意毕尔巴鄂:古根海姆效应

毕尔巴鄂已经成为一座创意城市,并在过去20年里成功地从一座工业港口城市转型为以服务为导向的旅游目的地—这种做法并不独特,在其他城市也得到了实现.然而,为了发展创意城市,1997年开馆的世界闻名的古根海姆博物馆(GMB)所带来的象征意义和触发效应,将毕尔巴鄂转变成了一座“秀场”,乃至成为有效的城市创意开发的标志.但是,这座博物馆并不是毕尔巴鄂发展为创意城市的唯一动因.本文描述了地方和区域的公共和私营行为如何将毕尔巴鄂变为一座创意场所.这种变化不仅体现在艺术和创意产业上,也体现在城市规划和战略性的城市营销上.     

创意城市:老工业城市的再生之路——以淄博市东部化工区搬迁改造工程为例

创意城市是新兴起的城市学概念．它以城市文化作为切入点和基点．在此基础上寻求城市新的发展方向和发展模式。这种新的城市发展观点对我国正处于产业转型期的老工业城市具有启发意义。本文以我国老工业城市淄博市东部化工区搬迁改造工程为例．探讨利用城市再生和创意城市的理念将旧城工业区改造成为文化创意园区的可能性．并对老工业城市的创意城市发展战略进行思考。     

全球化进程中的创意城市及创意规划

全球化提升了城市的竞争力,其中一种最成功的发展模式是创意城市。将创意作为城市发展的基本要素,需要重新界定城市的发展目标和重点,提出新的发展战略。从经济发展角度看,创意城市的发展需要依赖文化创意产业的系统化;从空间形态角度看,创意城市中包括文化特区和创意集群两种空间形态。从多伦多文化计划和加拿大圣凯瑟琳斯创新总体规划两个案例来看,创意城市规划应在战略或规划目标中突出体现"创意",以挖掘城市空间的新的增长潜力。