使用插件巧妙制作网页中的Flash菜单

介绍了Dreamweaver插件的安装方法,以及使用硕思魔法菜单插件设计网页菜单的具体步骤。     

打造一款更好的浏览器

1，网页节选功能 某种程度上讲，选择一个网页浏览器就好像挑选一部车；它可归结为设计，界面友好度，可靠性和速度等方面的因素，还要加上使用户更加舒适的插件。     

打造一款更好的浏览器

1，网页节选功能 某种程度上讲，选择一个网页浏览器就好像挑选一部车；它可归结为设计，界面友好度，可靠性和速度等方面的因素，还要加上使用户更加舒适的插件。     

鼠标事件应用(一)

无论在何种WINDOWS编程中,鼠标事件的应用都是非常重要的,在网页设计中也是如此,通过灵活地利用鼠标事件,可以使网页更具特色。     

基于Web Services和插件架构的新闻中心平台的设计

设计并实现了一个网页插件形式的半自动化的网页新闻信息搜集中间件,该中间件能将关注网站的信息搜集并集中。此外,基于该中间件,还设计了一个新闻信息的汇集平台,并以江苏城市职业学院网站作为应用实例展示了校园新闻中心。     

基于QtWebkit的浏览器视频插件的设计与实现

为了解决基于Webkit引擎的嵌入式浏览器不能播放网页中嵌套的视频文件的问题,设计了一种简单有效的视频播放插件模型。该设计区别于传统的NPAPI标准插件,通过继承Qt自带的控件类并重载其中的方法来实现该插件的注册,利用ffplay实现数据流的获取和解码显示,设计用户界面负责响应用户事件并控制ffplay的播放,并通过FIFO管道和状态机来实现播放界面和ffplay的通信。最后在嵌入式平台下实现了该设计。经工程实践表明,该方法行之有效,通过该插件能够流畅观看网页中的视频文件。     

巧设七款插件 让你的傲游浏览器十全十美

一、Viewpage（页面查看,简称VP） 插件描述：这个插件可以让你分析网页源代码．探测网页资源、媒体文件。 使用方法：安装后,插件会出现在插件栏。     

“应对”强行闯进的IE插件

大家在浏览网页的过程中．一些IE插件会在用户毫不知情的情况下被强行安装到用户系统中，使用户的系统运行速度大打折扣，如果插件“文明”一些．会提示用户当前需要安装某某插件．是否现在就进行安装，但如果用户不进行安装．则会出现打不开相应网页或无法享用当前网页服务项目(如语音聊天室）的尴尬。     

浏览器变慢? 插件原来也坏菜

正在平时浏览网页或看视频的过程中,浏览器插件给了我们很大帮助,但正所谓"油多了也坏菜"。由于浏览器插件(特别是一些设计不规范的插件)会在一定程度上增加浏览器的内存用量,所以在插件安装较多的情况下,往往会引起浏览器打、运行速度缓慢、网页半天打不等现象。那么,我们怎样才能得知浏览器怠工到底是否是由插件造成的?如果是,又是由哪款插件造成的?方法其实简单,照下面的方法实施即可。     

基于Web技术的通用动态查询网页的设计与实现

文中应用Ａctive Server Pages网页设计技术及ＡＤＯ在ASP可的灵活应用,提出了基于Ｗeb技术的通用动态数据查询网页的设计与实现方案。     

The development of computer‐based tools to support ergonomics in design education and practice

Abstract

Ergonomics is not always used effectively by practising designers, and is still seen as limiting their creativity. Reasons for this include: ergonomics information is not presented in a readily assimilated form to designers during their design education and later design activities; design decisions relating to ergonomics issues are not addressed and discussed systematically by all members of the design team during concept design; the user centred approach that ergonomics encourages in design is not always included as part of the education of future designers.

With computers being used more widely in design and design education, they could be used to deliver ergonomics information and help structure discussion of ergonomics issues amongst the design team from the earliest stages of design. This paper describes findings relating to the use of ergonomics in automotive design, and proposes two tools which could enhance the use of ergonomics in design education and in current and future design practice.     

由原始艺术看自然材料的质性审美

材料承载着艺术设计的灵魂和精神,原始人使用最纯粹的自然材料以及原生形态的创作手法,制作出叹为观止的艺术作品,这对于现代艺术设计者有着不可估量的借鉴意义。相比较新型人工材料的矫揉造作,自然材料以其传统、纯朴的质性美感,越来越多地得到设计者和艺术鉴赏者的青睐。     

CAD智能工程数据库系统

通过对共性工程数据及其关系的讨论,提出了一种CAD技术集成方案。采用基于C／S结构的分布式计算,引入知识工程,建立知识库,应用推机制,通过开发方便的操作工具,使得共性工程数据库中数据的使用具有智能化,从而方便设计人员的使用。     

The Impact of Tangible User Interfaces on Designers' Spatial Cognition

ABSTRACT

Most studies on tangible user interfaces for the tabletop design systems are being undertaken from a technology viewpoint. Although there have been studies that focus on the development of new interactive environments employing tangible user interfaces for designers, there is a lack of evaluation with respect to designers' spatial cognition. In this research we study the effects of tangible user interfaces on designers' spatial cognition to provide empirical evidence for the anecdotal views of the effect of tangible user interfaces. To highlight the expected changes in spatial cognition while using tangible user interfaces, we compared designers using a tangible user interface on a tabletop system with 3D blocks to designers using a graphical user interface on a desktop computer with a mouse and keyboard. The ways in which designers use the two different interfaces for 3D design were examined using a protocol analysis method. The result reveals that designers using 3D blocks perceived more spatial relationships among multiple objects and spaces and discovered new visuo-spatial features when revisiting their design configurations. The designers using the tangible interfaces spent more time in relocating objects to different locations to test the moves, and interacted with the external representation through large body movements implying an immersion in the design model. These two physical actions assist in designers' spatial cognition by reducing cognitive load in mental visual reasoning. Further, designers using the tangible interfaces spent more time in restructuring the design problem by introducing new functional issues as design requirements and produced more discontinuities to the design processes, which provides opportunity for reflection and modification of the design. Therefore this research shows that tangible user interfaces changes designers' spatial cognition, and the changes of the spatial cognition are associated with creative design processes.     

Designing for designers: Towards the development of accessible ICT products and services using the VERITAS framework

Among key design practices which contribute to the development of inclusive ICT products and services is user testing with people with disabilities. Traditionally, this involves partial or minimal user testing through the usage of standard heuristics, employing external assisting devices, and the direct feedback of impaired users. However, efficiency could be improved if designers could readily analyse the needs of their target audience. The VERITAS framework simulates and systematically analyses how users with various impairments interact with the use of ICT products and services. Findings show that the VERITAS framework is useful to designers, offering an intuitive approach to inclusive design.     

The influence of a knowledge-based system on designers' cognitive activities: a study involving professional web designers

Over the last few decades, several usability knowledge-based systems have been developed to provide user interface designers with usability knowledge (e.g. heuristics, usability guidelines, standards). Such systems are intended to assist designers during the design process, and to improve the usability of the user interface being designed. However, the assumption that such systems actually improve the usability of the resulting user interface remains to be demonstrated: virtually no systems have been empirically tested by designers who create products. In order to confirm this assumption, we conducted an experimental study in which professional web designers had to create webpages, either using a knowledge-based system – MetroWeb – or without it. This study was intended to determine the influence of MetroWeb on the professional web designers' cognitive activity, and to find out whether MetroWeb actually assists them to develop a user-centred design. The results show that the web designers did not very often use MetroWeb while designing webpages; however, rather surprisingly, the designers who did use MetroWeb more often exhibited a user-centred activity than those working without MetroWeb. We conclude this paper by discussing these findings, and suggesting future possible ways of research intended to assist designers to adopt a user-centred approach to their activity.     

Using Film Cutting Techniques in Interface Design

It has been suggested that computer interfaces could be made more usable if their designers utilized cinematography techniques, which have evolved to guide the viewer through a narrative despite frequent discontinuities in the presented scene (i.e., cuts between shots). Because of differences between the domains of film and interface design, it is not straightforward to understand how such techniques can be transferred. May and Barnard (1995) argued that a psychological model of watching film could support such a transference. This article presents an extended account of this model, which allows identification of the practice of collocation of objects of interest in the same screen position before and after a cut. To verify that filmmakers do, in fact, use such techniques successfully, eye movements were measured while participants watched the entirety of a commercially released motion picture, in its original theatrical format. For each of 10 classes of cut, predictions were made about the use of collocation. Peaks in eye movements between 160 and 280 msec after the cut were detected for 6 of the 10 classes, and results were broadly in line with collocation predictions, with two exceptions. It is concluded that filmmakers do successfully use collocation when cutting in and out from a detail, following the motion of an actor or object, and in showing the result of an action. The results are used to make concrete recommendations for interface designers from the theoretical analysis of film comprehension.     

Multicast issues for collaborative virtual environments

Multicast networking lets designers use new communication patterns in computer graphics applications. This article introduces multicasting, explains how it differs from more traditional networking, and describes multicasting issues for the application designer     

石头记——石材在建筑中的应用

石头在建筑上扮演着举足轻重的角色。无论是中国古代传统的建筑还是从古代传统的使用方式到现代铺装中的巧妙设计,一个石头有着神奇的七十二变,巧妙的设计和合理的材料搭配可以让看似平庸的材料显的丰富多变和有趣味性;石头不仅是一种建筑材料,更多意义上代表着一种文化,一种审美,一种超越了设计的经典。     

基于人群感性认知的产品符号提炼及运用

当今已进入"感性消费"时代。这就要求产品设计者不但要了解感性认知如何影响消费者行为。也要掌握体现产品形态语意的符号的获取方式。本文利用心理描述测试法和聚类分析验证了情感矩阵的感性人群分类方式在中国的可适用性。并以座椅为例,利用SD语意差异法和主成因子分析法,对其感性认知经验进行了产品符号的提炼和验证运用。提炼出的产品符号在帮助设计者构思或验证未来感性产品设计这点上具有一定的参考价值和意义。