Death in Venice: Tafuri's Life in the Project

Peter Zumthor writes about “developing an architecture which sets out from and returns to real things”, referring to both his own design process and the qualities he wishes his architecture to convey. In an architecture culture long accustomed to media saturation and the image, the phrase “real things” is provocative and potentially archaic. This paper examines what Zumthor means by that term by investigating how he establishes the core ideas or principles that come to inform design development; namely, by his approach to a brief, a site and a context. The paper draws on his writings as well as our own experience of being in his buildings, particularly through a rare interview we conducted with him in his new house and atelier in Haldenstein.

Acknowledgement

The research for this article was supported by an Arts and Humanities Research Council research grant entitled, “Constructing A Modern Architecture of Excellence: The Case of Switzerland”.

All quotes, unless otherwise stated, are from an interview the authors conducted with Peter Zumthor on 10 December 2007 in Haldenstein.