诺曼·福斯特的普罗旺斯情缘──兼论“高技派”的气候观

自７０年代的能源危机以来，以节约能源，资源，减少污染为核心内容的可持续发展的设计理念逐渐成为建筑师追寻的方向。曾经以展示现代工艺技术为主要特征的“高技派”也开始致力于关注本土文化和地域气候，逐步形成了一套独具特色的气候观，走上一条从“高技术”到“生态技术”的探索之路。英国建筑师诺曼·福斯特设计的尼姆卡时艺术中心和弗雷才斯地方中等职业学校都位于法国普罗旺斯地区，这里有浓郁的地方文化和鲜明的气候特征。建筑师在注重建筑与城市文脉和自然环境相协调的同时，还根据当地的气候条件，在建筑采光与遮阳，自然通风等技术环节上作出了积极的尝试，为以后完成法兰克福商业银行，柏林新国会大厦等具有世界影响的作品奠定了坚实的基础。

PROVENCE, NORMAN FOSTER'S BELOVED -WITH A CRITIQUE ON HIGH-TECH AND ITS CONSIDERATION ON CLIMATE

Since the energy crisis in the 1970s the sustainable ideology, such as preserving energy and resources reducing pollution, has become the cruciol consideration in architecture design, High-Tech, whose main character was monifesting modern technology is in scarch of the integration with native culture and local climate, cud forms a set of special views on climate, that is a way from High-Tech to Eco-Tech. The Carre d'Art in Nimes and the Regional Secondary School in Frejus designed by British architect Norman Foster were located in Provence. France. where there is extraordinary native custom and vivid local climate, Besided paying much attention to the harmony with urban context and natural environment the architect made many aspiring explorations in the fields of architectural lighting, shading, natural venfilation and so on, All these ottempts provided substantial groundwork for the later world known projects. the Commerzbank Headquarters in Frankfurt and the New German Parlliament in Berlin.