| 古文字符号的抽象审美意识 |
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| 引用本文： | 李芃.古文字符号的抽象审美意识[J].包装工程,2006,27(4):189-190,193. |
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| 作者姓名： | 李芃 |
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| 作者单位： | 湖北工业大学,武汉,430070 |
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| 摘 要： | 通过符号在文化传承中的共享特征分析,诠释了中国古文字是抽象化符号的生动写照,并探讨了现代设计中古文字符号的广泛运用,以及古文字符号审美传承的媒介载体和传播途径等问题.
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| 关 键 词： | 古文字 符号共享 审美意识 视觉设计 |
| 文章编号： | 1001-3563（2006）04-0189-02 |
| 收稿时间： | 2006-06-13 |
| 修稿时间： | 2006-06-13 |
Abstract Aesthetic Consciousness of Ancient Literal Symbols |
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| LI Peng.Abstract Aesthetic Consciousness of Ancient Literal Symbols[J].Packaging Engineering,2006,27(4):189-190,193. |
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| Authors: | LI Peng |
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| Affiliation: | Hubei Polytechnic University, Wuhan 430070, China |
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| Abstract: | Through analyzing the participative characteristics of symbol during the process of cultural communication, the following arguments were pointed out. Firstly, ancient Chinese language is a vivid part of abstract symbol. Secondly, the comprehensive uses of ancient Chinese language are pervasive in modern design. Thirdly, the symbol of ancient Chinese language works as a communication tool and an aesthetic mass media. |
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| Keywords: | ancient language participation of symbol aesthetic consciousness visual design |
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