Chromaticity‐matched but spectrally different light source effects on simple and complex color judgments

As light‐emitting diode (LED) light sources mature, lighting designers will be able to deliver white light with a variety of spectral power distributions and a variety of color rendering properties. This experiment examined the effects of three spectral power distributions (SPDs) that were matched in illuminance and chromaticity on three measures of color perception: one objective (performance on the Farnsworth‐Munsell 100 hue test) and two subjective (judgments of the attractiveness of one's own skin, and preferences for the saturation of printed images). The three SPDs were a quartz‐halogen (QH) lamp and two LED sources that were matched to the QH lamp in terms of both illuminance and chromaticity; the three light sources were nominally CCT = 3500 K, x = 0.40, y = 0.39 and ～ 400 lx. LED A used three channels (red, green, blue), and had very poor color rendering (R_a = 18). LED B used four channels (red, amber, cyan, white) and had very good color rendering (R_a = 96, whereas the QH had R_a = 98). Secondary hypotheses addressed the effects of age and skin and eye color on the dependent measures. As expected, LED A delivered very different color perceptions on all measures when compared to QH; LED B did not differ from QH. The results show that it is possible for LED sources to match the familiar incandescent sources. However, although it is possible to deliver what appear to be millions of colors with a three‐chip (RGB) device, there is the risk of creating a very poor luminous environment. © 2013 National Research Council Canada and Wiley Periodicals, Inc. Col Res Appl, 39, 263–274, 2014; Published Online 12 April 2013 in Wiley Online Library ( wileyonlinelibrary.com ). DOI 10.1002/col.21811     

Semantic interpretation of color differences and color‐rendering indices

A series of visual experiments were carried out to rate the similarity of color appearance of two color stimuli on categorical and continuous semantic rating scales. Pairs of color stimuli included two copies of the same colored real or artificial object illuminated by a test light source and a reference light source. A formula was developed to predict a category of color similarity (e.g., “moderate” or “good”) from an instrumentally measured color difference. Given a numeric value of a color difference between the two members of a pair of colors, for example, 2.07, the formula is able to predict a category of color similarity, for example, “good.” Because color‐rendering indices are based on color differences, the formula could be applied to interpret the values of the new color‐rendering index (n‐CRI or CRI2012) in terms of such semantic categories. This semantic interpretation enables nonexpert users of light sources to understand the color‐rendering properties of light sources and the differences on the numeric scale of the color‐rendering index in terms of regular language. For example, a numeric value of 87 can be interpreted as “good.” © 2013 Wiley Periodicals, Inc. Col Res Appl, 39, 252–262, 2014; Published online 14 March 2013 in Wiley Online Library ( wileyonlinelibrary.com ). DOI 10.1002/col.21798     

Categorical color constancy under RGB‐LED light sources

The light‐emitting diode (LED)‐based light sources have been widely applied across numerous industries and in everyday practical uses. Recently, the LED‐based light source consisting of red, green and blue LEDs with narrow spectral bands (RGB‐LED) has been a more preferred illumination source than the common white phosphor LED and other traditional broadband light sources because the RGB‐LED can create many types of illumination color. The color rendering index of the RGB‐LED, however, is considerably lower compared to the traditional broadband light sources and the multi‐band LED light source (MB‐LED), which is composed of several LEDs and can accurately simulate daylight illuminants. Considering 3 relatively narrow spectral bands of the RGB‐LED light source, the color constancy, which is referred to as the ability of the human visual system to attenuate influences of illumination color change and hold the perception of a surface color constant, may be worse under the RGB‐LED light source than under the traditional broadband light sources or under the MB‐LED. In this study, we investigated categorical color constancy using a color naming method with real Munsell color chips under illumination changes from neutral to red, green, blue, and yellow illuminations. The neutral and 4 chromatic illuminants were produced by the RGB‐LED light source. A modified use of the color constancy index, which describes a centroid shift of each color category, was introduced to evaluate the color constancy performance. The results revealed that categorical color constancy under the 4 chromatic illuminants held relatively well, except for the red, brown, orange, and yellow color categories under the blue illumination and the orange color category under the yellow illumination. Furthermore, the categorical color constancy under red and green illuminations was better than the categorical color constancy under blue and yellow illuminations. The results indicate that a color constancy mechanism in the visual system functions in color categories when the illuminant emits an insufficient spectrum to render the colors of reflecting surfaces accurately. However, it is not recommended to use the RGB‐LED light source to produce blue and yellow illuminations because of the poor color constancy.     

A Monte Carlo method for assessing color rendering quality with possible application to color rendering standards

The lighting industry has been increasingly challenged to reduce electrical energy consumption while providing illumination with sufficient color rendering quality. As a result, the problem of accurately assessing color rendering quality has gained increased prominence and the introduction of efficient narrow band light emitting diode (LED) sources has further intensified the debate. This study argues that there is a basic problem with the traditional method of quantifying color quality color rendering index (CRI), one that cannot be solved through minor improvements. The CRI relies on a determination of the degree of color distortion that a test source produces for a small number of test samples of specified spectral reflectance distribution, but there is no clear objective rationale for selecting these few samples. Also, any such arbitrary scoring scheme lacks an objective argument for what constitutes an acceptable score. This study proposes a new method for color rendering assessment that determines the color shift of one thousand, or more, representative reflection spectra that span the full multidimensional range of possible spectral distributions and colors. This broad sampling eliminates the intrinsic selection bias of the CRI calculation and its variants and it is compatible with a more objective standard for a color quality score, one that is statistically based on the fraction of the test spectra that experience color shifts that are less than a just noticeable difference (JND), or an agreed upon multiple of it. Since the concept of JNDs in color has been reproducibly quantified, it is hoped that this approach will be widely acceptable. © 2010 Wiley Periodicals, Inc. Col Res Appl, 2012     

Testing LED lighting for colour discrimination and colour rendering

Light‐emitting diode (LED) technology offers the possibility of obtaining white light, despite narrow‐band spectra. In order to characterize the colour discrimination efficiency of various LED clusters, we designed a classification test, composed of 32 caps equally distributed along the hue circle at about 3 ΔE* _ab‐unit intervals. Forty normal colour observers were screened under four different LED test light sources adjusted for best colour rendering, and under one control incandescent light of the same colour temperature. We used commercially available red, green, blue, and/or amber LED clusters. These yielded a poor colour rendering index (CRI). They also induced a significantly higher number of erroneous arrangements than did the control light. Errors are located around greenish‐blue and purplish‐red shades, parallel to the yellow‐axis direction, whereas when the distribution of light covers the full spectrum, the LED clusters achieve satisfactory colour discrimination efficiency. With respect to the lights we tested, the colour discrimination is correlated with the CIE CRIs as well as with a CRI based on our sample colours. We stress the fact that increasing the chroma of samples by lighting does not necessarily imply an improvement of colour discrimination. © 2008 Wiley Periodicals, Inc. Col Res Appl, 34, 8–17, 2009.     

Color rendering: Beyond pride and prejudice

It is a truth, universally ignored, that a single metric of color rendering must be in want of another. Evidence presented here, together with those from an earlier study, strongly suggest that the quest for a single metric to quantify color rendering will be in vain. Rather, the strengths of color rendering index (CRI) and of gamut area index (GAI) † seem to counteract the weaknesses of one another, such that together they can be used to guide lighting practitioners in choosing a source that will provide good color rendering of most objects in most applications. The present study was conducted to determine whether sources, both warm and cool, with high levels of both CRI (above 80) and GAI (above 80 and less than 100) were judged better than ones with high levels of just CRI or just GAI. The results support the conclusion that a two‐metric system of color rendering is needed for general illumination applications. © 2010 Wiley Periodicals, Inc. Col Res Appl, 2010     

Color rendering: A tale of two metrics

It was the best measure of color rendering, it was the worst measure of color rendering. Color rendering index (CRI) is the most common metric used by the lighting industry to represent the color rendering properties of electric light sources. CRI was intended to characterize how “true” or “natural” objects appeared when illuminated by a light source, but was never intended to, for example, represent how well object colors could be differentiated under a light source, another important aspect of color rendering. Data presented here demonstrate that CRI in conjunction with another measure of color rendering, gamut area index (GAI), is useful at predicting subjective judgments of how “natural” objects appear as well as how “vivid” objects appear, and how well one can discriminate between subtle differences in hue. Neither measure by itself, however, is sufficient for meeting all of the expectations of a light source for providing good color rendering under all viewing conditions. It remains for future research to determine if just two metrics are sufficient to assure good color rendering from a light source and whether these two metrics (CRI and GAI) are the best for such purpose. In the meantime, CRI and GAI should be used jointly in recommendations as practical, useful, and mutually reinforcing measures of color rendering. The data presented here also demonstrate that total irradiance is important for good color rendering. © 2008 Wiley Periodicals, Inc. Col Res Appl, 33, 192–202, 2008     

Designing white‐light LED lighting for the display of art: A feasibility study

When displaying art, several criteria must be balanced when designing illumination including the artist's intention, damage, energy efficiency, viewing experience and understanding, and for commercial galleries and sales. The most common lighting for art includes natural daylight and incandescent spotlights. Neither source is optimal for all criteria; thus there is considerable interest in the use of white‐light light‐emitting diode (LED) lighting. A feasibility study was conducted to address two questions. First, was it possible to design a three‐primary LED source that yielded the same color rendering as common museum lighting? Second, could one design the lighting to achieve specific color appearance attributes? Three‐primary lights using a Gaussian function were optimized matching the chromaticity of D65 and minimizing color differences for a set of acrylic dispersion paints. The optimal wavelengths depended on bandwidth. Lights were also optimized that either maximized or minimized average chroma. A set of real LEDs was selected that produced similar results when evaluated computationally. A source that increases chroma may be useful when used to illuminate works of art with high light sensitivity: very low illuminances are necessary and such a source will compensate for the reduction of colorfulness and visual clarity. A source that decreases chroma may be used to render art in similar fashion to low‐light conditions such as churches and caves. In general, white LED lighting is advantageous for art conservation because they do not emit UV and IR radiation and their visible radiation is reduced when compared with their continuous spectrum equivalent. © 2010 Wiley Periodicals, Inc. Col Res Appl, 2011     

Influence of lighting conditions on the appearance of typical interior materials

Two studies investigated how lighting influences perception of various materials. Experiment 1 focused on preferences of cold or warm light. Participants' task was to indicate preference for either coolish or warmish light for 20 different materials. The selection included materials typically used for wall or floor of interior spaces. Different hues and surface characteristics were present. Specifically two materials of blue color (cold hue) were preferred in a cold light while red carpet (warm hue) and synthetic turf materials were preferred in warm light. This latter choice was explained by automatic reference of synthetic turf to the appearance of natural grass. There were no clear light source preferences for other materials. Experiment 2 explored how the same 20 materials are evaluated under LED lighting in comparison to three other lighting situations (halogen lamp, high‐intensity discharge lamp, and compact fluorescent lamp). The results of this explorative study were not conclusive. The materials chosen for this experiment differed greatly in their structure and optical properties. In conclusion, light influence on the evaluation of materials needs systematic investigation in future research. © 2013 Wiley Periodicals, Inc. Col Res Appl, 40, 50–61, 2015     

Evaluation of discomfort glare from color leds and its correlation with individual variations in brightness sensitivity

The light‐emitting diode (LED) has attracted attention as an alternative light source to fluorescent and incandescent lighting. The characteristics of LED light are different from other sources, but regulations for LED products have not been completely established. Common LED lights, such as automotive lamps, street lighting systems and traffic lights, are produced under the existing glare regulations for other light sources, and some organizations are seeking to establish standardized regulations for LED products. Glare can impair vision and cause discomfort and must be considered when establishing regulations for lights. In this study, we measured the sensitivity of observers to the discomfort glare from color LEDs and analyzed the correlation between discomfort glare sensitivity and brightness sensitivity using heterochromatic brightness matching and flicker photometry. The results indicate a correlation between discomfort glare sensitivity and brightness sensitivity using blue LEDs and mild correlations with green and red LEDs. © 2010 Wiley Periodicals, Inc. Col Res Appl, 2010.     

An ergonomic study of visual optimization by light color managements

Light‐emitting diodes (LEDs) have the advantage of controllable light colors and provide the optimal lighting quality against various color attributes required in different environments. However, from the humanized design point of view, beside satisfying physical demands of people, it is also important to achieve satisfaction. With a good match between the LED lighting equipment and ambient colors, the space imagery that complies with psychological needs of human beings can be found. This is expected to become a new market direction for future lighting. In this study, the LED light source feature of adjustable correlated color temperature is used to match wall colors of typical commercial spaces and for the investigation and analysis of the impact of colors of light sources and environments on human beings. The measures of mental and subjective feelings of a group of people under various circumstances have also been investigated. Multivariate analysis of variance has been conducted on three color temperatures of light sources, six wall colors, and measures of five emotion adjectives, and the correlation between these three variables has been further investigated. © 2014 Wiley Periodicals, Inc. Col Res Appl, 41, 72–84, 2016     

Chromaticity changes of inorganic pigments in Chinese traditional paintings due to the illumination of frequently‐used light sources in museum

Optical radiation can cause permanent damage to the color of Chinese traditional paintings, which have extremely high responsivity in the museum illumination. In order to obtain quantitative influence laws of artificial illumination on inorganic pigments in Chinese traditional paintings and provide basis for choosing light sources, a long periodic illumination experiment was carried out to examine how prolonged exposure of three light sources (tungsten halogen, metal halide and white light emitting diodes), frequently‐used in museums, affect the chromaticity of five inorganic pigments [azurite (blue), cinnabar (red), orpiment (yellow), ancient graphite (black), clam shell powder (white)], commonly used in Chinese traditional paintings. Through the experiment, we found that the illumination causes a color change to inorganic pigments, and the degree of which is related to the photochemical stability of pigments and the high energy shortwave radiation in the light source spectrum. We also obtain the color change laws of the five pigments and the quantitative relationships of color damage for different painting types. These results can provide data basis for related research on Chinese traditional painting illumination and choice basis for light sources in museum lighting designs.     

Rare‐Earth Free Phosphors with Ultra‐Broad Band Emission Application for High Color Rendering Index Lighting Source

Rare‐earth containing phosphors have been widely applied in lighting and display fields in the past century. Lower cost rare‐earth free phosphors with high performance are highly desired driven by the exhaustion of rare earth resources and the requirement of cheaper production. Herein, Cu⁺ ions doped tetracalcium phosphate (TTCP) yellow emitting phosphors with quantum yield of 21% are exploited. Particularly, ultra‐broad band emission with a full width at half maximum (FWHM) about 200 nm throughout almost entire visible light region is observed for TTCP: Cu⁺ phosphors, evidencing its promising application in high color rendering index (CRI) lighting source. White light emission with CRI value about 94.3 is generated by combining this TTCP: Cu⁺ phosphor with commercial BaMgAl₁₀O₁₇: Eu²⁺ blue phosphor, exhibiting superiority over the traditional trichromatic phosphors. Therefore, we predict great potential application for this cheaper rare‐earth free TTCP: Cu⁺ phosphor in high CRI lighting sources.     

Evaluation of the visibility of colored objects under led lighting with various correlated color temperatures

This study proposes a “visibility” concept of colored objects that includes a combination of color brightness and appearance perception of colored objects that are illuminated by seven LED lights (each with a CIE color rendering index under 80 but with various correlated color temperatures). To determine the brightness perception of colored objects, luminance calculations and measurements were conducted. The areas of the “color brightness graph” in this study correspond to the results of eight different color sample papers under each of the LED lights with different CCTs. The luminance values were calculated by multiplying the SPD by the spectral luminous efficiency and spectral reflectance of a colored object. The luminance values were measured under these conditions to identify the relationship between the luminance calculations and the measured values. Efficient CCTs were identified for each color sample in terms of the brightness of the colored object. Further subjective evaluations were also conducted to identify the relationship between luminance values and subjective brightness perception. In addition, subjective evaluations of the color appearance perception were conducted to identify the overall visibility concept of colored objects. The subjective evaluations included brightness perception, color appearance, and similarity of the reference light source. The visibility of the colored objects was analyzed according to the results of the brightness and appearance perception of the colored objects that were illuminated by LED lights with various CCTs. © 2016 Wiley Periodicals, Inc. Col Res Appl, 42, 78–88, 2017     

汽车涂装线照明的设计及应用

主要介绍了涂装车间照明的种类及形式。以光的基本特性为基础,结合涂装各类工位对照度、色温、显色性等照明特性的需求,分析涂装线照明的设计及应用。     

White light emission of wide-bandgap silicon carbide: A review

White light-emitting diodes (LEDs) are the most promising alternative to the conventional lighting sources due to their high efficacy and energy saving in illumination. Silicon carbide (SiC) has a wide optical bandgap and could be tailored to emit light at different wavelengths across the entire visible spectrum by introducing different dopants. Donor and acceptor (DA) co-doped fluorescent SiC (f-SiC) is a potential candidate for replacing phosphor material in white LEDs, as it has been observed as a good wavelength converter overcoming the disadvantages of rare earth-containing phosphors, such as poor color-rendering index (CRI), short lifetime, and short degradation time. The current study attempts to present an overview on the available approaches to fabricate f-SiC for generating the white light emission and challenges in fundamental research issues to enhance quantum efficiency, color rendering performance, stability, reproducibility of color quality, and lifetime of f-SiC.     

Hue and warm‐cool feeling as the visual resemblance criteria for iso‐CCT judgment

The hue perception and ‘warm‐cool’ feelings were investigated, in response to various lighting settings, following the adaptation to either 3500K or 5000K to compare which one—between conventional iso‐Correlated Color Temperature (CCT) and a new one based on CIE u'v′ color space—is more compatible with the visual perception. Twenty participants evaluated hue and warm‐cool feelings for 48 test lighting settings, by observing an empty gray booth. The results showed that yellow‐blue and ‘warm‐cool’ feelings are closely located around the Planckian locus, while red‐green roughly follows the line orthogonal to the Planckian locus in CIE u'v′ color space, at both 3500 K and 5000 K settings. This suggests that u'v′ color space correlates better with human perception.     

Light wavelengths of LEDs to improve the color discrimination in Ishihara test and Farnsworth Panel D‐15 test for deutans

This study was performed to determine significant light wavelengths to improve color discrimination ability of subjects with deutan. We conducted both the Ishihara test and the Farnsworth Panel D‐15 test for subjects with deutan and normal color vision. Seven different LED lights from 450 to 660 nm and an additional D65 white lamp were utilized to change the lighting conditions, including the wavelength and intensity. The results of the Ishihara test and D‐15 test showed that color identification of deutans was markedly improved with the longer wavelength LEDs regardless of the intensity of the additional D65 lamp. Notably, the error rates of deutans in the Ishihara test were <25% for LED wavelengths of 630 and 660 nm. In the case of subjects with normal color vision, the D65 lamp abolished the errors in the Ishihara test, regardless of the LED wavelength. Addition of the D65 lamp also decreased the number of crossings in the D‐15 test. These results suggested that illumination by LED light with longer wavelengths, such as 630 and 660 nm, may provide deutans with greater red‐green discrimination ability in both the Ishihara test and the Farnsworth Panel D‐15 test. © 2016 Wiley Periodicals, Inc. Col Res Appl, 42, 424–430, 2017