论山水画美学 |
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引用本文: | 陈来国.论山水画美学[J].数码设计:surface,2008(2):173-174. |
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作者姓名: | 陈来国 |
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作者单位: | 湖南省工艺美术职业学院 |
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摘 要: | 绘画的哲学层次,道与天地的概念,贯穿在整个山水画美学之中。我们知道水的灵动,山的厚重,山水相联,又相互映衬而构成一幅幅出色的山水画。中国的山水画强调山与水的交融,凸显和谐之美。本文通过对山水树木,云天湖泊与时间和空间的特殊画面结构将大自然的这三个世界联结在一起的,提出山水画美学观。
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关 键 词: | 美学 中国画 山水 |
On the Aesthetic of Landscape Paintings |
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Authors: | CHEN Laiguo |
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Affiliation: | CHEN Laiguo |
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Abstract: | Paintings in philosophical level, the concept of moral with heaven and earth, and run through the entire aesthetics of landscape paintings. We know the water’s smart, the hill’s thickness, the integration of landscapes, mutual set off and composed an excellent imagination of landscapes. Hills blending with water is stressed in Chinese landscape paintings to highlight the beauty of harmony. This task depicted the aesthetics of landscape paintings with an imagination on hills and trees, lakes and water, clouds and sky, space and time, which specially combined to be the beautiful nature. |
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Keywords: | Aesthetics Chinese Painting Landscape |
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