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五代嵌螺钿漆经匣与北宋嵌螺钿漆经匣比较
引用本文:长北.五代嵌螺钿漆经匣与北宋嵌螺钿漆经匣比较[J].中国生漆,2014(4):24-25.
作者姓名:长北
作者单位:南京东南大学艺术学院,江苏南京210018
摘    要:作者通过对湖州市博物馆藏五代《嵌螺钿漆经匣》与苏州市博物馆藏北宋《嵌螺钿漆经匣》的观摩考察与比较分析,认为中国平磨硬螺钿工艺北宋早期比五代有长足进步,用材也更讲究,并以其它例证认为,犀皮、末金镂、金银平脱、螺钿平脱等髹饰工艺于唐五代诞生并先后成熟,它是东晋推光漆髹涂时髦之后研磨推光技艺接踵出现并于唐代成熟的明证。

关 键 词:浙江省博物馆  湖州市博物馆  苏州市博物馆  嵌螺钿漆经匣

Comparing mother-of pearl inlay Paint phylactery between Five dynasty and Northern Song dynasty
Abstract:By investigation and comparative analysis between Five dynasty mother –of pearl inlay Paint phylactery in the Huzhou city museum and Northern Song dynasty mother –of pearl inlay paint phylactery in Suzhou museum , the author thinks that the China flat grinding hard mother –of–pearl craft in early Northern Song dynasty period have greater progress than in five dynasty , and materials used are also more exquisite .According to other examples it is thought that rhinoceros skin , ,Mo-jinlou, gold and silver Ping-Tuo , mother-of-pearl Ping-Tuo and so on, appeared and successively matured inTang and Five dynasties .This proves that Grinding push light craft appeared and matured inTang and Five dynasties after the Push light lacquer craft in Eastern Jin Dynasty .
Keywords:Zhejiang museum  Huzhou city museum  Suzhou museum  Important phylactery
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