2009多国仪器仪表展览会流量仪表评估

简要介绍了2009年多国仪器仪表展览会(MICONEX2009)上流量仪表参展商概况、12大类参展流量仪表所占比例,并分析评述了展品及其亮点,如新流量测最原理的激光流量计,向小流量低流速方向延伸的超声流量计、超声热黾表和超声水表,能测量液体的MEMS(微机电系统)制的热式流量计,可代替机械式的MEMS家用/商用燃气表,高阶椭圆齿轮流量计等.     

浅谈国内科技馆传统科普展品的改进和提高

本文就科普场馆中科普展品的改进和提高提出了十种方法和手段,并从科普展品的制造、表现形式、造型和展品设计方法等四个方面予以归纳总结。提出了应使展品具有“工艺品气质”和强调“人性化”设计,倡导在展品设计制造过程中采用发散思维和逆向思维的方法。指出有效的技术交流和沟通,可以使名称相同的展品做到“与众不同”。     

Empathic negotiations through material culture: co-designing and making digital exhibits

Abstract

This article introduces a case study undertaken in the indigenous Penan community of Long Lamai, Upper Baram, Sarawak, Malaysia. In this community, there is concern about the negative image other cultural groups hold of the Penan. This case study explores co-design as a means to invite community members, together with a designer, to explore the identity that they would like to present to people outside the community. In preparing for an exhibition to challenge perceptions, it turned out to be important to embrace the culture of the community to facilitate self-expression, introducing new concepts such as technological interventions and design probes to stimulate reflection and creativity. However, it was indigenous material culture, when actively and encouragingly supported by the designer, that had a key role in developing the co-design and, with it, empathic understanding between designer and community.     

第九届CIMT(2005)磨料磨具展品评述

第九届中国国际机床展览会于2005年4月在北京举行。本文对参展的磨料磨具主要展品及展商的情况作了较为全面详细的介绍，并就展会反映出的新的产品生产技术，产品及市场发展趋势和市场竞争策略进行分析。作者认为，在今后一个时期，新型结合剂的开发是促进产品技术发展的重要因素，提供与磨具配套的磨削技术服务成为市场竞争的重要手段。     

CIMT2003锻压机械展品评述

第八届中国国际机床展览会锻压机械类参展商约80家,国内参展商(包括台湾地区和外企的代理商)约54家,国外参展商约26家。共展出锻压机械类展品110余台套,其中国内展品约80多台套,国外展品约20多台套。与上届展览会比较,国外参展商数量略有增加,而展品数量有所减少。     

浅谈科技馆展品更新改造的几点思考

随着中国经济的高速发展和人们生活水平的不断提高,人们对科技文化的需求正在快速增长。因此,国内各级城市将建设科技文化设施放在了当前市政建设重要的位置上。结合笔者从事的展品研发工作,提出了关于展品更新改造的建议。     

浅谈科技馆展品的评价标准

科技馆是普及科学知识、提高公众科学素质的重要场所,对推动科技进步具有重要作用。结合具体展品,本文提出了科技馆展品标准化体系的构成,论述了标准化体系所涵盖标准的主要内容。     

User-interface design for the Ripoll Monastery exhibition at the National Art Museum of Catalonia

Computer graphics and virtual reality technologies provide powerful tools for visualizing, documenting and disseminating cultural heritage. Virtual inspection tools have been used proficiently to show cultural artifacts either through the web or in museum exhibits. The usability of the user interface has been recognized to play a crucial role in overcoming the typical fearful attitude of the cultural heritage community towards 3D graphics. In this paper we discuss the design of the user interface for the virtual inspection of the impressive entrance of the Ripoll Monastery in Spain. The system was exhibited in the National Art Museum of Catalonia (MNAC) and it is now part of the Romanesque exhibition at the MAPFRE foundation. The MNAC is the third most visited art museum in Spain, and features the world's largest collection on Romanesque Art. We analyze the requirements from museum curators and discuss the main interface design decisions. The user interface combines (a) focus-plus-context visualization, with focus (detail view) and context (overview) being shown at separate displays, (b) touch-based camera control techniques, and (c) continuous feedback about the exact location of the detail area within the entrance. The interface allows users to aim the camera at any point of the entrance with centimeter accuracy using a single tap. We provide the results of a user study comparing our user interface with alternative approaches. We also discuss the benefits the exhibition had to the cultural heritage community.     

Creating Assemblies in Public Environments: Social Interaction,Interactive Exhibits and CSCW

This paper examines the use of a series of three low tech interactive assemblies that have been exhibited by the authors in a range of fairs, expositions and galleries. The paper does not present novel technical developments, but rather uses the low tech assemblies to help scope out the design space for CSCW in museums and galleries and to investigate the ways in which people collaboratively encounter and explore technological exhibits in museums and galleries. The bulk of the paper focuses on the analysis of the use of one interactive installation that was exhibited at the Sculpture, Objects and Functional Art (SOFA) Exposition in Chicago, USA. The study uses audio–visual recordings of interaction with and around the work to consider how people, in and through their interaction with others, make sense of an assembly of traditional objects and video technologies. The analysis focuses on the organised practices of assembly and how assembling the relationship between different parts of the work is interactionally accomplished. The analysis is then used to develop a series of design sensitivities to inform the development of technological assemblies to engender informal interaction and sociability in museums and galleries.     

创新展品的设计思路与制度性制约因素

本文分析了影响我国科技馆展品创新行为的主要内在因素和外部因素。首先从世界科技博物馆展品发展的轨迹分析现代科技馆展品的特征,对比了我们与国际先驱们在展品设计基本思路上的差异;继而从展览设计程序、展览展品招投标制度安排等方面分析了我国制约展品创新的外在因素;认为,导致我国科技馆展品缺乏创新的最主要因素是展品设计思路和展览设计程序问题。