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Abstract

When photography was invented, St Andrews was already a very old town, littered with the remains of a glorious and turbulent his tory: notably the skeletons of a once magnificent cathedral and a large Augustinian priory and a ruined castle, horne of the former bishops and archbishops. Zealous reformers had helped reduce these great symbols of medieval Scotland's archiepiscopal see, which were now picturesque ruins, ideal for recording in the new medium of photography. However, St Andrews in the nineteenth century was more than just ‘that Reformation bombsite’.1 This rather apt phrase was used recently by Les Murray in his poem, St Andrews University AD 2000, one of ten poems specially commissioned to mark the 250th anniversary of the birth of Robert Fergusson, poet, former St Andrews student and inspiration to Robert Burns. It had a small, sleepy university, with old college buildings nestling among the town's commercial and private properties. But also it had something else alive and stirring in the western end of the town — its famous 'Old' golf course. Around the time the first St Andrews photographs were being made, George Fullerton Carnegie penned the following lines in his Golfiana: Address to St Andrews:  相似文献   
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Pronouncements about the value of information and communication technology (ICT) (hereafter traditional, new, and social media) to social movements – hyperbolic in popular media references to new and social media (e.g., Facebook revolution, Twitter revolution, etc.) – invite scholarly inquiries that critically assess the implications of these assumptions for African countries. Sensing the tendency toward technological determinism, a position which Castells warns is fraught with failure to recognize complex interactions between society and technology; authors examined popular press vis-à-vis scholarly assumptions about the value of media during social movements. Questions that critically analyze the roles and power of old versus new media in social movements should be posed particularly about 21st century iterations with citizens increasingly doubling as creators and disseminators of news and information. For example: to what extent do various media comparatively facilitate or constrain activists in social movements? How have new ICTs assisted citizen activists in circumventing the power and reach of traditional media? How have the roles of traditional versus new media in social movements been framed in the popular press and academic journals? What contextual factors (e.g., communal networks; third-party- and foreign-interventions, digital divide, etc.) may be accountable for the take-off and successes of social movements? In a continent fraught with cultural, political, and socio-economic divisions of historic proportions, authors critically assessed cases across Africa of variegated employment of old (i.e., radio, newspaper, television) and new media platforms (i.e., Facebook, Twitter, mobile telephone text messaging) by four social movements spanning 35 years. Assessments underscore citizen empowerment and multiplier capabilities of new media but affirm the value of contextual factors that minimize hyperbolic assumptions about the contribution of new media to the formation and progression of social movements.  相似文献   
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对北方城市水库水的特征,水库水季节性氨氮增高现象的原因进行了分析,并对常用的氯化法、沸石吸附法、生物陶粒接触氧化法、生物沸石法和扬水曝气法等工程措施进行了讨论.认为生物沸石过滤法是一种优势明显、应用前景广阔的微污染水处理方法.  相似文献   
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吴之凌  宋洁 《新建筑》2011,(1):126-129
为纪念辛亥革命100周年,市政府在武汉首义文化区以国际征集的方式确定辛亥革命博物馆(新馆)建筑设计及首义南轴线城市设计实施方案。介绍了六家应征机构设计方案的总体布局、建筑设计及城市设计特点,并总结出其创意及亮点,为方案的优化及实施提供参考和依据。  相似文献   
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首义公园是针对辛亥革命武昌首义的第一个纪念性城市建设。以园林形态,而非通常的纪念碑、纪念堂等建筑形式加以纪念,有政治、社会、经济、文化等诸多层面的原因。近百年来,由于各层面因素在不同的历史发展阶段有着不同的特点,首义公园的纪念性表现形式因之嬗变,故大体经历了由园林形态逐渐景观化的过程。  相似文献   
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