兔纹剪纸在现代视觉设计中的应用研究

剪纸艺术是中国民间艺术形式之一,具有较高的美学价值,成为现代视觉设计灵感来源的一部分,其文化内涵和造型艺术被充分吸收借鉴。兔作为十二生肖之一,历史悠久,广泛应用在多种艺术表现中。本文通过调查法了解兔纹剪纸的历史背景,利用文献研究法分析兔纹剪纸的艺术内涵、创新表现和设计应用,探索兔纹剪纸和视觉设计相结合的艺术性,为继承与传播传统文化提供新的途径与方法。     

传统钧瓷艺术特征及其文化传承

钧瓷源于唐朝,在宋朝达到了鼎盛时期,是宋朝的五大民窑之一。钧瓷的窑变艺术十分出众,具有着鲜明的个性与艺术特征。造就这种艺术特征不单单是器型、色彩、纹路、釉画等多种因素综合而来,同时还是传统文化、艺术审美与实用主义结合共同作用的成果。文章主要针对传统钧瓷艺术特征与文化传承进行探析。     

探析剪纸艺术在现代设计中的发展路径

目的研究剪纸艺术对现代设计的启示及其发展。方法对比剪纸艺术与现代设计的相互影响,梳理剪纸艺术在现代设计中的设计要素,从文化与产业的并重、人文与经济的融和、剪纸"时尚化"的演绎3个方面进行研究分析,并在教学及团队研究中作了有益的探索。结论剪纸艺术在现代设计中的发展首先要加强剪纸在文创类产品的开发,其次需推动民间艺术与旅游纪念品的设计与发展,最后通过剪纸"时尚化"的定义,将其衍变为现代"剪纸",成为营造装饰氛围的主力军。剪纸艺术之于现代设计不仅要有情感,而且更要具备一定的功能性与装饰性,其价值才能真正实现。     

蔚县剪纸装饰性研究

对蔚县剪纸中的装饰美,以及在艺术创作中的意义进行归纳和总结。剪纸作传统民间艺术瑰宝,它的装饰性和审美观念等都对现代设计艺术发展有深刻影响。现代蔚县剪纸更多的是作为装饰艺术品为人们所欣赏、收藏。同时,也作为传统艺术的表现元素活跃在现代设计各领域。     

从阜阳剪纸浅谈剪纸艺术在现代装饰中的运用

阜阳剪纸融合中国南北方剪纸艺术的特长,自成风格。阜阳很早即有剪纸出现和应用。显示出剪纸艺术的运用及对装饰艺术的传承,为现代装饰艺术的发展和创造奠定了坚实的基础。     

庆阳民间剪纸艺术数字化与包装设计关系探析

庆阳剪纸艺术历史悠久,是民俗活动的重要组成部分,它不仅满足了人们对生活的装饰、美化,也满足了人们对民族精神及乡土文化的表达。现代社会中,剪纸艺术的数字化是其传承与发展的必要途径之一。从现代包装设计中剪纸的价值、图形、色彩、内涵等方面入手,做好庆阳剪纸的数字化,将是实现剪纸艺术现代化的必由之路。     

传统剪纸技艺传承与现代灯具装饰融合设计探析

坚持文化自信是中国特色社会主义的特色价值表现,民族文化是文化强国建设的重要内容,传统剪纸技艺传承作为一种文化形态与现代灯具装饰设计作为一种现实生活需求相融合,设计师可以利用剪纸的图形图案特点、线条切割刻画等传统技艺,演绎出新型的灯具装饰设计中功能、材料、造型、工艺的变化,使现代灯具装饰设计能够继续传承剪纸艺术的文化精华,通过另一种形式进一步体现中国传统艺术与现代新型设计交融带来的文化传承。     

吕胜中与马蒂斯剪纸艺术比较

中国剪纸艺术大师吕胜中与西方剪纸艺术家马蒂斯的剪纸艺术作品有许多相似之处,又有其各自独特的艺术风格。吕胜中的剪纸艺术扎根于古老而深厚的东方民间艺术,具有典型的民族特色,其作品中的标志性形象＂小红人＂具有＂招魂＂的象征意义。同时,＂小红人＂艺术符号的重复与变形,成为吕胜中剪纸艺术的主要造型语言。在色彩应用上,吕胜中先生的剪纸作品大多是白底红纸,没有太多的变化。马蒂斯的剪纸艺术同样受到其民族文化的熏染,但同时也与其自身深厚、娴熟的绘画技法密不可分,其剪纸艺术的题材内容大多是面向生活的,且丰富多彩。马蒂斯剪纸艺术创作中也采用了重复的技法,但他更强调视觉符号的抽象性,装饰化和图案化是其剪纸艺术的突出特点。在色彩应用上,马蒂斯喜欢用大块的颜色拼接,其剪纸作品色彩跳跃。     

传统礼花剪纸的民俗应用与艺术特征

"礼花"剪纸是旧时民间装饰在礼品之外的剪刻艺术,这是自己动手的一种美化活动,洋溢着十分浓郁的乡情,体现了送礼人的真情实意。本文首先从礼花剪纸的民俗源流梳理出中国民间剪纸从巫术文化走向民俗礼仪文化的流变过程;其次分析礼花剪纸的民俗应用,通常用在婚礼、祝寿、生养、升官、中取、乔迁、开市等活动的馈礼上;最后分析其艺术特征,总体呈现出随物赋形的设计巧思及祝颂吉祥的图案寓意。     

平面构成在醴陵釉下五彩陶瓷装饰中的应用

阐述了醴陵釉下五彩陶瓷装饰的特点,平面构成、构成主义以及形式美法则的概念。通过实际案例探析了平面构成的点、线、面元素对釉下五彩陶瓷装饰艺术方面的影响和应用。探索了釉下五彩陶瓷艺术的发展与创新之路。     

Structural whiteness of the multi-component glaze dependence on amorphous photonic crystals

A kind of enhancing mechanism of structural whiteness dependence on amorphous photonic crystal (APC) structure is introduced in this paper. In the glaze system composed of albite, kaolin, talc, calcite, quartz, titanium dioxide and zinc oxide, the APC structure will be produced by using quartz as a variable to induce the phase separation. Under different polarities between Ti, Zn etc. and Siion, the separated spheres with the core-shell structure can be obtained and then make up opal-like APCs in the glaze layer. In addition to inner and outer layers of core-shell spheres, the calculated results of refractive indices clearly show the great difference between the particles and the matrix. As a result of different refractive indices, the multiple scatting of visible light plays a key rote in the structural whiteness. However, due to the decrease of the cationic content, APCs with the reverse opal structure would be formed in the interface between glaze and body. Ultimately, the glaze appearance reveals extremely high structural whiteness due to the special APC structure.     

田口方法在蓄能发光陶瓷制造工艺中的应用

应用一种先进质量管理理论"田口方法",对一种新型建筑装饰材料蓄能发光陶瓷的制造工艺进行优化设计和质量控制,获得了较高稳定性的制造工艺过程,其中施釉方式和釉料种类的选取减小了围绕平均值的波动,其他因素的优化选择则降低了产品成本,证明了该方法的有效性.     

Separation between the different fluxes scattered by art glazes: explanation of the special color saturation

In a previous paper, the special visual appearance of art glazes was explained using the auxiliary function method (AFM) for solving the radiative transfer equation. Glazes are made of low concentrated colored scattering centers embedded in a transparent medium and the artist modulates the color by varying the number of glaze layers. A simple model of glazes and the new solving method have both been validated by comparison between flux measurements and modeling. The color of art glazes is analyzed here, and the study shows a spectacular maximum of saturation (purity) of the color that is never reached, to the best of our knowledge, with other techniques, such as pigment mixtures. This phenomenon is explained once more using the AFM that allows separation of the different contributions to the scattered fluxes. It is then shown that, on the one hand, single scattering never induces a maximum of saturation. On the other hand, multiple scattering has a typical increasing and decreasing behavior with an increasing number of glaze layers and thus participates to the maximum of saturation, just as the scattering by the diffuse base layer. A comparison between glazes and pigment mixtures, where the proportion of colored pigments with white pigments varies instead of the number of layers, shows that this maximum of saturation is much smaller with the second technique. To the best of our knowledge, we present a new development of the AFM that allows separation of the different origins of light scattering. We also show that it is possible to determine the optical properties of the scattering centers and of the base layer to create the required visual effect of a scattering medium.     

折纸艺术在包装设计中的创意探析

目的研究折纸艺术在包装设计中的应用。方法以折纸艺术在包装设计中的应用现状为基础,从折纸的独特审美趣味、环保性、趣味性、易操作、益智、一物多用、设计"减量化"、良好的实验性等几个方面进行研究。结论折纸这种传统的艺术门类,作为一种重要的装饰手段和形式语言能给包装设计带来文化内涵,将折纸艺术注入包装设计中,是对现代文明和传统文化的巧妙结合,能赋予包装设计更多的灵感,增加现代人在娱乐性、个性、互动性方面的需求,使人们在折叠或者使用的过程中享受到物质和精神上的双重美好感受。     

A transmission electron microscope study of some SnO2-Sb2O5 semiconducting glazes

A number of SnO₂-Sb₂O₅ semiconducting glaze samples have been examined by transmission electron microscopy. The distribution, morphology and size distribution of the SnO₂ particles have been determined, both for glazes used to control pollution flashover on electrical insulators and for glazes used to produce electrical resistors. Careful analysis suggests that in the insulator samples, point contact between SnO₂ particles is not achieved but each particle is surrounded by a rim of glass, typically a few tenths of a micron in thickness. It is shown that this model is in qualitative agreement with the results of measurements of glaze conductivity as a function of SnO₂ concentration. An estimate is made of the size of these rims as a function of concentration, from the known SnO₂ content of the glazes and from measured particle sizes. The distribution of shapes and sizes of the SnO₂ particles in the glaze are related to the distribution in the SnO₂ powder used to make the glaze. It is suggested that the smaller particles in the original powder are dissolved in the glaze during firing and recrystallize around the larger particles which are not fully dissolved. The influence of this process on the Sn distribution in the solution rims is discussed. In the resistor glazes, the wide range of SnO₂ particle sizes makes it more difficult to determine whether point contacts occur between the particles. Indirect evidence seems to suggest that percolation paths through the material do exist. It is shown that in a number of the glazes, fine-scale phase separation in the base glass occurs. Two distinct types of devitrified region in the insulator glazes have been observed, one of these types appears to correspond to the devitrified areas in the glass observed by scanning microscopy and the other type is -quartz probably undissolved in the firing process.     

景德镇玲珑釉的测试与分析

采用X射线荧光光谱分析(XRF)、X射线衍射分析(XRD)、差热-失重分析(DTA/TG)、场发射扫描电子显微镜(FESEM)等测试技术对景德镇市售3种玲珑釉进行研究,并做釉的润湿性实验和理论熔融温度计算。实验结果表明景德镇玲珑釉配方工艺技术发展趋势是:在景德镇的传统玲珑釉配方(釉果+釉灰)的基础上,先引入方解石、滑石类的矿物取代釉灰对釉进行改良;然后减少碳酸钙类矿物原料的加入,取而代之的是硅灰石或白云石等,以减少玲珑釉特有的鱼眼、凹眼等缺陷;或是采用高温透明釉,对釉的特有碧绿呈色效果有一定影响。另外,对景德镇市售玲珑釉的性能进行评价,分析其配方的工艺技术发展趋势。     

宋代福建黒釉的施釉工艺

选取在福建黑釉研究中存在争议的黑釉下出现褐色层的现象开展研究,从显微结构和化学组成两方面对黑釉与褐色层的结构和成分进行比较.结果表明:褐色区域的氧化铁含量明显高于黑釉区域的,而助溶剂含量则低于黑釉区域的,且褐色区域表面存在一层明显的赤铁矿和磁铁矿结晶层;正是这层含铁结晶层的存在导致褐色区域呈现出不同于黑釉的颜色;褐色区...     

Additive soft-lithographic patterning of submicrometer- and nanometer-scale large-area resists on electronic materials

We describe a novel soft-lithographic technique possessing broad utility for the fabrication of large area, nanoscale ( approximately 100 nm) multilayer resist structures on electronic material substrates. This additive patterning method transfers ultrathin poly(dimethylsiloxane) (PDMS) decals to an underlying SiO(2)-capped organic planarazation layer. The PDMS patterns serve as a latent image through which high-quality multilayer resist structures can be developed using reactive ion-beam etching.     

论数字时代背景下互动展示的“微”趣味

以"趣味"美学思想为启示,结合数字时代的"微"影响,分析了互动展示中的"微"趣味,论述了"微"趣味在互动展示活动中所彰显的"微"特征,并从主题思维、形态、情感交流、个体互动4个角度进行论述。在此基础上,总结出"微"时代背景下互动展示设计的"微"效应。     

浅谈书籍包装艺术

书籍装帧设计实际上就是书的包装设计,也就是塑造书的"体"和"貌".它集封面艺术、字体艺术、版面艺术、插图艺术、材料艺术和印刷装订艺术为一体.