诗词翻译审美空间的构建——以李煜《浪淘沙》许渊冲译本为例

许渊冲在其翻译理论与实践基础之上提出了诗词翻译的"三美"标准,即分别从音、形、意等不同侧面来呈现原文在译作中的美。以李煜《浪淘沙》许渊冲译本为例来分析诗词翻译中听觉、视觉以及感觉等不同维度形成的审美空间的构建,以期从另一种不同的视角来诠释以及赏析诗词翻译。

Aesthetic Construction of Poetry Translation: Taking the English Version of Ripples Sifting Sand by Xu Yuanchong as an Example

Mr. Xu Yuanchong, based on his translation theory and practice, advocates an aesthetical standard of Three Beauties for poetry translation, i. e. sense of hearing, sense of seeing and sense of feeling, to recreate the beauties of original work. Taking Ripples Sifting Sand by Li Yu as an example, this paper analyzes the aesthetic construction of poetry translation in it so as to offer a different perspective to appreciate and interpret the translated nnetrv