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Milica Topalovic 《Architectural Design》2016,86(4):42-47
The explosion of the palm oil industry in recent decades has transformed vast swathes of the Malaysian and Indonesian countryside. Milica Topalovic , Assistant Professor of Architecture and Territorial Planning at ETH Zurich, asserts that the resulting agro-industrial landscapes challenge the very concept of what is rural, and considers how such areas should be conceptualised. 相似文献
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Mark Garcia 《Architectural Design》2016,86(5):92-99
Patents are the strongest form of intellectual property rights available internationally, so far unbeaten by open source as a body of innovation and know-how. Mark Garcia , senior lecturer in the Department of Architecture & Landscape at the University of Greenwich, London, here considers the pros and cons of the patent system for architects in the digital age: from issues over patent categorisation by type, to possibilities of micro-royalties through the capacity of design software to track every stage of input from multiple contributors. 相似文献
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Peter Buchanan 《Architectural Design》2015,85(2):88-93
The architecture of the Renzo Piano Building Workshop (RPBW) is renowned internationally for the formal refinement of its components and detailing as well as for its sensitive responses to context, both in terms of its physical surroundings and local construction traditions. But, as architectural author and Piano specialist Peter Buchanan reminds us, the central concern of the practice remains focused on the original core impetus of expandingthe bounds of what technology and materials can achieve. 相似文献
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Martha Langford 《History of Photography》2016,40(1):28-48
Canadian photographer Richard Harrington has been recognised since the 1950s for his photographs of the Arctic, and specifically for portraits of the Padleimiut taken at a hunting camp in 1950 during a winter of acute shortages. Three were selected for Edward Steichen’s The Family of Man (1955). Of that group, two focused on motherhood through depictions of childbirth and maternal love; the latter is sometimes referred to as ‘Canada’s Madonna and Child’, making a timeless secular icon from the representation of a crisis. Harrington was a documentary photographer who made his living as a freelance photojournalist specialising in human interest stories and travel features for magazines and newspapers. On assignment in British Columbia for the Hudson’s Bay Company magazine The Beaver, he photographed a First Nations mother and child, an image entitled ‘Madonna of the Peace’. This photograph later graced the cover of a Roman Catholic missionary magazine, Pôle et Tropiques. This article draws parallels between Harrington’s photographs of Indigenous mothers and children and Dorothea Lange’s Migrant Mother, using Harrington’s diaries and community-based research to reconstruct the lives of his subjects, and considering the sacrifice of knowledge to iconicity. 相似文献
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Wendell Richard Garner was born on January 21, 1921, in Buffalo, New York, and died quietly on August 14, 2008, in Redding, Connecticut. He was an experimental psychologist who changed the way researchers study human perception and cognition. He provided new knowledge about how people process information and structure and about how to ask scientific questions. Three classes of his contributions are particularly noteworthy. His concept of converging operations, that outcomes of different studies converge on a common concept, paved the way to powerful analytic techniques, such as additive factors modeling. His information and structure ideas shaped research in perception and cognition and pattern recognition. His perceptual independence notions set the stage for hundreds of studies of dimensional independence and interaction, of perceptual integrality and separability, and of dimensional attention that are still actively pursued. Life for Tex was not all science and administration. He collaborated on Earnshaw Cook's Percentage Baseball (1964) and briefly consulted with the Baltimore Orioles baseball club. I asked why he did not similarly analyze football for the Baltimore Colts. He said it might spoil his love for that game. After his death, nonsolicited kudos circulating on the Internet included such comments as "I wish I had known him" and "I didn't know him, but I did know his elegant and insightful work." (PsycINFO Database Record (c) 2010 APA, all rights reserved) 相似文献
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Lee A. Gladwin 《Cryptologia》2013,37(3):199-211
Abstract The discovery of intercepts in the Japanese “Orange Translations” regarding the sinking of merchant ships (marus) bearing allied POWs led to the conclusion that the Joint Intelligence Center Pacific Ocean Area (JICPOA) gave latitudes and longitudes of these vessels to the Commander, Submarine Force, Pacific (ComSubPac) knowing that POWs would be killed. An examination of the “Orange Translations” reveals that most of the intercepts are from the Japanese Water Transport Code (2468) system, not the “Maru Code” (JN-11). The author concludes that while JICPOA provided ComSubPac with convoy coordinates, they were unaware of the presence of POWs on the marus. 相似文献
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19世纪以来,随着现代化和工业化程度的加深,科学、艺术和劳动的分划也日益显著.在这一现实背景下,出现了对"总体艺术"的呼吁,提倡以此促成建筑、戏剧、音乐等多种艺术表现形式的联合,以及艺术与社会的联合.音乐家瓦格纳主导建设的拜罗伊特剧院,作为总体艺术概念的早期空间实践,对后来的建筑理论与设计造成了深远影响,其中包括由20世纪初先锋派建筑师、包豪斯领军人物格罗皮乌斯提出的"全面剧场"方案.分析两个剧院设计可以看到,世纪更迭之际,建筑学领域的"总体艺术"理念始终试图以"建筑"复苏社会和艺术的公共性;而对于"机器"在此过程中可能扮演何种角色,不同阶段的设计者则抱有不同的理解,折射出"总体艺术"作为一个现代理想的复杂与矛盾性. 相似文献
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No authorship indicated 《Canadian Metallurgical Quarterly》2003,58(11):874
Presents the 2003 APA Award for Distinguished Scientific Early Career Contributions to Psychology. A list of the members of the APA committee who selected the recipients for this year and a list of the previous recipients of this award from 1974 through 2003 are provided. The award recipients for 2003 are: Isabel Gauthier, Nancy Petry, Richard W. Robins, Daniel J. Simons, Steven J. Heine and Sandra L. Murray. The award citation, biography, and a selected bibliography of each of the award recipient's research are included. (PsycINFO Database Record (c) 2010 APA, all rights reserved) 相似文献