以多元历史文献为解读文本的宋代植物 香景营造研究

通过提取及分析宋词选(《乐府雅词》《绝妙好词》 《阳春白雪》)、宋代园记(笔者筛选整理得105篇)、宋代地 志(《方舆胜览》《舆地纪胜》)文献中的植物香景文本,结 合其余历史文献、图像资料等,对宋代植物香景的营造材料、 营造手法、营造特征、典型香景植物及园林、审美等方面进行 研究。得出基于宋代文人群体的植物香景偏好,发现宋人喜好 的许多香景营造范式在历史上早有渊源,从文学作品方面,包 括先秦典籍、两晋隐逸山水诗、唐诗宋文等都对宋人香景审美 产生重要影响。造景形式上宋人相互仿照或沿袭前人不在少 数,但也发展了宋代的植物香景应用实践;一些新兴的带有典 型宋代文化符号的香景植物审美内涵也为宋人所挖掘,如酴醾 之“香雪”“垂架飘香”,部分园林已具有香景营建自觉意 识。另外总结宋人的香景审美理念,即宗“理”审美为主, “娱情”审美兼具。

A Study on the Construction of Plant Aromascape in Song Dynasty Based on the Interpretation of Multiple Historical Documents

Through the extraction and analysis of the plant aromascape text from Selected Song Poems ("Yue Fu Ya Ci", "Jue Miao Hao Ci", and "Yang Chun Bai Xue") , the Song Dynasty garden literature (105 articles selected), and the Song Dynasty topographies("Fang Yu Sheng Lan" and "Yu Di Ji Sheng"), combined with other historical documents, and image materials, this paper studies the construction materials, techniques, characteristics, typical plants, gardens and aesthetics of plant aromascape in Song Dynasty. It is concluded that based on the plant fragrance preference of the literati group in Song Dynasty, it is found that many aromascape landscape construction paradigms favored by Song Dynasty had long-standing origins in history, from the aspect of literary works, including Pre-Qin classics, the reclusive landscape poems of Jin Dynasty, Tang poetry and articles of Song Dynasty all had an important influence on the aesthetic appreciation of the aromascape of Song Dynasty. In the form of landscape construction, the people of Song Dynasty imitated each other or followed their predecessors, but they also developed the application practice of plant aromascape in this era, and some new aesthetic connotations of aromascape plants with typical cultural symbols of Song Dynasty were also excavated by the people of Song Dynasty, such as the "fragrant snow" and "fragrance on the hanging rack", some gardens already had the consciousness of aromascape construction. In addition, it summarizes the aesthetic concept of aromascape in Song Dynasty, that is, the aesthetic of "Neo-Confucianism" as the main, along with the aesthetic of entertainment.