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由仿及变——对画面结构和创作意义的分析
引用本文:刘煜.由仿及变——对画面结构和创作意义的分析[J].数码设计:surface,2009(12):260-261.
作者姓名:刘煜
作者单位:清华大学美术学院
摘    要:中国现代工笔人物画与当下的时代精神结合积极探索,一个新的艺术潮流正在形成"仿"和"变"在中国文化的发展上是必不可少的环节。在实践的过程中,我阐释了自己对"仿"和"变"的理解和实践。这其中既有对古代与现代工笔人物画的"仿",又有创作过程中属于自己的"变"。中国工笔人物画讲求一种情感的传达。对于当代工笔人物画,视角的独特性,材料的多样性,手法的丰富性,让工笔人物画在继承传统的同时,向多元化的方向发展。

关 键 词:工笔人物画  情感  节奏  “仿”  “变”

From Copy to Creation,A Study on Composition and Meaning of Creation
Authors:LIU Yu
Abstract:Contemporary and Western art has brought great changes to traditional Chinese painting. Contemporary Chinese painting is heading towards a new direction."Copy" and "change" are both important in the development of Chinese painting.During my graduation project,I expressed my own ideas of "copy" and "change."In my painting I’ve copied both old and contemporary masters,and made changes that are my own.Painters express their feelings to the viewers.Ancient Chinese painters used romantic rhythms to express everything.However,a contemporary Chinese painter can use difference of perspectives,new materials,and new techniques to produce art.
Keywords:traditional Chinese portrait painting  feeling  rhythm  "copy"  "change"
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