矛盾的整合——彼得·埃森曼的罗马2000年教堂之城市视角解读

罗马2000年教堂是解构主义建筑师彼得·埃森曼的一项投标竞赛作品,虽未获胜,但建筑师在这个项目中,不但借由图解手段探讨了建筑主体自生成的可能性,同时还深入研究了基地特征,将城市外部空间肌理组织特质与建筑本体形态构成两相结合,为宗教建筑赋予了极具时代特征、地域特色的形态表征。该文即是从城市设计的角度,尝试对该作品进行解读,力图寻找到其隐含于其建筑设计思维逻辑中的理性成分。

The Integration of the Conflictive Facts——The Urban Analysis of Eisenman's Church 2000 in Rome

The church of 2000 is one of the most important competition works of the deconstructionist architect Peter Eisenman. Though he did not win this bidding project. Eisenman created a new kind of church form that is very different from the ordinary ones. The two contradictories-the self-generation owning to the so called diagram and the topological characters of the site, have been rejoined together and made the church to be a symbol of 2000. This paper tries to figure out the hidden rational vector from the angle of urban design.