Song sequence discrimination in the black-capped chickadee (Parus atricapillus).

14 captive black-capped chickadees were presented with normal and altered versions of their species-specific "fee bee" song to determine how note type, number, and sequence affect recognition. Perch changes and vocalizations given in response to playback did not differ reliably as a function of song type, whereas latency to 1st vocalization after playback did. In Exp I, using 2-note songs, Ss vocalized sooner to songs beginning with fee than with bee and to fee bee than to fee fee. In Exp II, Ss were presented with single-note, normal, and 3-note songs each consisting of a single-note type. Habituation slowed responding to altered songs but not to fee bee over 3 test sessions. Results suggest that Ss distinguished (a) single fees and 3-note songs from normal song, (b) single fees from single bees, (c) 2-note songs from 3-note songs, and (d) normal song from altered songs. It is concluded that the internal representation of conspecific song in the chickadee distinguishes between fee and bee notes, contains information about note order, and is sensitive to note number. The pattern of responses is consistent with a model of recognition based on note-by-note integration of individual decisions about song structure. (34 ref) (PsycINFO Database Record (c) 2010 APA, all rights reserved)