设计中的“身体-意识”

目的 在视觉的、身体的、意识的三个维度上,理解人工物、生活世界与主体意识之间的关系,启发设计师跳出视觉性的窠臼,在更为广阔、深远的哲学和社会科学的语境下,理解设计中的“身体-意识”。方法 以现象学哲学、具身认知科学与意会知识论为基础,通过案例分析,系统阐述设计学中的“身体-意识”概念及其在体验设计中的具体应用。结论 从尺寸的、工程学的、我思的、无身认知的身体进化,到现象的、社会学的、我能的、具身认知的身体是一种认识论的转向,即从笛卡尔的主客二分转向现象学的“身体-意识”与“生活世界”的水乳交融。这样的认识论,也将成为诸多当代设计主题的方法论基础。设计是联结身体与意识、日常生活与物质世界的一个过程,所探索的是人类体验的“可能性”,而不是“必然性”。

Body-Consciousness in the Design

The work aims to understand the relationship between artifacts, life world and subject consciousness in the three dimensions of vision, body and consciousness, and inspire designers to jump out from visual set pattern into a broader and more profound context of philosophy and social science, so as to understand the "body-consciousness" in the design. Based on phenomenological philosophy, embodied cognition and tacit knowledge, through case study, the concept of "body-consciousness" in design science and its specific application in experience design were systematically elucidated. The evolution from a dimensional, engineering, jepenseque, cognitive body to a phenomenal, sociological, jepeux, and embodied cognitive body is an epistemological turn: from subject-object dichotomy of Descartes to the phenomenology of the "body-consciousness" and the "life world". Such epistemology will also become the methodology basis of many con-temporary design themes. Design is a process that connects the body and consciousness, daily life and the material world. What is explored is the "possibility" of our human experience, not the "certainty."