| 侘·寂与建筑 |
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| 引用本文： | 刘珊珊,魏春雨.侘·寂与建筑[J].中外建筑,2012(11):32-33. |
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| 作者姓名： | 刘珊珊 魏春雨 |
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| 作者单位： | 湖南大学建筑学院 |
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| 摘 要： | "侘·寂"作为日本的传统美学概念,虽未直接作用于建筑设计的实践操作与理论研究中,但是却可从中汲取到设计的依据,并依此解释了东方艺术创作中人工美和自然美共生的密切关系,达到"虽由人作,宛自天开"的艺术境界。笔者通过参与的实践项目来阐述"侘·寂"这一美学思想在建筑设计中的表达与建筑设计中"共生"思想不可分割的关系,同时分析这一美学概念在建筑创作中的应用。
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| 关 键 词： | 侘·寂 美学 共生 |
Habitation, Silence and Building |
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| Liu Shanshan Wei Chunyu.Habitation, Silence and Building[J].Chinese and Overseas Architecture,2012(11):32-33. |
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| Authors: | Liu Shanshan Wei Chunyu |
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| Affiliation: | Liu Shanshan Wei Chunyu |
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| Abstract: | The traditional Japanese aesthetics concept of wabi sobi might not play a direct role in the architectural design of practical and theoretical study, but if can be drawn to the essence and origin of the design and interpretate the relationship of art artificial beauty and natural beauty in the creation of oriental art to achive the realm of art ＂ Though it is man-made, it seems as a natural one,＂ .With the author＇ s understanding of wabi sabi as expressed in projects the author worked in to illustrate the inseparable relationgship with symbiotic,as well as the application of such aesthetics concept in architectural creation. |
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| Keywords: | wabisabi aesthetics symbiotic |
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