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分析了扬州漆艺家具生存环境,明确了现阶段面临的主要困难。结合扬州漆艺独有的文化底蕴以及地域特色,基于现代设计诸多元素,从设计定位、设计方法、产品推广、社会认知度、人力资源建设等多个方面进行论述,阐述了较为全面的扬州漆艺家具再设计方案,以期为漆艺再发展提供可行性策略,为务实性研究打下良好的基础。 相似文献
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通过审视传统漆器在人们心中所积淀的生存情感心理和散射出民族审美形态的光彩,探索出漆器的审美要素对于引导现代包装设计的文化审美趋向和结构价值形态的作用,最后充分展现出漆器审美要素对现代包装设计的辐射. 相似文献
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Eugene N Onyeike Edward O Ayalogu Catherine C Okaraonye 《Journal of the science of food and agriculture》2005,85(11):1822-1828
The proximate nutrient composition, energy value, mineral concentrations, amino acid composition and chemical score of the larvae of raphia palm beetle (Oryctes rhinoceros) and weevil (Rhyncophorus pheonicis) were evaluated. Values of moisture, ash and crude protein were significantly (p < 0.05) higher in O rhinoceros than in R pheonicis while the reverse was the case for the values of crude fat, total carbohydrate and energy content. The crude protein content of both samples was high, with a value of 42.3 ± 0.84% for the palm beetle and 31.6 ± 0.59% for palm weevil, while crude fat was high (17.3 ± 1.2%) in palm weevil and very low (0.55 ± 0.10%) in palm beetle. The calorific value in kcal 100 g?1 sample was 425 in R pheonicis and was significantly higher (p < 0.05) than the value of 285 in O rhinoceros, due to a relatively higher crude fat and total carbohydrate in the former compared with the latter. The mineral concentrations were high and differed for all the elements, with O rhinoceros having the higher level of many of the mineral elements (calcium, magnesium, potassium, manganese, iron and phosphorus) compared with R pheonicis, consistent with a significantly higher (p < 0.05) ash content of 12.7 ± 0.81% in O rhinoceros against the value of 4.2 ± 0.45% ash in R pheonicis. The amino acid profile showed both samples to be good sources of essential and non‐essential amino acids including cysteine and methionine, both of which contain sulfur. Valine, which had the lowest chemical score of 51.2%, was the most limiting amino acid for protein quality in both O rhinoceros and R pheonicis. Copyright © 2005 Society of Chemical Industry 相似文献
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通过考证漆器的起源,肯定了中国是世界上最早使用漆器的国家。早在2 100年前,中国漆器就开始了对外交流之路,其中尤以传授日本最具代表性。比较了中日两国的漆器专用术语的异同,归纳总结了两国漆器的交流简史,并对中日两国对我国台湾省漆器艺术的影响作了概述。 相似文献
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Rebecca H. Hallett Alice L. Perez Gerhard Gries Regine Gries Harold D. Pierce Jr. Junming Yue A. Cameron Oehlschlager Lilliana M. Gonzalez John H. Borden 《Journal of chemical ecology》1995,21(10):1549-1570
Male coconut rhinoceros beetles,Oryctes rhinoceros (L.), produce three sex-specific compounds, ethyl 4-methyloctanoate, ethyl 4-methylheptanoate, and 4-methyloctanoic acid, the first of which is an aggregation pheromone. Synthesis of these compounds involving conjugate addition of organocuprates to ethyl acrylate is reported. In field trapping experiments, (4S)-ethyl 4-methyloctanoate and the racemic mixture were equally attractive and 10 times more effective in attracting beetles than ethyl chrysanthemumate, a previously recommended attractant. Ethyl 4-methylheptanoate was as attractive as ethyl chrysanthemumate and more attractive than 4-methyloctanoic acid, but further studies are required before it can be classed as an aggregation pheromone. Compared to ethyl 4-methyloctanoate alone, combinations of the three male-produced compounds did not increase attraction, whereas addition of freshly rotting oil palm fruit bunches to pheromone-baited traps significantly enhanced attraction. With increasing dose, captures ofO. rhinoceros increased, but doses of 6, 9, and 18 mg/day were competitive with 30 mg/day lures. Newly designed vane traps were more effective in capturing beetles than were barrier or pitfall traps. Results of this study indicate that there is potential for using ethyl 4-methyloctanoate in operational programs to controlO. rhinoceros in oil palm plantations. 相似文献
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目的 挖掘、整理、提炼和传承民族传统文化,丰富以传统文化元素为主题的文创产品的种类与形式,满足消费者对传统文化主题文创产品的需求.方法 采用文献资料法、DFA分析法、计算机辅助设计等方法,对汉代漆器云纹纹饰进行研究.运用形状文法提取其中的基本形态元素,对其进行形态推演(生成性推演和衍生性推演),形成新的纹样图形,经过细化,将其应用到合适的文创产品载体上.结论 汉代漆器是我国古代最具代表性的工艺美术形式,蕴含着丰富的传统文化内涵.云纹纹饰作为汉代漆器中的重要文化元素具有很高的艺术价值和研究价值.在现代文创产品设计中,引入汉代漆器云纹纹饰,并运用形状文法对提取的初始纹样进行推演设计,可以较好地将传统文化元素与现代文创产品设计相结合,并创造出极具民族特色、符合中国人文化心理需求的文创产品. 相似文献
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目的研究楚漆器文化的保护及开发策略,实现对楚漆器的数字化保护和对楚漆器文化与器物美学的传承,增进用户对楚漆器的了解,提升用户对楚漆器的创作兴趣等,探索楚漆器当代发展的新风貌。方法介绍楚漆器在中华文化中所扮演的角色和楚漆器的基本发展情况,并分析如何合理地对其进行数字化保护及开发。首先搭建楚漆器数据库,对其基本信息进行数字化的处理与整合;其次提出基于数字化的楚漆器开发策略,包括找文物、听故事、智能识别、DIY四个模块;最后基于开发策略构建楚漆器APP开发平台。结论以楚漆器数据库为基础,以APP为载体,实现楚漆器实时、非限制性的展示,实现在博物馆和教育展示等多种情境中的应用,推动楚漆器的保护与文化传播,促进楚漆器多元化的新发展。 相似文献
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目的以剔犀漆器为例,探析传统云纹纹样的提取与设计应用研究思路,推动现代设计理念下对传统装饰纹样的传承与创新。方法首先,结合网络搜索和查阅文献的方式,收集、归纳传统剔犀漆器文化的相关资料。然后,通过深入分析传统剔犀漆器云纹纹样的视觉效应,提取有效的图形设计元素,并依据分解重构的设计法则对提取的图形元素进行衍生及再设计,实现传统剔犀云纹纹样与现代设计风格的深度融合。最后,以产品包装设计实例予以检验。结论剔犀漆器作为中国漆器文化中的一颗明珠,拥有着独特的人文魅力和纹样特征。将现代设计构成法则运用到传统剔犀云纹纹样的提取与设计应用研究中,既有利于提升目标设计的文化价值,又能够促进剔犀漆器这项非物质文化遗产的传承和发展。 相似文献