元青花中缠枝莲纹分析及其艺术思想探究

莲纹是中国装饰图案中重要纹样之一,在丰富多彩、变化繁多的莲纹装饰里,缠枝莲纹是近千年来最为广泛的纹样之一。在陶瓷上、金银器、玉器、石木竹雕、壁画等都有广泛的应用。它婉转缠连,串起了人们思想解放和对美好生活的追求,同时对使用者、欣赏者的心灵起到熏陶作用。尤其是在陶瓷上,更是散发着无限的魅力,缠枝莲纹中莲花体现的面、莲枝体现着线、莲叶体现着点。点线面组合带来不失活泼的稳重感,正是儒家思想的体现:分寸和度。本文从追溯缠枝莲纹的兴起,分析缠枝莲纹在元青花中作为主要装饰和附饰的组织方式和艺术风格,从中总结其表达的思想以及对缠枝莲纹再设计。找到传统图案和现代设计的结合方式,为传统图案注入新的生命力,也为目前陶瓷艺术设计带来新的设计思考。从继承传统中学习,再创新设计,同时也是我们学习陶瓷艺术设计不断探索的目标。

An Analysis of the Lotus Scroll in the Yuan Blue-and-White Wares and an Exploration of its Artistic Thoughts

Lotus pattern is one of the most important decorative works in China. In the changing and colorful world of lotus pattern, twisted branch lotus pattern is one of the most popular and widely used patterns in the past thousand years. It is widely used in porcelain, gold and silver wares, jade wares, carvings of diamond and bamboo, murals and so on. It plays with intertwined beautiful shadows everywhere, implies a good life in the emancipation of the mind, and at the same time plays an edifying role in the hearts of users and appreciators. Especially on the porcelain, it also exudes infinite charm, the lotus embody the face, the Lotus branch embody the line, the lotus leaf embody the point. The combination of points, lines and planes brings a lively sense of stability, which is the embodiment of Confucianism: proportionality and degree. This paper traces back to the rise of entangled branch lotus pattern, analyses the organization and artistic style of entangled branch lotus pattern as the main decoration and accessories in the blue and white of Yuan Dynasty, and summarizes its expressed ideas and redesign of entangled branch lotus pattern. Find a combination of traditional patterns and modern design, inject new vitality into traditional patterns, but also bring more inspiration to modern design. To achieve the goal of inheritance, development and creation is also the goal of our continuous exploration of learning art.