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1.
Andrew Saunders describes how students on Rensselaer School of Architecture's Rome programme were encouraged to explore the geometry and mathematics that underlie the architecture of the Baroque through parametric design. Copyright © 2009 John Wiley & Sons, Ltd.  相似文献   

2.
Hugh Campbell expands upon the mutually collaborative spatial qualities evoked in the photographic works of Walter Niedermayr and the architecture of Kazuyo Sejima and Ryue Nishizawa of Tokyo-based practice SANAA. Describing their relation as forming a ‘thickened presence’, he alludes to a particular atmosphere reliant on an ambiguity of scale, detail and discernible proximity that serves to liberate the architecture and the photographs from mere documentation whereby instead they figure as transparent recordings of spatial intentions. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

3.
For 30 years, Renzo Piano has been producing distinguished buildings and delighting the world with his innovation and sensitivity. Here, Livio Sacchi attempts to tease out some of the reasons behind Piano's sustained success. Having gained an almost unparalleled international profile during the last couple of decades, a period that has been notoriously difficult for Italian architects, Piano's career has an almost mythic quality. It boasts one of the most unlikely competition wins of all time that ceded one of the most prestigious sites in the world, the Centre Pompidou in Paris, to two completely unknown architects in their late 20s. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

4.
Protocell architecture inverts the current economic and procurement processes of construction with their emphasis on cost, speed and quantifiable outcomes. Wet, semi-living and symbiotic with ecological systems and materials, protocell systems promise a pargadigm that is the very antithesis of existing practice and will require the employment of very different skills sets and approaches. To ease the intellectual transition from hard engineering to chemical solutions, Neil Spiller investigates the enduring notion of alchemy. Copyright © 2011 John Wiley & Sons, Ltd.  相似文献   

5.
A hybrid term, ‘architextiles’ encompasses a wide range of projects and ways of thinking that unite architecture and textiles. By way of introduction to this issue, guest-editor Mark Garcia highlights the significant rise of interest in this confluence by theorists, architects, engineers, textile designers, materials scientists and artists. He also explains how, as a hybrid mode of design and practice, architextiles is better able to respond to society's fast-changing cultural and consumer demands, enabling the production of more dynamic, flexible, interactive, event and process-based spaces. Copyright © 2006 John Wiley & Sons, Ltd.  相似文献   

6.
The harmonious, utopian image that housing in Latin America exuded across the world in the postwar years is very much at odds with the current view of the region, in which unbridled shantytowns dominate. Patricio del Real sets out to understand how such a rupture might have been possible: What was the process of exclusion at play in these Modernist projects? How does Modernism represent simultaneous territories in which emerging challenges to the social and political status quo were merely muffled by the architectural seduction of the 1950s?. Copyright © 2011 John Wiley & Sons, Ltd.  相似文献   

7.
Visionary New York architect Lebbeus Woods reviews the evolution of Zaha Hadid's work from the 1970s to the present. Tracking the shifts in her work from a Suprematist-informed fragmentation in the 1980s to a more contemporary fluidity and a preoccupation with complex curvilinearity, he throws light on the relationship between Hadid's drawing and her architecture. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

8.
For Joseph Rosa, John H Bryan Curator of Architecture at the Institute of Chicago, elegance with its ‘refined aesthetic ability’ represents a concurrent maturing of design culture and technologies. It builds on the pioneering fabrication techniques of the late 1990s, spearheaded in seminal projects such as the Korean Presbyterian Church in New York by Greg Lynn, Douglas Garofalo and Michael McInturf, and the Yokohama Port Terminal by Foreign Office Architects. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

9.
For Neil Spiller, there is a current vacuum in much of contemporary parametric design. It is devoid of embodied cultural experience and character. Much can be learnt by rediscovering the dark matter of Baroque and Surrealistic art and architecture, which through repressed eroticism optimised on the simultaneous presence of the secular and the profane - the heaving physicality of the everyday world and the repressed strictures of the Catholic church. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

10.
Over the last century, elegance as a term has been conspicuously absent from discussions centred on both architecture and the philosophy of aesthetics. Elegance's time has, however, now come. David Goldblatt describes how the maturation of digital discourse has led to the onset of a new, multifaceted, sensual rationality that is evident in recent designs and constructed works. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

11.
How are urban actors, such as landscape designers, community groups, developers and local politicians, actively restructuring their environments to meet the challenges of the American city in the new global context? Grahame Shane outlines the approaches to landscape that have been emerging since the mid-20th century and are set to recombine urban assemblages whether they are located in historic city centres, postindustrial waterfronts or suburban sprawl. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

12.
R&Sie(n)'s installation I'm Lost in Paris (2008), a disturbing take on the ecological house, epitomises the preoccupation of the French architect François Roche with the contradictions of modern nature. Javier Arbona tracks how Roche's notion of nature as ‘a partly human artifice’ which is both alien and personalised play out in his various projects, capitulating between attempts at overcoming alienation and heightening it. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

13.
14.
At Skidmore, Owings & Merrill (SOM) there is a strong culture of collaboration between architects and engineers, and innovation in computational technologies - the firm fervently embraced the computer over 50 years ago. Here a cross-disciplinary team from SOM, architects Keith Besserud and Neil Katz and structural engineer Alessandro Beghini , describe their current work on FE algorithms and how this has informed recent projects.  相似文献   

15.
Diego Caramma describes Stefano Boeri's pervasive influence on architectural thought in recent years as editor of Domus, exhibition curator and founder of the Multiplicity urban research platform. As he explains, Boeri's significance lies in his ability to confront contemporary conditions for architecture rather than just the dissemination of current trends and ideas. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

16.
At the start of the new millennium, Massimiliano Fuksas was one of the most significant Italian architects working outside his home country. His reputation in Italy and abroad, however, was taken to a further level by his completion of the New Milan Trade Fair. Stefano Casciani, an ex-student of Fuksas, provides an insightful and intriguing account of his ‘old’ professor: a robust and seemingly contradictory figure who is capable of great voluminous expression and delicacy. Casciani also finds constancy in his unrelenting energy, freshness and wit. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

17.
For four years, AVATAR at the Bartlett School of Architecture at University College London has been advancing the ‘digital and visceral terrain’. As its main exponent, Neil Spiller explains how its preoccupations fan out far beyond the merely technological, encompassing the aesthetic, philosophical and the natural, enabling it to question current stylistic tyrannies in architecture. Copyright © 2008 John Wiley & Sons, Ltd.  相似文献   

18.
The two key moments of Rationalism in Italy - the Gruppo 7 of the 1930s and the Tendenza of the 1960s - stand in counterpoint. The Tendenza espoused a very different ideology to its predecessor and thus remained ambivalent to the earlier legacy. Andrew Peckham reveals how this led to a history of discontinuity and, ultimately, recognition of Rationalism's limitations despite the involvement of influential figures such as Giuseppe Terragni, Aldo Rossi and Giorgio Grassi. Copyright © 2007 John Wiley & Sons, Ltd.  相似文献   

19.
Heinz Isler (1926-2009), the Swiss designer renowned for his shell structures, was extraordinary for his innovative and exacting work. He directly produced physical models by hand in order to not only create design prototypes, but also to generate scaled-up measurements for construction. John Chilton describes how Isler successfully applied the principle of the inverted catenary arch, which was first pioneered by Robert Hooke in Sir Christopher Wren's St Paul's Cathedral in the 17th century, to thin membrane structures in three dimensions. Copyright © 2010 John Wiley & Sons, Ltd.  相似文献   

20.
Adriana Navarro-Sertich interviews a pioneer of the informal in architecture, co-founder and co-director of Urban-Think Tank (U-TT) Alfredo Brillembourg . Brillembourg explains how U-TT's work seeks to connect informal settlements with the formal city, enabling inhabitants to access services and infrastructure. U-TT is now taking the lessons it has learnt in working in Latin American cities, such as Caracas and São Paulo, elsewhere in the world with the aim of ‘working globally and acting locally’. Copyright © 2011 John Wiley & Sons, Ltd.  相似文献   

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