潮人圈

“旅行让我学会了宽容,学会了尊敬,学会了如何爱,学会了敬畏……重要的是,在不同国度旅行,让我知道了生活的真正含义。“     

站在高岗上诠释中国陶瓷艺术--专访美国陶艺家雷菲力

“在我生命的早期，艺术的种子早已播下。我到过许多国家旅行，寻找在这个世界上大自然之美。山脉，海洋，河流，瀑布不断启发了我作品的构图。现在我的作品，正探索人体与大自然美之相结合。对我来说，人体与大自然是我生活观察中的最好创作灵感。通过一系列线条和构图，把这两种题材统一结合起来，创造一个自然平衡的美。我运用色域，光，声和诗歌中的矩阵，来营造画中的构图，探索人的多层经验。”     

玩偶旅行记

我们总是梦想,有一天能够环游世界,在路上书写憧憬。 ＂玩偶旅行＂的酷玩方式因此而兴。带上心爱的玩偶出行,会使旅行拥有更多新鲜和乐趣。喜欢独自旅行的人,会让不会发声不会反驳的玩偶分享自己的寂寞心事;厌倦了千篇一律风景照的人,会以玩偶来代替自己的眼睛,另眼看世界;被繁忙的工作生活所累无法远行的人,会依赖网络另一端的朋友,让玩偶代替自己踏遍山山水水。     

Musa Chowdhury 带上相机去旅行

<正>让我们跟随着旅行摄影师Musa Chowdhury的照片,去回味他那些动人心魄的旅途故事。Musa说:"我对在我生活圈子之外的人和他们的生活方式有一种强烈的好奇心,正是这种对历史和文化的兴趣指引我走上了全球旅行的道路。我成为一个旅行摄影师的初衷便是记录下我在旅途中的经历,并将其和其他人分享。我的镜头总能捕捉到一些不寻常的景色,因为在拍摄时,我会针对当地的情况,扩展我的拍摄思路,这样就能为自己创造     

在路上……——小记环游中国的摩托车骑手陈国龙先生

龙哥说：“我一直喜欢被风吹的感觉，所以，就上路了!我很诚意地向大家讲述我在路上的所见所闻，也很高兴与朋友们分享我快乐的故事。当你看完后。你就会对摩托车旅行和骑摩托车的人有一种全新的认识，在这里并不是有意在为我们这一族人做宣传什么，只是想通过我的个人努力向人们传达一种摩托车行为理念，以及陶瓷行业文化，就像汽车文化一样，陶瓷也是一种文化。虽然目前在我国陶瓷市场经济波动异常，让人揪心，但发展前景仍然是值得期待的，世界文化本来就是一个多层次多级化的形态。”     

平沙任驰骋湖光映冰心

新疆,是我一直向往去拍照旅行的神秘地域。奇特多样的地形地貌,旖旎多姿的秀美风景,神秘多元的民族风情,无不让我对其产生着浓厚的兴趣。但是随着众所周知的＂环境人文＂的特殊影响,让我不得不从另外一个角度关注这个属于祖国的特殊地带,显然,喜欢一个人旅行的我,恐怕暂时没有什么机会踏上那片心中美丽的土地。     

平沙任驰骋湖光映冰心

新疆,是我一直向往去拍照旅行的神秘地域。奇特多样的地形地貌,旖旎多姿的秀美风景,神秘多元的民族风情,无不让我对其产生着浓厚的兴趣。但是随着众所周知的＂环境人文＂的特殊影响,让我不得不从另外一个角度关注这个属于祖国的特殊地带,显然,喜欢一个人旅行的我,恐怕暂时没有什么机会踏上那片心中美丽的土地。     

玩偶旅行记

<正>玩偶旅行,是一种新兴的酷玩方式,玩的是一种在路上的感觉。我们总是梦想,有一天能够环游世界,在路上书写憧憬。"玩偶旅行"的酷玩方式因此而兴。带上心爱的玩偶出行,会使旅行拥有更多新鲜和乐趣。喜欢独自旅行的人,会让不会发声不会反驳的玩偶分享自己的寂寞心事;厌倦了千篇一律风景照的人,会以玩偶来代替自己的眼睛,另眼看世界;被繁忙的工作生活所累无法远行的人,会依赖网络另一端的朋友,让玩偶代替自己踏遍山山水水。在人潮如     

旅行的意义

如果给你一次完美旅行的机会，你最想带着什么同行7宠物、鱼子酱、整套影音系统？路易威登给出的答案是：都可以!定制服务是路易威登最值得称道的传统之一，从路易威登这里，我懂得了个性化定制和度身定制的区别。个性化定制相当于在既定的款式上打上自己的烙印，而度身定制则让路易威登接近于“梦想制造商”——无论客人描绘什么愿望，他们都可能帮你实现。     

水下摄影进行时

或许，是天气的原因，影友们似乎越来越喜欢去海边，去泳池进行拍摄，在寻找灵感的同时，还能让身心在炎热的天气里，得到一丝静谧。     

A Painter's thoughts on color and form

Like that of many art students, my initial training seemed dominated by linear drawing, so that painting too often became a matter of outlining shapes and then coloring them in. It was not until I more closely studied the work of Cézanne. Seurat, Robert Delaunay, and other great colorists, that I gained more insight into how color might be used independently of drawing, of how color could create its own form and ultimately become a subject of artistic experiment in its own right. This article examines one artist's thoughts on the relationship between drawing and color, set within a wider, art-historical context.     

绚丽多姿的彩色玻璃——记英国彩色玻璃艺术家二——安格瑞得·特菲尔德

安格瑞得·特菲尔德是英国玻璃绘画工艺协会会员．1980年出生于英国威尔士的布雷肯。 她是一流的彩色玻璃艺术家。她把传统绘画和当代工艺相结合，设计灵感常常源于动人的文章片断以及影视作品。初期作品主要是比喻和叙事手法来表现威尔士文化风俗、神话以及一些民间故事传说等。     

化工工业管道正等轴测图的三维重建

利用AUTOCAD软件对化工工业管道正等轴测图进行分析,并通过计算以及轴测图公式生成相应的坐标,最后通过软件绘制相应的三维实体模型,使化工工业管道的正等轴测图三维重建过程变得更加快速,设计也更趋向于自动化。     

Étude de l'étirage à froid des fibres de polymères synthétiques dans les agents organiques

The cold drawing of synthetic polymers is generally carried out through necking at a short collar between the drawn part and the undrawn part of the fiber; if the drawing is carried out in certain organic liquids, the lengthening is realized through thousands of simultaneous necks which permit the fiber to be penetrated by a dye dissolved in the liquid. The stress–strain curves for the drawing in liquid show an important decrease in the force at the time the multiple necking are produced. This decrease is the result of an increase in the mobility of the macromolecular chains through the penetration of the organic liquid to the level of the shoulder of the necks. A morphological study has been carried out through the observation of cuts by optical microscopy, along with a utilization of the techniques of x-ray diffraction, IR spectroscopy, and electron microscopy. It was found that the liquid penetrates t?he fiber to the level of the necking via a rupture of the interchain bonds which takes place during the change of structural following the drawing. The bonds are maintained ruptured as long as the liquid is not squeezed out by the aligning of the chains; they reform later to produce a new highly crystalline structure.     

制瓶机模具CAD中的图形处理

研究了制瓶机模具ＣＡＤ系统中图形处理的一般方法,介绍了参数化绘图、ＡｕｔｏＣＡＤ、用ＡｕｔｏＬＩＳＰ对ＡｕｔｏＣＡＤ进行二次开发,以及画剖面线的二次开发。     

Structure evolution and orientation mechanism of isotactic polypropylene during the two‐stage solid die drawing process

High oriented isotactic polypropylene prepared by self‐designed two‐stage die drawing apparatus was explored through kinds of methods, including differential scanning calorimetry, two‐dimensional wide‐angle X‐ray diffraction, polarized light microscope, and tensile test. The results showed that there was a great difference between the orientation mechanism and structure evolution of two‐stage solid die drawing process and single‐stage solid die drawing process. All samples would undergo free drawing process after die drawing process. Die drawing and free drawing process were of equal importance to single‐stage die drawing process while die drawing process showed an prominent contribution to the two‐stage die drawing process. Drawing speed showed beneficial influence on die drawing process for both single‐ and two‐stage die drawing process routes. Under the same processing condition, tensile strength and modulus of samples prepared by two‐stage die drawing process were higher than those prepared by single‐stage die drawing process and the maximum value could reach 241.93 MPa and 3.57 GPa, respectively. Moreover, two‐stage die drawing samples showed better dimensional stability than single‐stage die drawing samples especially under low draw rate. © 2018 Wiley Periodicals, Inc. J. Appl. Polym. Sci. 2018 , 135, 46581.     

Hydrogenation research

During the 33 years I have spent in industrial fats and oils research and development I have been fortunate to have both R&D managers who let me stay in the laboratory and do my own research, and capable assistants who worked with me in the laboratory. Of course, much of my work could never have been done without them, so this award is theirs, too. My laboratory assistant in Taiwan, Dorothy Chu, wrote me, “You are my boss, so it is my honor, too.” This is not just my award; you are also honoring those who worked with me during the past. (Robert R. Allen former AOCS president and winner of the 1983 Bailey Award, was the recipient of the 1986 Supelco AOCS Research Award presented in May at the 1986 AOCS annual meeting in Honolulu, Hawaii. Allen received the award for his pioneering work in hydrogena-tion and for other research. The following is the address given by Allen after receiving the award.)     

Die drawing: Solid phase drawing of polymers through a converging die

Die drawing, a new process for the production of oriented thermoplastic rods with an ultrahigh modulus of elasticity, involves drawing an isotropic workpiece through a converging die at temperatures below the polymer melting point. Die drawing of polypropylene is described, but the process is applicable to any polymer which can be drawn by conventional means. The considerable advantages of die drawing compared with conventional tensile drawing and hydrostatic or ram extrusion are discussed.     

Relationship of Coating Failure to Deformation in the Deep Drawn Cup

Deformation of the metal substrate in the deep drawing process was characterized by macroscopic appearance and strain distribution. The results of the analysis were correlated with the modes of coating failure. The characteristic ears and valleys at the top of the cup and buckling of the metal in the valley regions resulted from instabilities raised during the cupping process. Earing was a plastic instability that originated from the combined factors of the crystallographic unit cell and the anisotropy of the rolled metal substrate. Buckling was an elastic instability that occurred when the valleys lost constraint before the ears. Stopping the forming process at intermediate positions before the cup was completely formed revealed four stages in the cupping process. Stage I was the initial indentation with formation of six ears. Stage II was conversion from 6 ears to 4 ears separated by alternating deep and shallow valleys. Stage III, loss of constraint in the deep valleys, led to buckling. Stage IV was total loss of constraint. Relationships between the deep drawing process as described by the 4 stages and coating failure were explored with two coating formulations: one that did not fail during deep drawing and one that failed. Two failure modes were observed on the deep drawn cup. Mode I, coating delamination at the top of the cup, was related to the bucking instability. Mode II, loss of adhesion along the cup wall, was caused by elastic retraction of the unconstrained cup in stage IV.     

Relationship of Coating Failure to Deformation in the Deep Drawn Cup

Deformation of the metal substrate in the deep drawing process was characterized by macroscopic appearance and strain distribution. The results of the analysis were correlated with the modes of coating failure. The characteristic ears and valleys at the top of the cup and buckling of the metal in the valley regions resulted from instabilities raised during the cupping process. Earing was a plastic instability that originated from the combined factors of the crystallographic unit cell and the anisotropy of the rolled metal substrate. Buckling was an elastic instability that occurred when the valleys lost constraint before the ears. Stopping the forming process at intermediate positions before the cup was completely formed revealed four stages in the cupping process. Stage I was the initial indentation with formation of six ears. Stage II was conversion from 6 ears to 4 ears separated by alternating deep and shallow valleys. Stage III, loss of constraint in the deep valleys, led to buckling. Stage IV was total loss of constraint. Relationships between the deep drawing process as described by the 4 stages and coating failure were explored with two coating formulations: one that did not fail during deep drawing and one that failed. Two failure modes were observed on the deep drawn cup. Mode I, coating delamination at the top of the cup, was related to the bucking instability. Mode II, loss of adhesion along the cup wall, was caused by elastic retraction of the unconstrained cup in stage IV.