Learn decision trees with deep visual primitives

In this paper, we strive to propose a self-interpretable framework, termed PrimitiveTree, that incorporates deep visual primitives condensed from deep features with a conventional decision tree, bridging the gap between deep features extracted from deep neural networks (DNNs) and trees’ transparent decision-making processes. Specifically, we utilize a codebook, which embeds the continuous deep features into a finite discrete space (deep visual primitives) to distill the most common semantic information. The decision tree adopts the spatial location information and the mapped primitives to present the decision-making process of the deep features in a tree hierarchy. Moreover, the trained interpretable PrimitiveTree can inversely explain the constituents of the deep features, highlighting the most critical and semantic-rich image patches attributing to the final predictions of the given DNN. Extensive experiments and visualization results validate the effectiveness and interpretability of our method.     

价值网络语境下企业设计价值创新路径研究

目的 在新的视角下，提出一种价值创新路径模型，对设计驱动型企业的价值实现方式进行有效补充。方法 通过文献研究，论述了企业关系由价值链到价值网转变的历史趋势;通过比较研究，对价值实现过程中主客体之间的4种关系进行了类比分析，提出了不同主客体关系状态下设计实践的具体表现方式。结果 在价值网络语境下，以价值论为理论依据，从主客体之间的关系入手，构建设计价值创新路径模型。结论 通过分析证明:“主客体统一状态”是企业价值创造的理想状态;主客体关系一直处于动态的变化过程中;客体对主体的“意义”也一直处于动态变化中。在这种动态变化的关系网络中，设计驱动方式已经成为企业创新的重要模式，企业如何捕获并诠释“意义”，成为价值实现的关键所在。     

A general framework to study the price‐color relationship in paintings with an application to Mark Rothko rectangular series

We propose a general framework to study the relationship between the price of a painting and its color‐related attributes. To this end we focus on four key aspects: dominant colors, features of the color palette, color harmony, and color emotions. We demonstrate the usefulness of this approach with an example based on Mark Rothko's post‐1950 paintings (the “rectangular” series), and auction data from the 1994 to 2018 period. We identify two distinct price‐color regimes in Rothko's market: (a) [1994‐2005], a period in which prices are explained mainly by the growing popularity of the artist regardless of the color attributes of the paintings sold; and (b) [2006‐2018], a period in which color‐related attributes explain most of the prices. Furthermore, we find that in this second period, the dominant colors and the diversity of the color palette, are by far the most relevant attributes that influence the price; color harmony and color emotions hold almost no explanatory power during this period. Finally, we propose a new metric based on the Herfindahl Index to describe color diversity; this metric seems to be promising at characterizing the effect of the color palette on the price of a painting.     

The Photomontage Activity of Postmodernism

For decades now, Douglas Crimp’s landmark 1980 essay ‘The Photographic Activity of Postmodernism’ has shaped our understanding of modernism’s aftermath, at least as it unfolded in North America and Western Europe. Less remembered, however, is the degree to which the procedures of disjunction, copying, appropriation, and outright theft that he highlighted were epitomised not just by contemporary photography, but by photomontage in particular. This article recovers the debates that led critics such as Crimp, Abigail Solomon-Godeau, Christopher Phillips, Benjamin Buchloh and others to turn to photomontage as one of their principal objects of concern in what became known as the postmodern critique of photography. Why was montage tasked to perform this critical function, particularly by people around the journal October who had not otherwise devoted the balance of their writing to photography’s history? The article suggests that these men and women, along with the contemporary artists they foregrounded, manifested what Mary Anne Doane has called a ‘desire for signification’, a reaction in the late 1970s against the mute theatricality of minimalist and conceptual art. Photomontage reintroduced representation to contemporary art and to the canon of art history. But unlike the reemerging illusionism in painting that also manifested this desire, montage guarded against an uncomplicated realism by highlighting and critiquing operations of representation in a manner that painting no longer could.     

基于查询的新闻多文档自动摘要技术研究

针对新闻文本领域,该文提出一种基于查询的自动文本摘要技术,更加有针对性地满足用户信息需求。根据句子的TF-IDF、与查询句的相似度等要素,计算句子权重,并根据句子指示的时间给定不同的时序权重系数,使得最近发生的新闻内容具有更高的权重,最后使用最大边界相关的方法选择摘要句。通过与基于TF-IDF、Text-Rank、LDA等六种方法的对比,该摘要方法ROUGE评测指标上优于其他方法。从结合评测结果及摘要示例可以看出,该文提出的方法可以有效地从新闻文档集中摘取核心信息,满足用户查询内容的信息需求。     

Ontology-based approach for the provision of simulation knowledge acquired by Data and Text Mining processes

Numerical simulation techniques such as Finite Element Analyses are essential in today's engineering design practices. However, comprehensive knowledge is required for the setup of reliable simulations to verify strength and further product properties. Due to limited capacities, design-accompanying simulations are performed too rarely by experienced simulation engineers. Therefore, product models are not sufficiently verified or the simulations lead to wrong design decisions, if they are applied by less experienced users. This results in belated redesigns of already detailed product models and to highly cost- and time-intensive iterations in product development.Thus, in order to support less experienced simulation users in setting up reliable Finite Element Analyses, a novel ontology-based approach is presented. The knowledge management tools developed on the basis of this approach allow an automated acquisition and target-oriented provision of necessary simulation knowledge. This knowledge is acquired from existing simulation models and text-based documentations from previous product developments by Text and Data Mining. By offering support to less experienced simulation users, the presented approach may finally lead to a more efficient and extensive application of reliable FEA in product development.     

图像分类中基于分类矢量量化的视觉词袋模型

特征表示是图像识别和分类的基础，视觉词袋是一种图像的特征表示方法。分析现有视觉词典构建方法的不足，提出一种新的视觉词典构建方法。首先利用梯度方差把特征矢量分为光滑类和边缘类，然后分别针对不同类别的特征矢量进行视觉词典的构建，最后根据两类视觉词典生成视觉词袋。图像分类实验表明，提出的新方法能提高分类准确率。     

Affine hull based target representation for visual tracking

Handling appearance variations is a challenging issue in visual tracking. Existing appearance models are usually built upon a linear combination of templates. With such kind of representation, accurate visual tracking is not desirable when heavy appearance variations are in presence. Under the framework of particle filtering, we propose a novel target representation for tracking. Namely, the target candidates are represented by affine combinations of a template set, which leads to better capability in describing unseen target appearances. Additionally, in order to adapt this representation to dynamic contexts across a video sequence, a novel template update scheme is presented. Different from conventional approaches, the scheme considers both the importance of one template to a target candidate in the current frame and the recentness of the template that is kept in the template set. Comprehensive experiments show that the proposed algorithm achieves superior performances in comparison with state-of-the-art works.