| 中国传统美学观在民国书籍装帧设计中的体现 |
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| 引用本文： | 朱红红,全宁. 中国传统美学观在民国书籍装帧设计中的体现[J]. 数码设计:surface, 2010, 0(11): 47-49 |
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| 作者姓名： | 朱红红 全宁 |
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| 作者单位： | 金陵科技学院艺术学院 |
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| 摘 要： | 民国书籍装帧设计是中国现代书籍设计的开端,它继承了传统书籍美学,融合了中西文化,使书籍富有了鲜明的时代精神,使稳重大方、典雅含蓄的东方风格得到了弘扬与发展。本文主要就"体舒神怡"、"文质相一"、"气韵生动"等传统美学观与民国书籍装帧设计中强调的审美功能、情趣、价值的结合进行阐述和分析。
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| 关 键 词： | 民国 书籍装帧设计 传统美学观 传统文化 |
Chinese Traditional Aesthetics in Book Design during the time of the Republic of China |
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| ZHU Honghong,QUAN Ning. Chinese Traditional Aesthetics in Book Design during the time of the Republic of China[J]. surface, 2010, 0(11): 47-49 |
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| Authors: | ZHU Honghong QUAN Ning |
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| Affiliation: | ZHU Honghong QUAN Ning |
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| Abstract: | The Book Design during the time of the Republic of China(for short as BDRC) is the beginning of modern book design,which inherited the traditional books in aesthetics,combinning Eastern and Western cultures,so that the books of Republic China enjoy a distinct spirits of that time,and the prudent generous,elegant and subtle oriental styles have been being promoted and developed.In this paper,the traditional aesthetics and the combination of the aesthetic function,delight and value emphasized in BDRC are elaborated and analyzed. |
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| Keywords: | the Republic of China book design traditional aesthetics traditional culture |
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