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1.
李晨  王可鑫  田丽华 《计算机应用》2018,38(8):2301-2305
为了解决目前大多音频水印算法在应用于MP3音频时存在的效率低下、鲁棒性与不可感知性较难平衡等问题,提出基于MP3帧声道间低频能量的压缩域音频水印算法。该算法的嵌入和提取过程可分别在MP3压缩和解压缩的过程中完成,能大大提高水印的嵌入提取效率。而且由于低频能量具有较好的稳定性,算法利用MP3编解码过程中生成的改进离散余弦变换(MDCT)系数计算得到声道内低频能量,将左右声道内低频能量之比以固定步长量化,最终根据量化结果调整相应的MDCT系数实现水印嵌入;同时,结合不同比例因子频带能量的占比在计算声道内低频能量前对水印嵌入频带进行了筛选,从而能保证水印鲁棒性与不可感知性的平衡。实验显示,该算法可以在维持原始音频可听性的基础上实现对各种类型攻击较好的鲁棒性,尤其是可以抵抗MP3重压缩的攻击。  相似文献   

2.
提出一种可抵抗MP3压缩的稳健的数字音频盲水印算法。该算法通过对音频小波域的近似分量进行分段以嵌入水印。水印提取时按音频特征实现自适应重分段,同时自动调整提取强度,解决了音频特征在MP3压缩前后不一致的矛盾,并实现了盲提取。实验结果显示该算法能有效抵抗MP3压缩、重采样、低通滤波和叠加白噪声等多种攻击。  相似文献   

3.
针对传统基于经验模式分解(EMD)的音频水印算法鲁棒性不强的问题,提出一种基于固有模态函数(IMF)极值的盲音频水印算法.首先对音频信号进行分帧,每个音频帧经过EMD后得到IMF; 接着利用均匀量化的方法将水印信息和同步码嵌入到最后一个IMF的极值中.所提算法的数据嵌入率是46.9~50.3 b/s,且携水印音频保持了原始音频的感知质量.对携水印音频进行加噪、MP3压缩、重新采样、滤波、剪切和重采样攻击后,提取出的水印信息变化不大,算法鲁棒性较好.与时间域和小波域算法相比,提出的算法在保证高数据嵌入率的同时,可以抵抗32 kb/s的MP3压缩攻击.  相似文献   

4.
基于音频统计特性的数字水印嵌入算法   总被引:1,自引:0,他引:1  
结合数字音频时频域统计特性及同步码技术, 提出了一种可有效抵抗去同步攻击的混合域数字音频水印嵌入算法. 该算法首先结合数字水印与同步码(大小), 对原始音频载体进行分段处理, 并将每个音频数据段分割成两部分用于嵌入同步码与水印信息; 然后利用时间域音频样本统计特性, 将同步码信息嵌入到音频样本的统计均值上; 最后根据频率域小波系数统计特性, 将数字水印嵌入到低频小波系数的平均值内.  相似文献   

5.
分析了MP3码流中比例因子相关信息及其在解码过程中的作用,提出了一种MP3压缩域音频水印算法。该算法能对比例因子进行合理选择,从而有效控制水印嵌入对原始音频的影响,具有良好的听觉透明性,利用选择条件实现了自适应和隐同步。仿真实验表明,该算法不仅具有良好的听觉透明性和较强的鲁棒性,而且嵌入和提取的速度快,能满足实时需求。  相似文献   

6.
一种易损性音频数字水印技术   总被引:3,自引:0,他引:3  
利用变换域嵌入水印是音频水印的主流技术,一般的嵌入方法是通过调整所选变换系数实现。谱弯折方法实现整段频谱的非线性位移,可将水印嵌入整个频谱。该文在Choi犤1犦的谱弯折音频数字水印算法基础上,研究了算法的鲁棒性,通过大量实验验证,认为谱弯折算法对信号处理类攻击相当脆弱,不具备鲁棒性,是一种易损性音频水印。  相似文献   

7.
一种改善自同步数字音频水印鲁棒性的方法   总被引:3,自引:0,他引:3  
同步性是数字音频水印的一个重要问题。文章在分析数字音频水印同步性的基础上提出了一种结合音频倒频谱系数和以音频能量特征决定数字水印嵌入位置的数字水印方法。为验证此方法对于鲁棒性的改善程度,在实验中采用了多种攻击法,包括MP3压缩、时间延展、音高位移、裁切取样点等。实验结果显示该方法对于同步类攻击有相当程度的改善。  相似文献   

8.
基于小波域低频系数的自适应数字音频水印算法   总被引:1,自引:0,他引:1  
水印嵌入强度是影响水印鲁棒性的重要因素。该文设计了一种基于小波域低频系数自适应数字音频水印算法,利用混沌序列对水印加密,再将原始音频信号分段,对每段音频信号进行小波变换,嵌入强度由每段低频系数与低频系数最大值的比值自适应的选取,最后将水印嵌入到各段的低频部分。实验结果表明,水印在抵抗各种通用的音频处理和攻击(如高斯噪声、MP3压缩、重采样等)方面具有良好的鲁棒性。  相似文献   

9.
提出了一种小波域下基于量化系数的自同步鲁棒性音频数字水印方案,该算法首先将视觉可辩的二值水印图像降维成一维序列,再用密钥将水印序列伪随机排序,然后插入m序列作为同步码,最后对数字音频信号进行分段H层DWT变换,通过量化系数的方法把预处理后的水印序列重复多次嵌入到DWT变换后的低频分量中.提取水印信息时无需原始音频信号的辅助,实现了水印的盲检测.实验结果表明水印是不可察觉的,经过低通滤波、mp3压缩、重抽样、噪声干扰等操作后水印系统仍具有强的鲁棒性,并且能比较有效地抗击裁剪攻击.  相似文献   

10.
一种基于均值量化的抗去同步攻击数字水印算法   总被引:1,自引:0,他引:1  
基于量化调制的音频水印方案以其原理简单、操纵灵活等特点,已引起人们广泛关注,但现有方案不同程度地存在鲁棒性较差等不足之处.结合音频统计均值稳定特性及同步码技术,提出了一种新的数字音频水印嵌入算法,该算法选取稳健的16位巴克码作为同步标记,通过量化音频样本统计均值嵌入同步码,同时结合听觉掩蔽特性量化低频小波系数平均值嵌入数字水印.仿真实验结果表明,本算法不仅具有较好的不可感知性,而且对常规信号处理(MP3压缩、低通滤波、添加噪声、均衡化等)和去同步攻击(随机剪切、幅度缩放、抖动等)均具有较好的鲁棒性.  相似文献   

11.
以MP3压缩攻击特点与听觉掩蔽特性为基础,提出了一种可用于MP3音乐作品版权保护的混合域数字音频盲水印算法.首先,结合MP3压缩等攻击特点,对原始数字音频进行自适应的分段处理;再对每个音频数据段进行DWT和DCT;最后,结合听觉掩蔽特性与MP3压缩攻击特点,自适应确定量化步长,并将水印信号嵌入到音频数据段的低频分量中.仿真实验表明,所提出的算法不仅具有较好的透明性,而且对诸如重新采样、重新量化、叠加噪声、低通滤波等攻击均具有较好的鲁棒性.特别地,该算法对于最为普通的MP3压缩攻击具有极强的抵抗能力(尤其是高压缩比下).  相似文献   

12.
This paper presents a secure, robust, and blind adaptive audio watermarking algorithm based on singular value decomposition (SVD) in the discrete wavelet transform domain using synchronization code. In our algorithm, a watermark is embedded by applying a quantization-index-modulation process on the singular values in the SVD of the wavelet domain blocks. The watermarked signal is perceptually similar to the original audio signal and gives high quality output. Experimental results show that the hidden watermark data is robust to additive noise, resampling, low-pass filtering, requantization, MP3 compression, cropping, echo addition, and denoising. Performance analysis of the proposed scheme shows low error probability rates. The data embedding rate of the proposed scheme is 45.9 bps. The proposed scheme has high payload and superior performance against MP3 compression compared to the earlier audio watermarking schemes.  相似文献   

13.
In this paper, a new audio watermarking scheme operating in the frequency domain and based on neural network architecture is described. The watermark is hidden into the middle frequency band after performing a Discrete Cosine transform (DCT). Embedding and extraction of the watermark are based on the use of a back-propagation neural network (BPNN) architecture. In addition, the selection of frequencies and the block hiding the watermark are based on a preliminary study of the effect of MP3 compression at several rates on the signal. Experimental results show that the proposed technique presents good robustness and perceptual quality results. We also investigate the application of the proposed technique in video watermarking. Traditional techniques have used audio channel as supplementary embedding space and adopt state-of-the art techniques that resist to MP3 compression attack. In these techniques, the MPEG compression attack is only evaluated on the video part and the audio part is kept unaffected. In this paper, we adapt the preliminary MP3 study to video watermarking technique but with a preliminary study of the MPEG compression applied to the audio channel. Here again, we notice that the application of the preliminary MPEG study to the audio channel improves the robustness of the video watermarking scheme though keeping high-quality watermarked video sequences.  相似文献   

14.
In this paper, a novel semi-fragile watermarking scheme for authenticating an audio signal based on dual-tree complex wavelet transform (DT-CWT) and discrete cosine transform (DCT) is proposed. Specifically, the watermark data are efficiently inserted into the coefficients of the low-frequency sub-band of DT-CWT taking advantages of both DCT and quantization index modulation (QIM). First, the original digital audio signal is segmented and then performed with DT-CWT. Second, based on the energy compression property, the low-frequency sub-band coefficients of the DT-CWT domain are performed with DCT, and the DC component is utilized to embed one distorted watermark bit by the QIM technique. Finally, inverse DCT and DT-CWT are orderly implemented on the watermarked coefficients of each audio segment to get a watermarked audio signal. Simulation results show that the hybrid embedding domain constructed by DT-CWT and DCT is effective, and the proposed watermarking scheme is not only inaudible, but also robust against content persistent non-malicious audio signal processing operations, such as MP3 compression, noise addition, re-sampling, re-quantization, etc. Furthermore, the proposed scheme can effectively authenticate the veracity and integrity of audio content and greatly expands the applicability of the audio watermarking scheme.  相似文献   

15.
Quantization index modulation is one of the best methods for performing blind watermarking, due to its simplicity and good rate-distortion-robustness trade-offs. In this paper, a new audio watermarking algorithm based on singular value decomposition and dither-modulation quantization is presented. The watermark is embedded using dither-modulation quantization of the singular values of the blocks of the host audio signal. The watermark can be blindly extracted without the knowledge of the original audio signal. Subjective and objective tests confirm high imperceptibility achieved by the proposed scheme. Moreover, the scheme is quite robust against attacks including additive white Gaussian noise, MP3 compression, resampling, low-pass filtering, requantization, cropping, echo addition and denoising. The watermark data payload of the algorithm is 196 bps. Performance analysis of the proposed scheme shows low error probability rates.  相似文献   

16.
提出了一种稳健的自适应混合域数字音频水印算法,该算法具有以下特点:(1)通过采纳更为稳健的同步信号及其全新嵌入策略,提高了音频水印的抗攻击能力;(2)充分利用DWT的多分辨率特性和DCT的能量压缩特性,改善了数字水印的隐藏效果;(3)结合听觉掩蔽特性自适应确定量化步长,提高了数字水印的不可感知性;(4)以保证不可感知性和稳健性的良好平衡为前提,实现了数字水印的盲检测.仿真实验表明,所提出的算法不仅具有较好的不可感知性,而且对诸如重新采样、重新量化、叠加噪声、低通滤波、随机剪切等攻击均具有较好的稳健性.特别地,该算法对于最为普通的MP3压缩攻击具有极强的抵抗能力(尤其是高压缩比下).  相似文献   

17.
In order to reach a balance between robustness, imperceptibility, and data payload, a novel blind audio watermarking scheme is proposed using the norm ratio of approximate coefficients in discrete wavelet domain (DWT). A chaotic sequence generated by Tent map is used to encrypt the watermark image and enhance the security of watermarking system. Firstly the original audio signal is segmented into non-overlapping frames and DWT is applied to each frame. Then, the approximate components are divided into two parts, and the norm ratio is calculated and modulated to embed the watermarks. Finally, the approximate components are scaled by optimizing the quality of the watermarked audio. Experimental results indicate that the proposed watermarking scheme is robust against different common attacks, such as noise addition, resampling, re-quantization, MP3 compression and amplitude scaling. The comparison analysis shows that the proposed scheme has high data payload and provides superior performance compared to the state-of-the-art watermarking schemes.  相似文献   

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