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51.
该文以武汉市昙华林历史街区为研究对象,对其目前现状进行调查研究,得出目前昙华林街区存在物质性衰退、环境孤立、建筑风格紊乱等五个方面的问题。根据国外历史街区保护的先进经验,并结合实际存在的问题,提出昙华林未来发展的走向及对策,力求实现街区活力复兴与可持续发展目标。 相似文献
52.
Edwin Heathcote 《Architectural Design》2006,76(3):34-39
The most memorable architectural images of the early 1990s were those of the organic architecture of Imre Makovecz. With their extraordinary, Expressionist timber forms, they encapsulated for the West the romantic possibilities of the architecture that lay behind the former Iron Curtain. Edwin Heathcote, who in 1997 wrote a monograph on Imre Makovecz for Academy Editions, here explains why ‘the organic’ counterpoised by ‘the rational’ has continued to provide such a rich dialogue for contemporary Hungarian architecture. Copyright © 2006 John Wiley & Sons, Ltd. 相似文献
53.
Jeremy Melvin 《Architectural Design》2006,76(5):126-129
Jeremy Melvin visits David Adjaye and Associates' second Idea Store in London, on the Whitechapel Road, and discovers how, through a confluence of ‘image, purpose and experience’, Adjaye has been able to advance on the library as a conventional building type. Copyright © 2006 John Wiley & Sons, Ltd. 相似文献
54.
Anna Giorgi 《Architectural Design》2007,77(3):50-57
The main focus of Mario Cucinella's work is an overlapping preoccupation with technology and the natural environment. In his hands buildings are transformed into complex climatic machines. Anna Giorgi explains how, when combined with an instinctive sense of place, these concerns allow Cucinella's buildings to remain open objects, fragments of a greater natural or urban system. Copyright © 2007 John Wiley & Sons, Ltd. 相似文献
55.
Michael Spens 《Architectural Design》2007,77(4):122-123
Michael Spens has an intimate working knowledge of the buildings of Alvar Aalto having supported a restoration programme for Aalto's Viipuri Library in Russia between 1993 and 1997, which involved professionals from Russia and Finland. Here he offers his thoughts on the recent Aalto exhibition at the Barbican. Copyright © 2007 John Wiley & Sons, Ltd. 相似文献
56.
Joseph Abram 《Architectural Design》2007,77(5):84-89
From the golden era of 1960s Rationalism to the present Inquietude Lucide, Joseph Abram describes the Rationalist tendencies in French architecture. Once dominated by the spectres of Le Corbusier and Auguste Perret, the rational was deeply embedded in French tectonic culture. Despite the current reassertion of the rational, the future, as Abram explains, appears less certain. Copyright © 2007 John Wiley & Sons, Ltd. 相似文献
57.
Color preference for the interior of a bedroom of Le Corbusier's Swiss Pavilion was studied using 1931 Salubra color keyboards in a cross-cultural analysis. Results indicate that students from architecture and interior design slightly dislike or are indifferent to Le Corbusier color combinations and prefer pale and low saturated colors for interior architecture. The least preferred colors belong to green and brown hues. Scarce significant gender differences are found that follow a stereotyped tendency, with females preferring pinks, light blues and light greens, while males vivid oranges and Vermilions. Near Easterners are significantly more likely to green colors, while Western Europeans to dark greys. These data indicate that not only hue, but also value and saturation are important color features to inform preference for interior architecture. 相似文献
58.
Mark Burry 《Architectural Design》2014,84(4):134-141
Mark Burry holds a unique position in architecture, straddling the worlds of practice and academia as Senior Architect to the Temple Sagrada Família in Barcelona and as Professor at RMIT in Melbourne, where he is Founding Director of the RMIT Design Research Institute. In his Counterpoint to this issue of AD, he puts the spotlight back on construction, asking whether the detail could be in danger of falling victim to an inadvertent and ‘massive separation of design from making’. As he states: ‘to detail effectively is to understand not only what the building “is”, but how it will be made’. 相似文献
59.
2010年上海世博会是第一个提出“低碳世博”并全力实践这一概念的世博会.在秉承这一理念的众多展馆建筑中,法国参展的两个展馆——法国馆和阿尔萨斯馆将绿色生态技术思想巧妙地融入建筑设计的整个过程中,独具特色.通过分析两个作品中绿色生态设计思想如何与建筑的功能、形态、空间进行结合,试图发现其作品背后隐含的生态设计方法和设计过... 相似文献
60.