《红楼梦》英译本中译者主体性的体现

译者是翻译的主体,也是文化活动中的重要参与者。译者主体性的存在直接影响着翻译的过程,并影响着翻译的结果。本文从杨宪益夫妇和Hawkes翻译的《红楼梦》作为研究对象,从译者对原文的选择、理解,译入语的文化意识、译者主体性的发挥四个方面分析译者主体性的体现。     

基于翻译文体学的实用翻译研究

为了加强实用翻译研究,本文进行了深入细致的探索.以翻译文体学为母论,借鉴关联理论和翻译综合法,指出实用翻译应首先分析语篇类型和文体特征,以最佳关联原则指导翻译实践并调节主体间性,合理采用直译、意译、直译意译结合、创译等翻译方法.研究结果表明,翻译文体学对实用翻译具有较大的指导作用.     

Remediating Theatre in a Digital Proscenium

The paper examines and evaluates the transposition of live theatre performance into a digital multimedia environment utilising QuickTime (or equivalent) movie software for use on standard PCs. Writers such as Brenda Laurel have discussed the close correspondences between theatre and computers, and CD-ROM authoring software such as Director clearly adopts theatrical paradigms and terminology. The differences between attending a performance in a theatre and viewing a recording on a computer screen are outlined, and how these two experiences differ in what is expected from the audience/user. The distortions inherent in any video recording of a theatre event are explored, with particular reference to differentials in performance scale. The flickering, low-r esolution picture typifying video playback on CD-ROMs is then argued to be a positive virtue in the remediation of theatrical footage, and far preferable to full-screen video recordings. A number of reasons are proposed which explore ideas around documentary realism, visual and aesthetic convention, totemic fetishisation, and Brecht's alienation theory. It is suggested that the small-window digital movie placed within the larger multimedia screen where other graphical codes and images can co-exist and interact with the video footage, creates a dual proscenium that is poetic, evocative, and inherently theatrical.     

Computation and the Three Worlds

Discussions about the achievements and limitations of the various approaches to the development of intelligent systems can have an essential impact on empirically based research, and with that also on the future development of computer technologies. However, such discussions are often based on vague concepts and assumptions. In this context, we claim that the proposed `three-world ontology' offers the most appropriate conceptual framework in which the basic problems concerned with cognition and computation can be suitably expressed and discussed, although the solutions of some of these problems seem to lie beyond the horizon of our current understanding. We stress the necessity to differentiate between authentic and functional cognitive abilities; although computation is not a plausible way towards authentic intelligence, we claim that computational systems do offer virtually unlimited possibilities to replicate and surpass human cognitive abilities on the functional level.     

论翻译实践中译者主体性的发挥——以企业口号语翻译为例

翻译研究过程中的主体性关注大致可概括为以下趋势:"原文—原作者—译者—主体间—翻译生态"。这一趋势反映的是译者主体地位的觉醒与对其过度膨胀的反思。然而对于翻译实践来说,理论认识上的深入并不是以直接指导的方式来发挥其功能的。更可能的途径是:理论认识内化为认识背景并通过实践转化为认识能力与实践能力。这一点笔者在翻译实践与翻译教学中得到了部分验证。     

主体性生产的叠歌:加塔利的别样思考

本文以主体性生产为切入点,探讨加塔利关于主体性生产理论的生成语境、影响因素与基本特点。加塔利指出,他不再关注大写的、抽象的、先验的主体,而是关注主体性生产,借用巴赫金的复调理论,结合他与德勒兹的叠歌理论,从生产的角度阐释了主体性的复调性、过程性、创造性和多样性,谱写了一曲主体性生产的＂叠歌＂。     

P2P环境中基于信誉与云理论的信任模型

在P2P环境中,现有信任模型不能完整地体现信任的主观性、模糊性和随机性。为此,提出一种针对P2P环境的信任模型 (CloudBT)。在计算节点的全局信任值时引入时间权重函数,并结合云模型得到节点的信任值,该信任值包括信任的平均度量和信任的不确定信息。在做信任决策时,综合考虑节点信任值的大小及其行为的波动情况。模拟结果表明,CloudBT在P2P电子商务环境中具有较高的成功交易率和较强的抗攻击能力。     

论文化生产力主体性要素

文化生产力是现今国家的核心竞争力;它以市场经济为载体,以文化产业为直接表现形态;它以信息、电子、数字、网络以及媒介等高新技术为生产手段;它是对文化资源的开发和利用能力。其主体性要素是指发动、承担并实现文化生产活动的劳动者;具有意识形态性、知识密集性、信息化、自主性。     

译者的主体性与有意误译

从译者主体性研究的角度对译者运用有意误译这一翻译策略的原因,以及它的影响进行描述性研究剖析,旨在为误译研究和翻译评论提供新的视角。     

论主体性视域下的大学生党员理想信念教育

大学生党员是高校学生群体中的优秀分子,党和国家高度重视学生党员的理想信念教育。应从主体性视域出发,对学生党员理想信念教育现状进行研究,明确发挥学生党员主体性的重要意义,提出在主体性视域下加强学生党员理想信念教育的多途径整合。