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论“潇湘八景”画题与《坐铺八景》
引用本文:程茜. 论“潇湘八景”画题与《坐铺八景》[J]. 数码设计:surface, 2014, 0(9): 144-146
作者姓名:程茜
作者单位:北京外国语大学,北京100089
摘    要:文章首先概述潇湘八景在日本传播发展的大致特点,之后重点针对铃木春信的《坐铺八景》这一组作品如何对应潇湘八景的每一个画题逐一做详细探讨,并深入阐释了春信作品如何将江户时代一个普遍的创作手法——“见立”创造性的运用于八景画题的独特特点。

关 键 词:潇湘八景  铃木春信  座敷八景  见立

Eight Views of the Xiao-Xiang and Eight Views of Interiors
CHENG Qian. Eight Views of the Xiao-Xiang and Eight Views of Interiors[J]. surface, 2014, 0(9): 144-146
Authors:CHENG Qian
Affiliation:CHENG Qian ( Beijing Foreign Studies University, Beijing 100089, China )
Abstract:The Eight Views of the Xiao-xiang, a traditional theme in Chinese landscape painting, is widely spread in Japan. The development of the Eight Views of the Xiao-xiang in Japan was generally described, then detailed analyze was carried on Suzuki Harunobu' s works -- the Eight Views of Interiors (Zashiki hakkei) which is a set of paintings corresponding to each painting of the Eight views of xiao-xiang. Over all, the aim of this study is to in-depth reveal how Harunobu innovatively applied a common technique -Mitate in his paintings in the Edo period.
Keywords:Eight Views of the Xiao-Xiang  Harunobu Suzuki  Eight Views of Interiors (Zashiki hakkei)  Mitate
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