基于章水泉竹艺非物质文化遗产的APP设计与研究

目的 针对章水泉竹艺非物质文化遗产在目前所遭遇的传承困境，利用数字媒体技术与互联网平台，打造推动其产品创新与文化传承的APP，助力其文化与产品的传播与推广，进而为湖北地区的非遗文化发展提供参考。方法 从章水泉竹器的本源出发，对其主要产品门类、工艺特点与艺术形式进行整理与分类，分析制约其传承与发展的主要原因，进而提出设计策略，并通过数字化传承、合作创新、成果推广3个策略模块针对性地进行APP设计。结论 章水泉竹艺APP设计通过利用数字媒体技术与互联网平台优势，将其历史与工艺资料进行数字化保存与展示，实现了文化保护功能；将其传统技艺与新锐设计思维通过线上平台进行融合与创新，实现了设计创新功能；将其制作流程与文化精髓通过直播与精准推送展现于公众视野，实现了产品推广功能。最终，为章水泉竹艺的传承与推广提供了新的路径。     

以职业教育推动传统建筑工艺传承的探讨

传统建筑工艺是建筑遗产中不可或缺的重要组成部分，然而辉煌背后，传统建筑工艺却面临着断代或失传的风险。职业教育倡导的“教学做”一体化教学模式，强调培养学生的职业技能、动手能力的特点与传统建筑工艺传承所需的千锤百炼相吻合，并在实践教学中已取得了一定的成果，但同时显现了不足，文章将针对这些不足之处，以广州城市职业学院城市建设工程系为例，探讨职业院校开展传统建筑工艺的教学模式。     

基于现代印刷工艺的非遗创意转化研究

目的研究现代印刷工艺在非遗创意转化中的应用。方法探讨非遗现代创意转化的依据与途径,根据联合国教科文组织对非遗的定义,明确创造性与现代性是非遗概念的核心特征。比较研究非遗现代创意转化较常见的两种形式:创意产品设计与创新印刷设计,突出创新印刷设计对开拓传统文化传承新形式的重要作用。通过对第68届美国印制大奖最高"班尼"金奖作品《山海经》线装图鉴、铜奖作品《团扇》明信片的具体案例分析,论述现代印刷工艺对非遗文化的全新呈现,成功引领中国非遗文化创意作品登上世界印刷的舞台。结论先进的印刷工艺与设计创意相结合,并依托印刷媒介传播的广泛性,能使非遗文化更好地融入新时代生活,确保非遗传承的生命力,从而实现非遗现代创意转化的真正意义。     

中国建筑话语中的“文脉”(1980年代-1990年代)

对"文脉"一词进入中国建筑话语的历史作出概览式的回顾,并分别以"阙里宾舍"和"西单商业大楼"为例,从设计者的自述与建筑界的评论入手,探讨1980年代末到1990年代初"文脉热"兴起的可能原因。指出对"复古主义"的批判和创作有"民族特色"建筑的愿望是"文脉"一词背后潜在的诉求,同时,也警醒地看到,基于特定时代背景,中国建筑界对西方后现代主义等建筑思潮不可避免地片面理解和吸收,也造成了"文脉"逐渐丧失了其本应具有的批判性与创造力。     

Profiling of knowledge organisation systems for the annotation of Linked Data cultural resources

The importance of cultural heritage for supporting the knowledge economy has promoted its digitisation and online publication. Many cultural heritage repositories have published millions of digitised items using semantic web technologies and Linked Data approaches. These repositories frequently use knowledge organisation systems to classify the resources, but the domain heterogeneity makes it difficult to know if they are the most suitable ones. This paper describes the process used to discover and profile the knowledge organisation systems used in the cultural heritage domain. Additionally, for those knowledge organisation systems with a thesaurus-like structure, a detailed quality analysis is performed. The results of this analysis can be used as a key factor for the selection of knowledge organisation systems in classification tasks.     

Showcase and window to the world: East German architecture abroad 1949–1990

For decades, German Democratic Republic (GDR) architecture was seen as parochial and dictated by the Soviets, yet increasing scholarly interest has generated a picture of debates and specific practices that were embedded in the global process of expansion and crisis of Modernism. Meanwhile, and influenced by the East-West conflict, competing concepts of modernization and national identity arose in the so-called Third World, initiating multifarious cultural transfer processes. This article analyses to what extent the architects from the GDR – a country whose building practice was increasingly shaped by the principles of industrial prefabrication – have played a part in regional contexts and construction methods. It also asks what their role was in international organizations such as Union Internationale des Architects and UNESCO, which promoted their practical engagement abroad. The subject raises issues of possible freedom of action in creative design and fusion processes, but also of bureaucratic constrictions and international relationships ending in unexpected conflicts. The examples outline the field of activities that stretches from pure blueprint delivery for a memorial competition to long-standing work on location when planning whole neighbourhoods. Furthermore, the article examines how the challenges of international planning impacted building culture within the GDR itself.     

Indoor levels of volatile organic compounds at Florentine museum environments in Italy

Indoor Air Quality monitoring in cultural institutions is of particular concern to protect these places and the cultural heritage content. An indoor monitoring campaign was performed in three museums in Florence (Italy) to determine the occurrence and levels of volatile organic compounds (VOCs). VOCs of interest included BTEX (benzene, toluene, ethylbenzene, xylenes), terpenes, aldehydes, organic acids, and cyclic volatile methyl siloxanes (cVMS). The most abundant VOCs in all samples analyzed were BTEX, which were strictly related to the traffic source, followed by siloxanes and terpenes. Among BTEX, toluene was always the most abundant followed by xylenes, ethylbenzene, and benzene. cVMS in exhibition rooms with the presence of visitors showed higher values compared to samples collected when the museums were closed. Terpenes showed not only the influence of vegetation-biogenic sources surrounding a museum but could also be related to the wood used for the construction of showcases and furniture and the use of cleaning products. Data obtained also showed the presence of organic acids and aldehydes whose source can be traced back to exhibits themselves and wood-based furniture. Assessing the levels of organic acids in museums is important because, over time, it can cause deterioration of the artifacts.     

基于津沽文化脉络的文创产品创新发展策略研究

类比故宫博物院等优秀文创产品产业化发展思路对津沽文化脉络进行文化传承元素的有效梳理，结合产业化发展的活态传承与保护形式，以文创产品设计为研究载体，带动城市文化创新发展与文化自信，间接促进社会经济发展。通过总结天津非物质文化遗产的特性和产业化发展现状，对比分析不同领域文创产品设计案例。以市场需求定位设计层级，建立在设计层级基础上的产品创新设计理念，从升级保护技术的角度拓展产业化发展思路，结合数字化营销模式，适应现今智能化时代需求。总结了非遗文创产品在层级设计指导下的历史与文化，以及在现代与未来概念下的文化传承创新发展方向。进一步带动了天津文化产业发展，促进文化产业的良性循环，为天津传统文化产业化发展提出了切实可行的创新理念。     

国内建筑涂料市场影响因素与预测分析

中国是全球最大的建筑涂料市场，各涂料厂商在中国建筑涂料市场上进行激烈竞争，能够精准预测行业趋势对各涂料厂商精准决策和投资，提升企业经营质量具有重要意义。文章收集了近 12年建筑业总产值、房地产投资、城镇常住居民人口、 M2和 GDP等影响建筑涂料市场的数据，通过回归分析的方法得出：各影响因素与建筑涂料产量存在紧密且正相关的定量关系，并由此预测了国内建筑涂料市场在未来 3年将稳步发展。     

零能耗太阳能住宅的工业化建造

当前建筑业正处于向工业化发展转型的重要时期,以中国国际太阳能十项全能竞赛(SD 2013)中的北京交通大学"i-Yard"参赛作品为例,重点从建筑部品系统的划分和工业化建造等方面进行解析,为零能耗、可持续建筑的模数化设计和快速工业化生产提供了有益的参考。