Tactile colour pictogram to improve artwork appreciation of people with visual impairments

A recent development in tactile technology enables an improvement in the appreciation of the visual arts for people with visual impairment (PVI). The tactile sense, in conjunction with, or a possibly as an alternative to, the auditory sense, would allow PVIs to approach artwork in a more self‐driven and engaging way that would be difficult to achieve with just an auditory stimulus. Tactile colour pictograms (TCPs), which are raised geometric patterns, are ideographic characters that are designed to enable PVIs to identify colours and interpret information by touch. In this article, three TCPs are introduced to code colours in the Munsell colour system. Each colour pattern consists of a basic cell size of 10 mm × 10 mm to represent the patterns consistently in terms of regular shape. Each TCP consists of basic geometric patterns that are combined to create primary, secondary, and tertiary colour pictograms of shapes indicating colour hue, intensity and lightness. Each TCP represents 29 colours including six hues; they were then further expanded to represent 53 colours. Two of them did not increase the cell size, the other increased the cell size 1.5 times for some colours, such as yellow‐orange, yellow, blue, and blue‐purple. Our proposed TCPs use a slightly larger cell size compared to most tactile patterns currently used to indicate colour, but code for more colours. With user experience and identification tests, conducted with 23 visually impaired adults, the effectiveness of the TCPs suggests that they were helpful for the participants.     

电视新闻拍摄也需要美感

分析电视新闻拍摄美感的重要性和必要性,提出在实地拍摄过程中如何体现电视新闻的美感。     

从"天人合一"到"物我合一"——设计艺术中我国观念的转化

通过我国设计艺术中人与自然以及人与物古今观念的对比，试图分析这种观念的转化产生的深层社会背景和对设计的影响。     

扩声系统在体育馆中的典型应用

针对体育馆举办不同类型的大型活动,分别对扩声系统的音质及扩声特点提出要求,以人声和乐器声的频率特性为依据,阐述了调音师在不同场合中对于不同的扩声对象按所要达到的扩声效果应采取的调控方法。     

遗落的明珠——浅谈岑参山水写景诗的艺术价值

唐代诗人岑参以边塞诗闻名于中国古代诗坛，同时他的山水写景诗写得也毫不逊色，取得了极高的艺术成就，特别是其清淡、清新、清旷、清丽的“四清”并行的艺术风格尤为突出。由于历史和个人原因，岑参的山水写景诗历来鲜为人知，但这并不能否定其特有的艺术价值。     

现代民间青花与现代陶艺

现代民间青花与现代陶艺都是火与土的艺术，都具有粗犷，质朴、自然、大方的共同艺术特点。前者在传统民间青花的基础上，汲取了现代陶瓷科技成就和现代文化艺术成果，而发展成为富有现代艺术意蕴和现代审判内涵的新型民间青花艺术；而后者则是从传统陶艺延伸、扩展、蜕变为纯粹艺术表达和具有独特审判内涵的一门现代艺术。     

高压喷射注浆造防渗墙法在防洪工程中的应用

以景德镇城市防洪工程为例，对各种防渗方案进行了比较，阐述了高压喷射注浆造墙法适用的地质条件，以及控制工程施工质量的措施。     

守望太阳——论诗集《太阳之歌》

运用马克思主义历史———美学批评方法 ,结合多种批评理论 ,对《太阳之歌》诗集进行全面、系统、多角度的读解 ,肯定了它的艺术成就 ,指出它是现实主义的绚丽花朵     

Sky blue,but what blue? A new evaluation of the colors of the sky for artists and designers

This study describes a process of relating the perceptual analysis of the colors of the terrestrial atmosphere to currently available pigments used in artists' painting systems. This process sought to discover how the colors of the sky could be defined and simulated by these pigments. The author also describes how confusion over the bewildering choice of suitable pigments on offer in the market place can be clarified. © 2006 Wiley Periodicals, Inc. Col Res Appl, 32, 249–255, 2007