Study of the color characteristics of residential buildings in Shanghai

In 2018, Shanghai launched a campaign to renovate the façade of old residential areas. With the renovation of the façade of these residential buildings, problems such as chaotic colors, dull colors, and strongly conflicting colors of walls have increasingly occurred. In this article, the color data of building samples were obtained by field investigation and the color attribute grading evaluation of residential buildings was carried out by introducing evaluation factors; thus, the evaluation results of these buildings were finally obtained. Based on the analysis of the quantity and proportion of each color attribute at different evaluation levels, the color characteristics of residential buildings in Shanghai were finally summarized. Overall, Shanghai residential buildings are “warm colored” in hue, “bright” in lightness, and “partial white” in chromaticness. The research results provide theoretical support for the forward‐looking and scientific nature of color planning for residential buildings in the future and can serve as a reference for the selection of the main colors of building walls.     

Research on color harmony of building façades

In this study, the 28 primary colors and 11 complementary colors suggested by Chang et al in their investigation on building colors in Wanhua District of Taipei City were taken as color samples. The two-color combination mode was adopted to obtain 308 simulation photos, and two-color harmony was discussed from the perspective of visual evaluation using psychophysical tests. This study explored building façade color harmony in the CIELAB color space, and the relationship between the color attributes (hue, lightness, and chroma) and the color harmony, and between the differences of the color attributes and color harmony. It found that a high lightness of a building's primary color is associated with a high level of building color harmony, while the color harmony is reduced when the color falls in the green or blue sector in the CIELAB color space; a greater lightness difference between building façade colors is associated with a higher level of building color harmony, while the colors are disharmonized when they tend to the blue sector in the CIELAB color space. The contribution of this study is to summarize the principles for the application of building color harmony in urban renewal, and proposed suggestions on building color harmony in the urban renewal process.     

Reconstruction of Grenfell Tower fire. Part 3—Numerical simulation of the Grenfell Tower disaster: Contribution to the understanding of the fire propagation and behaviour during the vertical fire spread

The dramatic event of the Grenfell Tower (June 2017), involving a combustible façade system, has raised concerns regarding the fire risk that these systems address. Indeed, as façades are complex systems, it is not straightforward to assess which part of the system is involved in the global fire behaviour. Understanding such façade fires is thus very complex as it depends on a combination of various products and system characteristics, including window frames or air gap or cavity barriers. Fire development inside the initial apartment was investigated using an appropriate CFD model with different scenarios for the fire source and ventilation conditions in a previous study. Fire propagation through the window to the external façade and to higher apartments was modelled and validated against visual observations. This paper describes CFD modelling of the complete Grenfell tower facade, and investigates vertical fire spread behaviour over the full height façade from the initial apartment. Contributions from the combustion of all the apartments' furniture, depending on window failure, and architectural details of the refurbished façade are considered in the numerical model. The modelling results are validated by comparison with photographic and video observations of the real fire.     

Color preference affected by mode of color appearance

Most color preference research focuses on colors in an object color mode. In our daily life, however, colors are perceived not only as an object color mode but also as other modes, such as unnatural object color and light source color modes. To explore the effect of the color appearance mode on color preference, we examined the relationship between color preference and the mode of color appearance. Thirty‐three color chips were chosen from the Munsell notation varying in hues and chromas. The color chips were presented in different color appearance modes by changing the subject's room illuminance and the color chip room illuminance. The experimental results showed that the brightest and most saturated colors were preferred. It was found that the subject preferred color in a light source color mode and unnatural object color mode to color in an object color mode. Moreover, we found that hue had a small effect on color preference in the light source color mode. We also investigated the relationship between color preference and the perceived color attributes (perceived chromaticness, whiteness, and blackness). In a supplementary experiment, elementary color naming was conducted. The results showed that the perceived chromaticness, perceived whiteness, and perceived blackness play a role for the determination of color preference for different color appearance modes. We, consequently, suggest that color preference is dominated not only by color attributes but also by the mode of color appearance. © 2009 Wiley Periodicals, Inc. Col Res Appl, 2010     

Performance of a ventilated-façade system under fire conditions: An experimental investigation

During a fire event, ventilated facade systems may contribute to external fire spreading to the upper floors of a building via the facade, thus representing a significant risk. In this frame, the performance of a typical ventilated façade system under fire conditions is experimentally investigated, using a full-scale compartment-facade test rig. Two alternative façade configurations are examined and comparatively assessed, namely a plain façade (PF) and a ventilated façade (VF) system. Emphasis is given on the estimation of the thermal characteristics of the developed Externally Venting Flames (EVF) and the thermal boundary conditions developing on the façade's exposed surface. An extensive set of sensors was installed at the interior of the fire compartment, the façade systems and the exterior of the test configurations. Analysis of the experimental data suggests that even though gaseous combustion products managed to penetrate the air cavity of the VF system, no consistent flaming conditions were established. On the unexposed face of both PF and VF systems, temperatures remained constantly below 180°C throughout the duration of both fire tests. The Eurocode correlations are assessed against the obtained experimental data; certain parameters, such as EVF length, width and centreline temperature, are found to be under-estimated by the Eurocode methodology.     

Reconstruction of the Grenfell Tower fire – Part 4: Contribution to the understanding of fire propagation and behaviour during horizontal fire spread

The tragic events at Grenfell Tower in 2017, involving a combustible façade system, have raised concerns regarding the fire risk that these systems pose. In this series of articles, so far published, fire development inside the initial apartment has been investigated using an appropriate computational fluid dynamics (CFD) model. Several scenarios including different fire sources and ventilation conditions were addressed. Fire propagation through the window to the external façade and to higher apartments was modelled. This model was validated by comparing the numerical results with the visual observations reported in the Grenfell Inquiry. A CFD model of the complete east face of the Grenfell Tower was then created. This paper details CFD modelling of the complete Grenfell Tower façade during the late horizontal phase of fire spread. As the physics of lateral flame spread is different from that for upward flame spread, it is important to assess the validity of the model, thus far developed, for this configuration. Fire propagation over the whole façade is modelled and compared with observations from the real disaster. This provides a better understanding of its fire behaviour and of the contribution of architectural details and their impact on fire spread.     

Reconstruction of Grenfell Tower fire. Part 2: A numerical investigation of the fire propagation and behaviour from the initial apartment to the façade

The dramatic event of the Grenfell Tower in 2017 reminds the importance of addressing fire issues as a whole and clearly highlighted one of the major roles played by the façade as fire propagation vector. To understand and analyse this disaster, numerical simulation allows particular phenomena to be evaluated more easily. The numerical model addressed for the fire behaviour of the façade system was developed using a multiscale approach and validated at different scales. In this paper, the fire behaviour of the façade and of its window frames is addressed. A computational fluid dynamics (CFD) model is used to investigate the fire spread from the initial apartment to the overall façade with different scenarios for the fire source and ventilation. Fire propagation through windows to the façade and to upper apartments is addressed. General curves representing the re-entry of flames into upper apartment are extracted from simulations. The numerical results are validated by comparison with observations from videos and pictures of the real fire. Numerical results show that whatever the initial fire location and ventilation conditions, even if the fire source is of hundreds kilowatts, it is enough to ignite the adjacent element early and to the appearance of external flames shortly after.     

Thermal evaluation of the use of porous ceramic plates on ventilated façades—part II: Thermal behavior

The effects of porous ceramic plates on the thermal behavior of ventilated façades were evaluated, and the results are presented herein. Thermal behavior in a ventilated façade of specimens containing 40 wt% of lime mud and a firing temperature of 1100°C was evaluated and compared with a commercial porcelain ceramic tile, which was the reference material. An experimental apparatus was designed to evaluate the thermal performance of the studied ventilated façades. The results revealed that the ventilated façade composed of the studied porous ceramic tiles produced a greater reduction in temperature between the external environmental and the interior of a box representing a building (ΔT5) of 65.7°C, compared with the façade composed of the commercial porcelain ceramic tiles (ΔT5 = 56.0°C) and even the traditional façade (ΔT5 = 49.1°C). Thus, porous ceramic tiles based on byproducts are promising candidates for ventilated façade systems.     

Study of various interventions in the façades of a historical building—Methodology proposal,chromatic and material analysis

Visible spectroscopy, Fourier transform infrared spectroscopy (FTIR), and energy dispersive X‐ray spectroscopy (EDS) in addition to scanning electron microscopy (SEM) have been used for determining the color and chemical composition of the architectural elements of the façades of a historical building, which today is the seat of the Diputación Provincial of Cadiz. It dates from 1770 and was built as Custom Headquarters. It is near the port and is almost encircled by the walls of the city. The determination of the color and chemical composition of the materials that provoke this color and the determination of the layers found in the extracted samples from significant zones allow to define the various interventions over the façade and to localize the time in which they were made. This is possible by comparing with graphical registries and historical documentation. The objective is a study of the color of the different façades that the building has had in order to know the history of the building and to choose materials and colors that should be used in a restoration intervention of this historical building. © 2005 Wiley Periodicals, Inc. Col Res Appl, 30, 382–390, 2005; Published online in Wiley InterScience (www.interscience.wiley.com). DOI 10.1002/col.     

Preference for accent and background colors in interior architecture in terms of similarity/contrast of natural color system attributes

Color combination criteria are said to entail an affective response in interior design. We investigated the color combination criteria that orient the preference of current observers, after Le Corbusier's 1931 Salubra keyboards. We explored the similarity/contrast in Natural Color System (NCS) hue, blackness, and chromaticness in 312 combinations with four colors, two backgrounds and two accent colors, coming from 43 individual colors, on the walls of a simulated interior of a bedroom from the Swiss Pavilion (Le Corbusier, 1930-1931). Participants were 644 students of architecture and interior design in Western Europe and Near East, who evaluated with a Likert scale their preference for virtual images via an online survey. Results indicate that the most preferred color combinations are those with hues closer in the color wheel, being the similarity between hues in the backgrounds more important than in the accent colors, and with NCS B30G to G as the most preferred hues. Observers preferred color compositions with blackness under 10% and similar blackness between the two background colors, together with a certain blackness contrast between these background colors and the two color accents. Similarly, observers liked color compositions with low chromaticness and low chromaticness difference among the four colors of the composition.     

Whiteness,chromaticness, and blackness symmetries for CIELAB,with a numerical example

Whiteness, chromaticness, and blackness are defined for CIELAB. These NCS‐like color attributes offer an alternative to lightness and chroma for describing color. Their hue‐preserving symmetries are derived for tristimulus color space. A numerical example provides what theory predicts are visually uniform sequences of colors with constant lightness, whiteness, chromaticness, or blackness. Numerical approximation is unnecessary. Such sets of symmetric colors in one hue are visually interesting, and useful for computer aided design. The appropriateness of such attributes for CIELAB is briefly discussed. © 2010 Wiley Periodicals, Inc. Col Res Appl, 2010     

Research on the location characters of urban color plan in China

“Urban color” has gradually become one of the hot topics in the field of urban planning in China, and many cities have done research and developed planning practices. On the basis of the comparisons of those cities, numbers and figures show that most of them locate in the eastern part of China. Through the introduction of the Chinese urban planning system and implementation procedure, the authors indicate the status of the urban color plan and analyze the maneuverability of items on color in related laws and regulations. Next, we discuss the reasons of the distribution character with the examples of urban color plan of Yiyuan and architectural façade rebuilt of Guidu Holiday Inn in Suzhou. Finally, the authors point out that under the present Chinese system, urban color planning is the result of the game between urban planners and architects who come out from the rapid boom of urban construction and economy development. © 2007 Wiley Periodicals, Inc. Col Res Appl, 33, 68–76, 2008     

Numerical simulation of the fire behaviour of façade equipped with aluminium composite material‐based claddings—Model validation at intermediate scale

Increasing the energy performance of buildings is a crucial sustainable development objective. However, building features, products, mounting, and fixing of façade components have a large impact on fire safety. Authors in previous study performed façade fire propagation tests according to ISO13785‐1 on different combinations of ACM claddings and insulants. In this paper, simulations are performed to reproduce three of these tests. The model is validated with the aforementioned experimental results, including details in terms of thermal conditions in the system. This allows better understanding of the fire propagation on the overall system. Additional information, such as the relative contribution of the cladding and the insulant, are investigated numerically. The fire behaviour of each component of the overall system is thus validated. Simulations and tests performed show that the ACM cladding is the most important element driving the global fire behaviour of façade types considered. In particular, ACM‐PE–based cladding systems show large fire propagation whatever the insulant. This series of simulations is a part of a larger study including several steps of increasing complexity. Once the model for the fire behaviour of façade system is validated at intermediate scale, larger façade systems will be investigated numerically to evaluate the influence of scaling.     

A comparison between wishes and status: Gray is not the preference for residents while the city shows neutral colors

Urban color has become one of the hot topics in China since 2000. To provide suggestions for making the urban color plan for Changzhou of about 253 square kilometers in 2011, the research group evaluated the visual quality of the present architectural color in real urban space and investigated the residential attitude for the present and the future ones. Open‐ended questionnaire of 1065 was taken effectively face to face accompanied with NCS Cascade 980 to understand the residents' attitude about the present architectural color in Changzhou city, and the expectations for the future. At the same time, an overall survey and evaluation on the present architectural color was conducted from the aspects of materials, functions, environmental and color relationship as well as the color code itself. Data reveal the residents' attitude to color preferences is more tolerant in hue with no special color bias, and inclined to those with obvious chroma and clear color predisposition, not very vivid, nor very dark. While the site survey shows the present color focuses mostly in high or middle‐high brightness, neutral ones. In site evaluation and analysis, architecture obtained good scores are those have obviously color predisposition. Colors that are inclined to good scores still have obvious color tendency but is lighter than that of good ones and mostly concentrate in the middle high and high brightness. Although still shows warm colors the most, the color tendency was not so obvious and the proportion of grayish ones increased. As to colors inclined to bad, very large proportion of grayish color existed. Actually, the most insurance color people usually thought, if has no good façade form supporting, is difficult to obtain a pleasant visual effect. Also, if the material is not in agreement with the color, the visual effect will be even worse.     

Color combination criteria in Le Corbusier's Purist architecture based on Salubra claviers from 1931

We have carried out a new study of the color combinations selected by Le Corbusier in ‘les claviers de couleurs’ for the Salubra wallpaper company in 1931, by analyzing them in the Natural Color System, which allows us to understand the perceptive variables of colors (hue, blackness, and chromaticness) as well as their combination criteria. Regarding the perceptive variables, we have discussed the selected hue ranges in relation to other color proposals of Le Corbusier himself, and we have shown the extensive presence of earthy hues, or the noteworthy absence of other colors such as yellows, violets, black, and white. We have also analyzed the chromaticness of colors, which is generally low, and the blackness, also very limited. In relation to the combination criteria, we aim to find out the underlying order in the color combinations by studying the similarities and contrasts of their perceptive variables. We demonstrate graphically, by a navigable three‐dimensional model, and with statistical support, some principles in Le Corbusier's color preferences, such as the combination of colors with equal chromaticness, the search of some contrast in blackness, or the usual resource of contrasting cool with warm colors, something slightly different to the contrast of complementary colors. We have also discussed other compositional criteria held by Le Corbusier to use color in his Purist architecture, which are related to the position and proportion of the surfaces to be colored, the connotations associated to different hues, or the use of plain colors, among others. © 2015 Wiley Periodicals, Inc. Col Res Appl, 41, 85–100, 2016     

Investigation for the color samples with equi-depth in Natural Color System

The color depth, an important attribute of color, can reflect the amount of dye partly, which has important functions on the evaluation of color-fastness and strength of dyes, dyeing effect of fabric, computer color matching, and so on. Natural Color System, an internationally accepted color system, orders colors by three parameters (blackness, chromaticness, and hue). The color depth has not been specified within the Natural Color System. This article tries to find the regularity of the sample with equal-depth in Natural Color System. Firstly, 1950 color samples in Natural Color System were measured using an X-Rite Color i7 Spectrophotometer, and their color depths were calculated by five color depth formulas. Then, trend analysis and mathematical modeling methods were used to achieve the connection between the color depth and the notations of Natural Color System basing on color depth theories. Results show that, in Natural Color System, the color samples with the same distance to pure white do not have equal depth; but the color samples with the same nuance (equal blackness, whiteness and chromaticness) have broadly equal color depth, and their average coefficient values are lower than that of Society of Dyers and Colourists Standard Depths. Besides, regressive formulas were built, with which the color depths of any chips in Natural Color System can be calculated broadly by their notation.     

Color effect of light sources on peridot based on CIE1976 L*a*b* color system and round RGB diagram system

Previous research indicated that the peridot's color is dominated by the selective absorption of visible light caused by ferrous ion, the hue angle of which is in an inverse ratio of the concentration of Fe²⁺. This article focuses on the color effect of peridot under different standard light sources based on the CIE1976 L*a*b* color space system and round RGB diagram system and tries to find the best one for its grading and display. Based on the results of a series of experiments, including electron microprobe analysis, spectrophotometer, UV‐Vis spectrum, standard illumination box, and Munsell neutral color chips, it was suggested that the spectral power distribution and color temperature of a standard light source significantly influence the color of peridot in terms of lightness and chroma, particularly in the hue of peridot. As for color grading and displaying of peridot, standard light source A fails to fit in, and the color of peridot under a fluorescent light source has a higher chroma but a lower hue angle than that under daylight light source. The best choice for grading and displaying peridot is the standard light source D₆₅. It is better to distinguish the hue of peridot when it is calculated by the round RGB diagram system.     

Testing the performance of CIECAM02 from 100 to 3500 cd/m2

Color appearance models were developed to characterize the color attributes of stimuli under different viewing conditions based on data collected through magnitude estimation or color matching experiments. Although human beings experience very high light levels under daylight and the reproduction of colors under daylight is important in the color and imaging industries, the existing color appearance models were developed based on the data that were collected under the conditions with luminance levels below 700 cd/m² due to the lack of facilities to produce stable illumination at high light levels. A recent study investigating color preference of an artwork under a wide range of light levels from 20 to 15 000 lx suggested that CIECAM02 cannot accurately characterize the color appearance under extremely high light levels. This study was designed to directly test the performance of CIECAM02 from 100 to 3500 cd/m². Human observers performed color match for four hues under a series pairs of adapting conditions with a haploscopic viewing condition. It was found that CIECAM02 had the best performance in characterizing the hue angles but the worse performance in characterizing the brightness with a maximum underprediction around 200% across a wide range of luminance. This was mainly due to the fact that CIECAM02 was developed based on the data collected under relatively low adapting luminance levels. The color appearance model that was proposed to use the adapting luminance levels in characterizing the cone compression in the postadaptation process was found to have a much better performance in characterizing the brightness.     

Full‐scale burning tests on double‐skin façade fires

Fire hazard of an architectural feature with double‐skin façade is a concern. An identified scenario of having a post‐flashover room fire adjacent to the façade was studied experimentally in a rig of 6 m tall. Eight tests of cavity depths including a wide value of 2 m, normal values of 1.5 m and 1 m and a narrow value of 0.5 m under a room flashover fire of 1200 kW were carried out. From the measured air temperature profiles inside the façade cavity, the chance of breaking the interior glass pane above the fire room is therefore very high. Copyright © 2012 John Wiley & Sons, Ltd.     

Color characteristic of Castle District built on the hill

In this article the used of the colordynamic planning method is described and applied as an example to the façade of a building in Buda. The method of colordynamic planning consists of 3 essential parts. In the first part we decide on the limits of the color range to be used, based upon the requirements of the subject of planning. The decision on these limits is closely linked to the coordinates of the Coloroid system. In the second part the planner creates harmonic color scales from the previously selected color range. In this work he is helped by rules of the Coloroid system, based on harmony thresholds. In the third part the planner selects the color harmony combinations considered suitable by him. Following that, he finalizes the Coloroid coordinates of the proposed colors most suitable for the project. For the presentation of the colordynamic planning method, based on the Coloroid system, we use a real database of a colordynamic plan, which was awarded the first prize in an international competition.