| “书画同体”论对转变期瓷绘艺术风格的影响 |
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| 引用本文： | 张玲霞,饶媛媛. “书画同体”论对转变期瓷绘艺术风格的影响[J]. 中国陶瓷, 2011, 0(4) |
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| 作者姓名： | 张玲霞 饶媛媛 |
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| 作者单位： | 江西省陶瓷工艺美术职业技术学院; |
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| 摘 要： | 书画同体论是中国最重要艺术理论之一,对中国瓷绘艺术产生重要影响,明末与清初是书画同体理论与实践成熟的重要阶段,同时也是中国瓷绘艺术风格成熟的关键时期,书画同体论对明末清初瓷绘艺术风格产生了巨大影响。
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| 关 键 词： | 书画同体 明末清初 瓷绘 影响 |
THE EFFECT OF THE THEORY OF THE CONSUBSTANTIALITY OF CHINESE PAINTING AND CALLIGRAPHY ON THE PAINTING STYLE OF ARTS ON PORCELAIN DURING THE LATE MING AND EARLY QING |
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| Zhang Lingxia,Rao Yuanyuan. THE EFFECT OF THE THEORY OF THE CONSUBSTANTIALITY OF CHINESE PAINTING AND CALLIGRAPHY ON THE PAINTING STYLE OF ARTS ON PORCELAIN DURING THE LATE MING AND EARLY QING[J]. China Ceramics, 2011, 0(4) |
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| Authors: | Zhang Lingxia Rao Yuanyuan |
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| Affiliation: | Zhang Lingxia,Rao Yuanyuan(Jiangxi Ceramic and Art Technical College,Jingdezhen 333001) |
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| Abstract: | The theory of the consubstantiality of Chinese painting and calligraphy is one of the most important artistic theories in China and has a vital influence on Chinese arts of porcelain painting.The late Ming and early Qing was the important stage for the maturity of the theory and practice as well as for the maturity of Chinese painting artistic style on porcelain.The theory of the consubstantiality of Chinese painting and calligraphy has an enormous effect on the painting artistic style on porcelain during t... |
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| Keywords: | the Consubstantiality of Chinese Painting and Calligraphy the late Ming and early Qing porcelain painting effect |
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