(Science) Fiction,Ecophysical Apparatus and Skizoid Machines: Animism,Vitalism and Machinism as a Way to Rearticulate the Need to Confront the Unknown in a Contradictory Manner

François Roche of R&Sie(n) ruminates on the contradictory nature of the present: a time that is ‘vibrating’ while ultimately ‘lacking momentum’. Reclaiming ‘the scenarios and substances that condition architecture’, he rejects the large-scale flights of fancy of international signature architects and argues for the reactivation of ‘a throbbing, complex and unfinished “localism”’. In so doing, he advocates a machinism that enables fictionalisation and speculation. Copyright © 2010 John Wiley & Sons, Ltd.     

Biodiversity Targets as the Basis for Green Design

Mike Wells , the Director of Biodiversity by Design, and Ken Yeang outline the need for biodiversity targets in architecture to provide a more far-reaching basis for green design. Rather than just literally ‘greening’ a building by covering it with foliage, they seek to encourage designers to engage with wider ecological processes and in more specific detail. Copyright © 2010 John Wiley & Sons, Ltd.     

Exuberance,I Don't Know; Excess,I Like

Hernan Diaz Alonso redefines ‘excess’ and ‘exuberance’ on his own terms. Fully au fait and comfortable with the excessive, he describes how in relation to his own work he views excess as more of a tendency or a logic, which sums up his approach; whereas he perceives the exuberant as removed from the design process and more like an ‘adjective’, an ‘emerging quality’ observed by others. Copyright © 2010 John Wiley & Sons, Ltd.     

Initiating Change: Architecturing the Body-Environment with Arakawa and Gins

New York-based artists Shusaku Arakawa (1936–2010) and Madeline Gins (1941–) used architecture in their work in an approach that they have referred to as ‘architecting’. Jondi Keane explains how as artists-turned-architects, Arakawa and Gins have not been particularly interested in innovating architecture, but in approaching architecture as a way to innovate, or change the world'.     

Digital Morphogenesis

Taking its inspiration from biology, digital morphogenesis operates through a logic of optimisation. Departing from the notion of architecture primarily as form-finding that privileges appearance, Neil Leach describes how morphogenesis places emphasis on ‘material performance’ and ‘processes over representation’. Copyright © 2009 John Wiley & Sons, Ltd.     

Parallel Indexing: Infrastructure and Space

As governments around the world open the public coffers in an attempt to pull their economies back from collapse, Holger Kehne and Jeff Turko describe how they have extended the work of the Architectural Association Diploma Unit 12 to incorporate the pertinent subject of infrastructure and architecture, employing ‘indexical systems’. Copyright © 2009 John Wiley & Sons, Ltd.     

One Space,Many Worlds

‘Cities hold two-thirds of their residents in slums, and the rest in stiflingly limiting, inflexible structures.’ Thus the impoverished parochial Mumbai is one and the same metropolis as the cosmopolitan globalised ‘Bombay’. Ramesh Biswas examines how the speculative housing developments of the aspirational middle classes are creating townships that intensify sprawl and further decentralise cities, squandering the potential for upgrading public space and creating an architecture for the common good. Copyright © 2007 John Wiley & Sons, Ltd.     

Ann Pendleton-Jullian

Ann Pendleton-Jullian practises from Cambridge, Massachusetts, where she also teaches at MIT. This combination of teaching and practice allows her to consider the vital exchange between ideas and architecture that is evident in both her commissioned work and her theoretical projects. Her work has been cited for the manner in which it poeticises the intersection between pragmatic concerns and the ‘ambitions of the imagination’. Copyright © 2007 John Wiley & Sons, Ltd.     

Architecture as Initiative (A Manifesto)

Estonian architect Veronika Valk of Zizi&Yoyo provides a manifesto for contemporary practice, based on ‘architecture as initiative’; initiative being defined as the basic catalyst for change in a project, whether it is a small-scale art installation or an urban development. As self-contained ideas factories, initiatives generate ‘open and affirmative ways to approach innovation in architecture’.     

Metabolism and Morphology

Architecture is on the cusp of systemic change, driven by the dynamics of climate and economy, of new technologies and new means of production. There is a growing interest in the dynamics of fluidity, in networks and in the new topologies of surfaces and soft boundaries. This is part of a general cultural response to the contemporary reconfiguration of the concept of ‘nature’ within the discourse of architecture; a change from metaphor to model, from ‘nature’ as a source of formal inspiration to ‘nature’ as a mine of interrelated dynamic processes that are available for analysis and digital simulation. Michael Weinstock presents an account of the dynamics of natural metabolisms, and suggests an agenda for the development of metabolic morphologies of buildings and cities. Copyright © 2008 John Wiley & Sons, Ltd.     

Josep Lluís Mateo/MAP Architects

By focusing on a ‘scientific approach’ that emphasises the importance of cause and effect, Josep Lluís Mateo/MAP has developed a design for the Camp Nou Stadium in Barcelona that is less about spectacle and more about the people it accommodates. Croatian critic and architect Krunoslav Ivanisin admires the structure for the ‘inherent logic of its parts’, but also for its prioritisation of communal life. Copyright © 2009 John Wiley & Sons, Ltd.     

‘Never Mind All That Environmental Rubbish,Get On With Your Architecture’

Could the primacy of green architecture in recent years be eroding the discipline? Is it reducing architecture to a mere ‘environmental techno-science’? Penelope Dean argues for a revised environmental agenda that is driven by ideas and concepts rather than subservient technologies. Copyright © 2009 John Wiley & Sons, Ltd.     

Putting the ‘I’ back into Architecture

Neil Spiller gets personal in a bid to put the ‘I’ back into architecture. He celebrates the spatial experimentation of the work of Charlotte Erckrath. Creating a space of desire, she produces a subjective ‘synthesis of architect, body, space and view’. Copyright © 2008 John Wiley & Sons, Ltd.     

Stalker/ON

How might we ‘reboot’ architecture and ‘regain the critical’? American architectural critic and professor Peter Lang finds in Stalker's interactive field study of a Romany community around Rome a trigger for a re-energised way of thinking that questions how we might effectively live communally and economically. Copyright © 2009 John Wiley & Sons, Ltd.     

‘Shared Play’: Italo Rota

An enthusiastic collector of plastic toys and the kitsch, Italo Rota approaches architecture with a joyous sense of play. As Luca Molinari explains, for Rota architecture is a ‘game for adults’, offering opportunities for a colourful inclusion of elements yet also an essential joie de vivre. Copyright © 2007 John Wiley & Sons, Ltd.     

Architecture Autonomous (Gerard da Cunha)

Gerard da Cunha maintains his practice from the old Portuguese colony of Goa, which he considers has a novel history in that it was the site of the ‘first sustained encounter between the East and the West’. This encounter has engendered a unique culture and architecture that is evident in da Cunha's lively and rather Gaudíesque work. Copyright © 2007 John Wiley & Sons, Ltd.     

Mathew & Ghosh Architects

The work of Mathew & Ghosh Architects (Nisha Mathew-Ghosh and Soumitro Ghosh) boldly extends an abstract Modernist language and at the same time draws from the vitality of places. While the firm's early works were small in scale, mostly residential in nature and based on a reappraisal of the early Corbusian idiom, recent projects include large-scale urban and landscape interventions with diverse conceptual and metaphorical imperatives. They have moved from a more reticent stance to the urban exuberance of their more recent projects (for example, their own office building), something akin to a ‘savage architecture’ as posited by Kazuo Shinohara in the context of the unsynchronised nature of the modern city. The architects' object of contemplation is the urban ‘box’, whether a private residence, office or part of a church. The box is first fractured and reconstructed as a bricolage of tectonic fragments, memories and events, all tenuously related as if unity in a contemporary culture is for ever denied. Like the Japanese notion of ‘ma’, the moment between fragments - a slit or an emptiness between two hovering planes - is telling. Mathew & Ghosh participate in the continuity of a historical narrative yet mark out the fissures and disjunctions; sometimes negotiations with the continuity emerge from unintended interstices. While these configurations of the contemporary urban ‘box’ are both contextual and abstract, they are also phenomenologically rich. There is a sustained dialect to the architecture of Mathew & Ghosh that includes consummate materiality and fine crafting, light as a medium, and always, as Nisha Mathew-Ghosh states, ‘good spatial possibilities’. Copyright © 2007 John Wiley & Sons, Ltd.     

The Royal Institution

David Littlefield describes how Sir Terry Farrell's rethinking of the Royal Institution in Mayfair has led to a rationalisation and redesign that has transformed the premises from a tatty Georgian labyrinth into an airy series of modern spaces, Farrell having effectively re-imagined ‘the building while retaining the essence of what made it special in the first place’. Copyright © 2009 John Wiley & Sons, Ltd.     

Architects as Hairdressers

Neil Spiller reactionary? Spiller finds himself recoiling into a ‘grumpy old man’ as he observes the emergence of an alarming new trend in architecture schools that prioritises style over matter. Copyright © 2008 John Wiley & Sons, Ltd.     

Why We Need Architecture of Tolerance

Professor and Chair in Integrated Design at the University of Calgary Faculty of Environmental Design, Branko Kolarevic has established an international reputation as an author and commentator on digital design and manufacturing in architecture. Here he questions the importance of high-definition tolerance in construction itself. As an industry that operates at far greater sizes and scales than other manufacturing bases, has the ‘messy world of building’ not always had to allow for a reasonable tolerance of errors? Should high-definition processes, which negate or negotiate zero tolerance, really be for architects and construction professionals the Holy Grail that they first appear?