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西汉四神瓦当装饰纹样的思想基础
引用本文:范迎春.西汉四神瓦当装饰纹样的思想基础[J].数码设计:surface,2008(8):231-233.
作者姓名:范迎春
作者单位:湘南学院
摘    要:瓦当是中国古代建筑屋檐顶端兼使用和装饰价值的艺术品,在西汉中后期出现的"四神"纹瓦当是中国图像瓦当的杰出代表。四神作为装饰纹样的出现与应用,有着多方面的历史根源和思想基础,是与汉代汉民族的信仰和阴阳五行思想观念紧密相连的,是汉代统治者"以神意的角度寻求道德和智能上的根据,以使他们的统治合法化"的基础。

关 键 词:四神瓦当  装饰纹样  阴阳五行学说  思想基础

Ideology Base for Decoration Armorial Sample of Four Saints WADANG in Western Dynasty of China
Authors:FAN Yingchun
Affiliation:FAN Yingchun
Abstract:WADANG is a kind of art object of penthouse top and decoration value in China ancient architecture. The Four Saints WADANG in the period of middle and later Xihan Dynasty is the masterpiece of China’s image WADANG.There are lots of history origins and ideological base as the appearance and application of the decoration armorial The Four Saints,which is closely related with the belief of Han nationality and the concept of Yinyang Wuxing Ideology.They are also the ruling base for Han nationality’s rulers who have been carrying out the policy of"with the aspect of Heaven,exploring moral and intelligence grounding to make their own ruling legalization."
Keywords:Four Saints WADANG  decoration armorial sample  YinyangWuxing ideology  ideological base
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