| 创造超越式的包容:维米尔的画中画 |
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| 引用本文： | 周元,施旭升.创造超越式的包容:维米尔的画中画[J].艺术设计研究,2020(2):109-115. |
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| 作者姓名： | 周元 施旭升 |
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| 作者单位： | 中国传媒大学艺术研究院 |
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| 摘 要： | 荷兰画家维米尔在多幅作品中使用了画中画的创作方法,对画作的最终呈现起到了从形式和到意义的多重作用。本文尝试发现和进入维米尔画中画的多种形式,探究其设置画中画的思考原点,以及讨论这样设置达成的效果。
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| 关 键 词： | 维米尔 画中画 框架 |
Creating Transcendent Inclusion:Vermeer's picture-within-a-picture practice |
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| Zhou Yuan,Shi Xusheng.Creating Transcendent Inclusion:Vermeer's picture-within-a-picture practice[J].ART&DESIGN RESEARCH,2020(2):109-115. |
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| Authors: | Zhou Yuan Shi Xusheng |
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| Abstract: | The Dutch painter Johannes Vermeer employed a picture-within-a-picture method in a number of works,which played multiple roles from the form to the meaning in the final presentation of the painting.This article attempts to discover and discuss the various form of Vermeer's picture-within-pictures,explore its origin of thinking in setting,and discuss the effects of such setting. |
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| Keywords: | Vermeer Picture-within-a-picture Frame |
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