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1.
Neil Spiller counters the main theme of this issue by questioning the dominant focus on production and new technologies in architectural culture, which places a premium on the generation of ‘ever more gratuitous complex surfaces and structures’. Could this inward-looking emphasis on process and obsessive love of new technologies be at the expense of the final product? Are we in danger of producing artefacts that lose sight of human expression and poetics in the competitive drive for greater complexity? Are we, in fact, heading towards a great ‘forgetting’ in which humanity is subtracted from the architectural product?  相似文献   

2.
For four years, AVATAR at the Bartlett School of Architecture at University College London has been advancing the ‘digital and visceral terrain’. As its main exponent, Neil Spiller explains how its preoccupations fan out far beyond the merely technological, encompassing the aesthetic, philosophical and the natural, enabling it to question current stylistic tyrannies in architecture. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

3.
Neil Spiller gets personal in a bid to put the ‘I’ back into architecture. He celebrates the spatial experimentation of the work of Charlotte Erckrath. Creating a space of desire, she produces a subjective ‘synthesis of architect, body, space and view’. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

4.
Neil Spiller celebrates ‘the messier sides to architectural discourse’, which take in myth-making, collaged semiotics and moreover the untidy art of narrative. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

5.
Neil Spiller ruminates on nature and what ‘the odd naughty leaf’ has contributed to art and architecture over the years - culminating in evolutionary design and parametrical modelling today. He flags up the work of two of the most ‘talented young bucks’ in the field - Dennis Dollens and Cloud 9. But how realistic is it for us to really expect biomimicry to influence how and what we build? Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

6.
Neil Spiller reactionary? Spiller finds himself recoiling into a ‘grumpy old man’ as he observes the emergence of an alarming new trend in architecture schools that prioritises style over matter. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

7.
Neil Spiller looks beyond the digital and envisions a surreal future of ‘biological parallelism’ that pushes the boundary of architecture deep into the natural sciences, potentially creating ‘huge rafts of new architectural flora and fauna’. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

8.
Neil Spiller , the Hawksmoor Chair of Architecture and Landscape and Deputy Pro Vice Chancellor of the University of Greenwich, London, has an unrivalled international reputation for the virtuosity of his visionary graphic work. Here, in a highly personal and poetic eulogy to Lebbeus Woods, Spiller pays tribute to his master through the lens of his own work, where detail becomes an important element in an imagined, augmented world in which the concrete or the specific lends credence to the fictional.  相似文献   

9.
Neil Spiller reveals the complexity of architectural systems to us, or is it the complexity of the architectural mind? For Spiller, the potential of a single notation as a seed for a truly ecological architecture provides an essential catalyst, triggering a multifaceted musing that takes in diagrams, Paul Preissner's new competition entry for the Taiwan Centre of Disease Control and his future work with Dr Rachel Armstrong on complex biological systems. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

10.
Neil Spiller sharpens his claws and puts some bite into his final ‘Bits' in this closing edition of AD+. He addresses the pressing question of climate change and politicians’, architects' and the construction industry's general proclivity to bury their heads in the sand or to ‘fiddle’ tangentially in another direction. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

11.
Protocell architecture inverts the current economic and procurement processes of construction with their emphasis on cost, speed and quantifiable outcomes. Wet, semi-living and symbiotic with ecological systems and materials, protocell systems promise a pargadigm that is the very antithesis of existing practice and will require the employment of very different skills sets and approaches. To ease the intellectual transition from hard engineering to chemical solutions, Neil Spiller investigates the enduring notion of alchemy. Copyright © 2011 John Wiley & Sons, Ltd.  相似文献   

12.
Neil Spiller produces a paean to the instinctive sketch, yearning back to a time that the advantages of being ‘vague, noncommittal and ill defined’ were well understood. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

13.
In order to meet the challenges of fast-paced urban transformations, Laurent-Paul Robert and Dr Vesna Petresin Robert of Rubedo call for a rethinking of the perennial Utopian model of urban design. They espouse a design strategy that is both able ‘to reflect the dynamics of urban growth and decay’, while meeting the needs of a ‘post-capitalist economy’ - a condition in which change is the only constant. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

14.
For Neil Spiller, there is a current vacuum in much of contemporary parametric design. It is devoid of embodied cultural experience and character. Much can be learnt by rediscovering the dark matter of Baroque and Surrealistic art and architecture, which through repressed eroticism optimised on the simultaneous presence of the secular and the profane - the heaving physicality of the everyday world and the repressed strictures of the Catholic church. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

15.
As the credit crunch bites in, are pockets of young architects reviving a battle against commodified materialism? Neil Spiller describes how he has experienced this close to home with his own class of 2009 at the Bartlett which has reactivated its own brand of Surrealist cybernetic research, inspired by Dalí. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

16.
There is a rebirth of interest in anamorphic perspective - that erudite artistic trick that allows one to represent different points of view in a single plane or view. Neil Spiller sees a new future for this arcane spatial practice that enables objects to dissolve their muteness. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

17.
The physical manifestations of built architecture are often discussed in terms of a single architect's inspiration, overemphasising and romanticising the intellectual contribution of the signature architect. Here Neil Spiller describes the extraordinary departure that Marcos Novak is undertaking at the University of California's Santa Barbara campus, where Novak's own scanned brain becomes a literal, reflexive generating force in the formation of a spatial environment. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

18.
Professor at the Bartlett School of Architecture (UCL) and a successful practitioner, CJ Lim has won international awards for his exquisite drawings, including the esteemed Royal Academy of Arts Grand Architecture Prize. Here CJ extols the virtue of narrative and signified meaning in buildings and describes his project London Short Stories that employs ‘real and imaginary sites as springboards for the imagination’. Often ‘immoral, licentious, anarchical and unscientific’, the short stories, which are three-dimensional creations constructed out of paper, are from ‘an aesthetic point of view, glorious, ravishing and a pleasure to behold’.  相似文献   

19.
Stalker/ON     
How might we ‘reboot’ architecture and ‘regain the critical’? American architectural critic and professor Peter Lang finds in Stalker's interactive field study of a Romany community around Rome a trigger for a re-energised way of thinking that questions how we might effectively live communally and economically. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

20.
Beirut-born architect and writer Tony Chakar describes how the July 2006 Israeli attacks on Beirut prompted memories of the Lebanese War and provided the essential catalyst for producing his work The Eighth Day. Careful not to stipulate prescribed meanings, Chakar delivers the series of images as a lecture that provide luminosity in ‘the space of catastrophe’ where ‘language is undone’. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

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