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“在我生命的早期,艺术的种子早已播下。我到过许多国家旅行,寻找在这个世界上大自然之美。山脉,海洋,河流,瀑布不断启发了我作品的构图。现在我的作品,正探索人体与大自然美之相结合。对我来说,人体与大自然是我生活观察中的最好创作灵感。通过一系列线条和构图,把这两种题材统一结合起来,创造一个自然平衡的美。我运用色域,光,声和诗歌中的矩阵,来营造画中的构图,探索人的多层经验。” 相似文献
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<正>让我们跟随着旅行摄影师Musa Chowdhury的照片,去回味他那些动人心魄的旅途故事。Musa说:"我对在我生活圈子之外的人和他们的生活方式有一种强烈的好奇心,正是这种对历史和文化的兴趣指引我走上了全球旅行的道路。我成为一个旅行摄影师的初衷便是记录下我在旅途中的经历,并将其和其他人分享。我的镜头总能捕捉到一些不寻常的景色,因为在拍摄时,我会针对当地的情况,扩展我的拍摄思路,这样就能为自己创造 相似文献
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龙哥说:“我一直喜欢被风吹的感觉,所以,就上路了!我很诚意地向大家讲述我在路上的所见所闻,也很高兴与朋友们分享我快乐的故事。当你看完后。你就会对摩托车旅行和骑摩托车的人有一种全新的认识,在这里并不是有意在为我们这一族人做宣传什么,只是想通过我的个人努力向人们传达一种摩托车行为理念,以及陶瓷行业文化,就像汽车文化一样,陶瓷也是一种文化。虽然目前在我国陶瓷市场经济波动异常,让人揪心,但发展前景仍然是值得期待的,世界文化本来就是一个多层次多级化的形态。” 相似文献
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新疆,是我一直向往去拍照旅行的神秘地域。奇特多样的地形地貌,旖旎多姿的秀美风景,神秘多元的民族风情,无不让我对其产生着浓厚的兴趣。但是随着众所周知的"环境人文"的特殊影响,让我不得不从另外一个角度关注这个属于祖国的特殊地带,显然,喜欢一个人旅行的我,恐怕暂时没有什么机会踏上那片心中美丽的土地。 相似文献
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Roy Osborne 《Color research and application》1987,12(6):334-339
Like that of many art students, my initial training seemed dominated by linear drawing, so that painting too often became a matter of outlining shapes and then coloring them in. It was not until I more closely studied the work of Cézanne. Seurat, Robert Delaunay, and other great colorists, that I gained more insight into how color might be used independently of drawing, of how color could create its own form and ultimately become a subject of artistic experiment in its own right. This article examines one artist's thoughts on the relationship between drawing and color, set within a wider, art-historical context. 相似文献
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安格瑞得·特菲尔德是英国玻璃绘画工艺协会会员.1980年出生于英国威尔士的布雷肯。
她是一流的彩色玻璃艺术家。她把传统绘画和当代工艺相结合,设计灵感常常源于动人的文章片断以及影视作品。初期作品主要是比喻和叙事手法来表现威尔士文化风俗、神话以及一些民间故事传说等。 相似文献
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M. R. Grellier 《应用聚合物科学杂志》1967,11(6):871-900
The cold drawing of synthetic polymers is generally carried out through necking at a short collar between the drawn part and the undrawn part of the fiber; if the drawing is carried out in certain organic liquids, the lengthening is realized through thousands of simultaneous necks which permit the fiber to be penetrated by a dye dissolved in the liquid. The stress–strain curves for the drawing in liquid show an important decrease in the force at the time the multiple necking are produced. This decrease is the result of an increase in the mobility of the macromolecular chains through the penetration of the organic liquid to the level of the shoulder of the necks. A morphological study has been carried out through the observation of cuts by optical microscopy, along with a utilization of the techniques of x-ray diffraction, IR spectroscopy, and electron microscopy. It was found that the liquid penetrates t?he fiber to the level of the necking via a rupture of the interchain bonds which takes place during the change of structural following the drawing. The bonds are maintained ruptured as long as the liquid is not squeezed out by the aligning of the chains; they reform later to produce a new highly crystalline structure. 相似文献
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制瓶机模具CAD中的图形处理 总被引:2,自引:0,他引:2
研究了制瓶机模具CAD系统中图形处理的一般方法,介绍了参数化绘图、AutoCAD、用AutoLISP对AutoCAD进行二次开发,以及画剖面线的二次开发。 相似文献
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Pingping Wu Qi Yang Zhongguo Zhao Hongwen Sun Tongying Zhang Yajiang Huang Xia Liao 《应用聚合物科学杂志》2018,135(32)
High oriented isotactic polypropylene prepared by self‐designed two‐stage die drawing apparatus was explored through kinds of methods, including differential scanning calorimetry, two‐dimensional wide‐angle X‐ray diffraction, polarized light microscope, and tensile test. The results showed that there was a great difference between the orientation mechanism and structure evolution of two‐stage solid die drawing process and single‐stage solid die drawing process. All samples would undergo free drawing process after die drawing process. Die drawing and free drawing process were of equal importance to single‐stage die drawing process while die drawing process showed an prominent contribution to the two‐stage die drawing process. Drawing speed showed beneficial influence on die drawing process for both single‐ and two‐stage die drawing process routes. Under the same processing condition, tensile strength and modulus of samples prepared by two‐stage die drawing process were higher than those prepared by single‐stage die drawing process and the maximum value could reach 241.93 MPa and 3.57 GPa, respectively. Moreover, two‐stage die drawing samples showed better dimensional stability than single‐stage die drawing samples especially under low draw rate. © 2018 Wiley Periodicals, Inc. J. Appl. Polym. Sci. 2018 , 135, 46581. 相似文献
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R. R. Allen 《Journal of the American Oil Chemists' Society》1986,63(10):1328-1332
During the 33 years I have spent in industrial fats and oils research and development I have been fortunate to have both R&D
managers who let me stay in the laboratory and do my own research, and capable assistants who worked with me in the laboratory.
Of course, much of my work could never have been done without them, so this award is theirs, too. My laboratory assistant
in Taiwan, Dorothy Chu, wrote me, “You are my boss, so it is my honor, too.” This is not just my award; you are also honoring
those who worked with me during the past.
(Robert R. Allen former AOCS president and winner of the 1983 Bailey Award, was the recipient of the 1986 Supelco AOCS Research
Award presented in May at the 1986 AOCS annual meeting in Honolulu, Hawaii. Allen received the award for his pioneering work
in hydrogena-tion and for other research. The following is the address given by Allen after receiving the award.) 相似文献
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Die drawing, a new process for the production of oriented thermoplastic rods with an ultrahigh modulus of elasticity, involves drawing an isotropic workpiece through a converging die at temperatures below the polymer melting point. Die drawing of polypropylene is described, but the process is applicable to any polymer which can be drawn by conventional means. The considerable advantages of die drawing compared with conventional tensile drawing and hydrostatic or ram extrusion are discussed. 相似文献
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Deformation of the metal substrate in the deep drawing process was characterized by macroscopic appearance and strain distribution. The results of the analysis were correlated with the modes of coating failure. The characteristic ears and valleys at the top of the cup and buckling of the metal in the valley regions resulted from instabilities raised during the cupping process. Earing was a plastic instability that originated from the combined factors of the crystallographic unit cell and the anisotropy of the rolled metal substrate. Buckling was an elastic instability that occurred when the valleys lost constraint before the ears. Stopping the forming process at intermediate positions before the cup was completely formed revealed four stages in the cupping process. Stage I was the initial indentation with formation of six ears. Stage II was conversion from 6 ears to 4 ears separated by alternating deep and shallow valleys. Stage III, loss of constraint in the deep valleys, led to buckling. Stage IV was total loss of constraint. Relationships between the deep drawing process as described by the 4 stages and coating failure were explored with two coating formulations: one that did not fail during deep drawing and one that failed. Two failure modes were observed on the deep drawn cup. Mode I, coating delamination at the top of the cup, was related to the bucking instability. Mode II, loss of adhesion along the cup wall, was caused by elastic retraction of the unconstrained cup in stage IV. 相似文献
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Deformation of the metal substrate in the deep drawing process was characterized by macroscopic appearance and strain distribution. The results of the analysis were correlated with the modes of coating failure. The characteristic ears and valleys at the top of the cup and buckling of the metal in the valley regions resulted from instabilities raised during the cupping process. Earing was a plastic instability that originated from the combined factors of the crystallographic unit cell and the anisotropy of the rolled metal substrate. Buckling was an elastic instability that occurred when the valleys lost constraint before the ears. Stopping the forming process at intermediate positions before the cup was completely formed revealed four stages in the cupping process. Stage I was the initial indentation with formation of six ears. Stage II was conversion from 6 ears to 4 ears separated by alternating deep and shallow valleys. Stage III, loss of constraint in the deep valleys, led to buckling. Stage IV was total loss of constraint. Relationships between the deep drawing process as described by the 4 stages and coating failure were explored with two coating formulations: one that did not fail during deep drawing and one that failed. Two failure modes were observed on the deep drawn cup. Mode I, coating delamination at the top of the cup, was related to the bucking instability. Mode II, loss of adhesion along the cup wall, was caused by elastic retraction of the unconstrained cup in stage IV. 相似文献