Witness and presence in the work of Pierre Huyghe |
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Authors: | Sjoukje van der Meulen |
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Affiliation: | (1) Department of Art History, University of Illinois at Chicago, 305 Henry Hall, 935 W Harrison Street, Chicago, IL, USA |
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Abstract: | The relation between “presence” and “representation” is an age-old topic in the arts, but it is further complicated in our
time of advanced media conditions. Pierre Huyghe is one artist who has consistently addressed questions of presence and representation
throughout his artistic oeuvre, including the role of the witness within it. Considering the sophistication of Huyghe’s work
with regard to the riddle of presence in the realm of contemporary means of representation, the artist’s work is taken as
a case study for a broad range of artists exploring related topics within the arts and the media. This paper argues that art
that interrogates the question of presence within the context of contemporary media culture—from Marina Abramović to Stelarc,
Jeffrey Shaw to Julia Scher—asks for being interpreted through presence theories developed within the field of media studies
in addition to methods of art theory and criticism. Accordingly, Huyghe’s work is productively related to one such theory,
namely the YUTPA model by Caroline Nevejan, which theorizes the interrelated concepts of natural, mediated, and witnessed
presence. |
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Keywords: | |
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