园林绘画对于复原研究的价值和应用探析—以明代《寄畅园五十景图》为例

园林绘画是研究古代园林的重要材料,对于已消失或改建过的早期园林的复原研究具有重要价值。解读和利用园林绘画的难点之一在于确定图中景致的写实程度。本文以明代宋懋晋《寄畅园五十景图》为主线,结合其他相关图像资料,尝试从园林绘画的性质和创作过程探讨这一问题。本文认为园林绘画的性质属于"功能性绘画",重视对园中景致的忠实摹写。画家的创作过程涉及"写真"与"摹古"两种方式,从不同方面影响到绘画对于园景的再现模式和程度。

Methods of Using Garden Paintings as Original Materials for the Reconstruction of Old Gardens:A Case Study of Album of Jichang Garden Painted by Song Maojin in the 14th Century AD China

Garden paintings are important research materials for the study of garden history, especially for the reconstruction of gardens disappeared or altered from their early stages. The difficulty of interpretation and utilization of garden paintings for the study of garden history lies in the determination of the realistic extent of those paintings for representation of the original garden landscape. The paper takes the Album of Jichang Garden painted by Song Maojin in the 14th Century AD together with other related visual materials as study case. It discusses the nature of garden paintings in old China and the process of their creation. It reveals that the nature of garden paintings in old China to a large degree met the practical functions of documentary and commemorate of the completion of the gardens. The artistic techniques of the painters fall into two categories, faithful depiction or Realism and model or pattern after ancient style. Different techniques chosen by the artists have different influence of the characters and extent of the representation of the original garden landscape.