Heuristic approach to selecting a color appearance model for hue‐preserved wide‐color gamut mapping

With the advent of wide‐gamut system colorimetry for ultra‐high definition television, the development of a gamut mapping algorithm for wide to standard gamuts is greatly needed. Most gamut mapping techniques have been developed to retain the perceived hues of the source as predicted by a color appearance model. However, some color appearance models erroneously predict the saturated colors, generating a serious hue discontinuity in wide‐color gamut mapping onto the Rec. 709 gamut boundary. This paper presents a heuristic approach to determining whether a color appearance model may create such artifacts when used in hue‐preserved gamut mapping algorithms.     

Analysis of color volume of multi‐chromatic displays using gamut rings

There are claims that multi‐chromatic displays can achieve a wider color gamut by the use of additional highly saturated secondary color channels. However, there are other claims that these displays lose lightness and/or color saturation at brighter levels. These apparently divergent views have led to some controversy in the display industry and at standard setting organizations. This study examines the color gamut volume for a variety of simulated and measured multi‐chromatic (sometimes incorrectly referred to as “multi‐primary”) displays using combinations of white and/or secondary color channels, such as cyan, magenta, and yellow. Furthermore, a two‐dimensional gamut representation, referred to as “gamut rings,” is introduced to illustrate that the addition of nonprimary optical color channels to a trichromatic (RGB) display can result in a significant decrease in the chroma at higher lightness levels. The additional saturated color channels can increase the gamut volume only around their hues at darker levels. The results also confirm the validity of comparing the color light output and white light output for revealing the design trade‐offs between the high‐peak white and the color‐image brightness for multi‐chromatic displays.     

Preferred balance between luminance and color gamut in mobile displays

Abstract— To improve the image quality of a mobile display, the balance between color‐gamut size and luminance was studied in two subjective experiments. The first experiment was performed during the Asian Society for Information Display (ASID) conference in Nanjing, February 2004. Nearly 600 participants ranked the quality of images displayed for fixed combinations of color‐gamut size and display luminance on small color supertwisted nematic (CSTN) and thin‐film transistor (TFT) twistednematic (TN) displays. In the second experiment, a broader range of color‐gamut sizes and luminance levels were simulated on a cathode‐ray tube (CRT) display, and 20 participants were asked to score perceived image quality. The results of these experiments were used to model image quality as a function of color‐gamut size and display luminance for images differing in the level of chromaticity of their content. This model can be used to estimate the increase in luminance required to compensate for a reduction in color‐gamut size.     

Power‐saving primary design for displays enclosing a target color gamut

Abstract— Display primaries are optimized for the trade‐off between the total primary power and color gamut under the requirement that a target color gamut is enclosed by the color gamut of the display. LED displays and HDTV color gamut are taken as examples. Compared to the display using a set of typical commercial RGB LEDs, it was found that a total optical (electrical) power of 23.6% (15.6%) can be saved for the display using optimal RGB LEDs. Although the size of the display color gamut is sacrificed, the color gamut of the display using optimal RGB LEDs still encloses the HDTV color gamut. The combined effect of the LED luminous efficiency and white‐point condition on the determination of the optimal LED wavelengths and bandwidths is also studied.     

Effects of display properties on perceived color‐gamut volume and preference

Abstract— The effect of varying the color gamut of an extended‐gamut LCD on color appearance and preference was measured psychometrically in two experiments at each of two separate laboratories over a representative set of 10 images each. The first experiment measured the effect of color gamut on appearance, and the effect on the appearance attribute colorfulness was shown to be relatively strong compared with other attributes as the volume of display color gamut is varied. Overall, colorfulness monotonically increased at constant sensitivity as the gamut area in xy chromaticities increased while tending to become less and less sensitive to increasing the gamut volumes in CIELAB and CIECAM02. In the second experiment, the overall preference indicated an optimal color gamut for the display gamut volume even though the results were shown to be highly scene dependent.     

Wide gamut LCD using locally dimmable four‐primary‐color LED backlight

This paper proposes a wide gamut LCD using locally dimmable four‐primary‐color (4PC) LED backlight. Although the color gamut of LCDs has been improved in recent years, it is insufficient to reproduce all the colors in the real world. The objective of this paper is to propose a wide gamut LCD that reproduces all the colors in the real world while keeping the cost increases to a minimum. We evaluated the color gamut reproduced by LEDs of multiple primary colors and selected cyan as the optimal color to be added to the three primary colors to reproduce all the colors in the real world. Therefore, we designed an LED backlight consisting of an additional only‐cyan LED with three‐primary‐color LEDs and developed a prototype LCD with 4PC LED backlight. Furthermore, we developed a local dimming algorithm for the 4PC LED backlight. As a result, we confirmed that the prototype LCD with the 4PC LED backlight is able to cover almost all the colors in the real world and also able to display natural images with highly saturated colors by local dimming.     

A dual‐gap RGBW transflective TFT‐LCD with adjustable color gamut

Abstract— An adjustable‐color‐gamut dual‐gap RGBW transflective liquid‐crystal display that uses a four‐color manufacturing process and a color‐processing algorithm to achieve the appropriate color performance in both the transmissive and reflective modes is presented. Based on superior‐color‐transformation units, the total brightness and color gamut can be modified under different ambience. The highest NTSC color gamut in the reflective mode (reflectance, 4.4%) that has been fabricated successfully for a RGBW 1.5‐in. dual‐gap panel is 23% with a 7%, 17%, and 40% NTSC color gamut in the transmissive mode by using different algorithms. Compared to a typical RGB panel, it not only provides flexibility for any environment but also satisfies a variety of personal requirements. Based on personal preference, users have more choices to adjust the LCD settings such as color saturation, brightness, etc. The smart RGBW TRLCD will definitely become the developing trend towards sunlight‐readable LCDs in the near future.     

High efficiency and ultra‐wide color gamut quantum dot LEDs for next generation displays

Colloidal quantum dot‐based hybrid light‐emitting diodes (QLEDs) have been demonstrated that exhibit quantum efficiencies (EQEs) >10% for all three fundamental colors red, green, and blue (21% EQE, 82 cd/A for green). This is the first report of a green QLED with EQE >20% and current efficiency >80 cd/A. The devices have the longest lifetimes reported in the literature (280k hrs) and extremely well‐tuned color fidelity. The narrow QLED emission spectra (full width at half maximum < 30 nm) and well‐controlled peak wavelengths generate a color gamut covering >170% of the National Television System Committee (NTSC) 1987 color space and ~90% of the Rec. 2020 color space. This color gamut is larger than that of OLED televisions in mass production and is the largest of all QLEDs reported. Additionally, these devices are completely fabricated using solution‐processing techniques. The extremely desirable properties of high efficiency, color tunability/fidelity, long lifetime, and low cost processing from solutions make QLED technology disruptive and will lead to next generation displays.     

White LEDs using the sharp β‐sialon: Eu phosphor and Mn‐doped red phosphor for wide‐color gamut display applications

The sharp β‐sialon (Si_6‐zAl_zO_zN_8‐z : 0 < z < 0.1):Eu green phosphor, combining with a blue LED and CaAlSiN₃:Eu red phosphor, is suitable for the wide‐color gamut white LEDs backlighting system, because of its sharp and asymmetric emission spectrum shape. However, the color gamut and the brightness of the aforementioned display is restricted because of the wide emission band of the CaAlSiN₃:Eu red phosphor. In this work, we used K₂SiF₆:Mn as an alternate red phosphor, which has a sharp emission spectrum. The display with the white LED using sharp β‐sialon:Eu and K₂SiF₆:Mn shows a wide‐color gamut, which covers the hole NTSC triangle. The use of K₂SiF₆:Mn enables to realize not only a wider color gamut but also a higher brightness of displays, compared with the use of CaAlSiN₃:Eu. Furthermore, it is confirmed that the white LED using sharp β‐sialon:Eu and K₂SiF₆:Mn is stable against temperature and also durable under the accelerated drive conditions.     

A novel spectrum‐sequential display design with a wide color gamut and reduced color breakup

Abstract— The advantage of RGB color‐sequential displays is that they have no color filters, but the disadvantage is that they need to run at high refresh rates (> >180 Hz) to prevent flicker and color breakup. An alternative color‐sequential display, which can operate at relatively low refresh rates (～ 100 Hz) without disturbing color breakup or flicker, has been developed. The display has two color filters per pixel (cyan and magenta) on the LCD panel and the backlight can generate two types of spectra (blue‐green and green‐red), which results in a wide gamut four‐primary display, effectively. One part of the paper describes the color reproduction, including color‐filter design, gamut mapping, and multi‐primary conversion. The other part deals with the reduced perception of color breakup on the novel spectrum‐sequential display compared to conventional color‐sequential displays.     

Micro‐cavity design of bottom‐emitting AMOLED with white OLED and RGBW color filters for 100% color gamut

Abstract— Two optical structures used for a bottom‐emitting white organic light‐emitting diode (OLED) is reported. An RGBW color system was employed because of its high efficiency. For red, green, and blue (RGB) subpixels, the cavity resonance was enhanced by the use of a dielectric mirror, and for the white (W) subpixel, the mirror was removed. The optical length of the cavities was controlled by two different ways: by the thickness of the dielectric filter on top of the mirror or by the angle of oblique emission. With both methods, active‐matrix OLEDs (AMOLEDs) that reproduced a color gamut exceeding 100% of the NTSC (National Television System Committee) standard were fabricated. More importantly, the transmission of a white OLED through R/G/B color filters was significantly higher (up to 50%) than that of a conventional structure not employing a mirror, while at the same time as the color gamut increased from ～75 to ～100% NTSC.     

Non‐metamerism of boundary colors in multi‐primary displays

Abstract— A control sequence gives the intensities of the primaries for a pixel of a display device. The display gamut, i.e., the set of all the colors that a display can produce, is a zonohedral subset of CIE XYZ space and contains both boundary and interior colors. Displays with four primaries or more exhibit metamerism, in which different control sequences produce colors that appear identical to an observer. This paper shows mathematically that, provided no three primaries are linearly dependent, metamerism can only occur for interior colors. When there are four or more primaries, metamers can always be found for interior colors. A color on the gamut boundary, by contrast, is only produced by a unique control sequence. The proof used for displays can be extended to object‐color solids, to show that optimal colors, which are on the boundary of an object‐color solid, have unique reflectance functions.     

The influence of unilateral acceleration on color‐gamut properties of a TFT‐LCD

Abstract— This letter describes experiments in which a TFT‐LCD was exposed to unilateral acceleration amplitudes of different temporal profiles and durations. The results show that the color gamut is extended by increasing the load amplitude. Following the loading, the color gamut recedes and gradually approaches the reference range.     

Color‐tuning projection system for adaptive combination of high brightness and wide color gamut

Abstract— The demand for projectors with high brightness and wide color gamut has been increasing; however, UHP lamp projectors cannot deliver those two qualities efficiently and simultaneously because of its color‐separation system. The newly developed projection system — “Color‐Tuning Projection System” — realizes the adaptive combination of high brightness and wide color gamut with one projector. This projector features a fourth liquid‐crystal panel — “Color Tuner” — with a 3LCD optical engine, which controls yellow light separately from the RGB light of a UHP lamp. This color‐tuner‐based optical engine — “Color‐Tuning Optical Engine” — and a new color‐conversion signal‐processing algorithm — “Adaptive Color Conversion Algorithm” — controls the yellow‐light volume and corrects color‐shifted pixels according to the brightness and chromaticity analysis of the input image, key technologies of the Color‐Tuning Projection System. This additional panel system enables the projector to ach ieve up to 115% higher brightness and 120% wider color gamut according to the input image. This paper presents an innovative design concept, a novel technology regarding brightness and a color‐gamut conversion projection system, and the characteristics of the prototype.     

Effect of image size on the color appearance of image reproductions using colorimetrically calibrated LCD and DLP displays

Abstract— Archiving images of cultural heritage based on spectral imaging techniques is an active research area in imaging science. Original and reproduced art are usually viewed under quite different viewing conditions. One of the interesting differences in viewing condition is size difference. This leads to different surrounds and adaptation states. In order to investigate the effect of size in color perception of rendered images, a visual experiment was conducted using a colorimetrically characterized digital projector and LCD. An image was rendered and projected on the screen. The same image was processed using various algorithms followed by rendering for the LCD. These LCD rendered images, by definition, were considerably smaller than the projected image. Using a paired‐comparison method, the effect of image size was investigated using a colorimetric image of Georges Seurat's, “Sunday Afternoon on the Island of La Grande Jatte — 1884.” The image rendered for an LCD with a linear increase in lightness resulted in a closer match to the image projected on screen than an original colorimetrically rendered image and was perceived as a more accurate reproduction than the majority of algorithms tested.     

Color‐breakup evaluation of spatio‐temporal color displays with two‐ and three‐color fields

Abstract— Spatio‐temporal color displays have higher transmission and resolution than conventional LCDs, but suffer from color breakup. In this paper, a 120‐Hz display with two‐color filters and two‐color fields is described and the amount of color breakup is compared with that of a 180‐Hz full‐color‐sequential display with no color filters and three‐color fields. The results indicate that color breakup in a color‐filterless display is annoying, whereas it is just visible in displays with two‐color filters even though the refresh rate is much lower.     

Thermal management of edge‐lit wide color gamut backlight for LCD using red laser diodes and cyan LEDs

The color gamut is one of the critical parameters that dictate the image quality of displays. The liquid crystal displays using white color light‐emitting diodes (LEDs) as the backlight, though having been widely employed recently, are not very satisfactory in terms of their color gamut because of the broad spectrum inherent to white LEDs. This prompted the authors to develop improved liquid crystal displays using an edge‐lit wide color gamut backlight that used red laser diodes and cyan LEDs. Generating laser beams with high color purity, the laser diodes are light sources with a significant effect on expanding the color gamut. However, laser diodes, red ones in particular, have unfavorable thermal characteristics. To cope with this shortcoming, the authors clearly defined the restrictive criteria for laying out two kinds of light source on the edge‐lit backlight and made a prototype 55‐type laser backlight for performance evaluation.     

Seventeen‐inch laser backlight in‐plane switching liquid crystal display with 8K, 120‐Hz driving,and BT.2020 color gamut

We have developed a 17‐inch laser backlight in‐plane switching liquid crystal display satisfying the main BT.2020 specifications, which are 8K, 120‐Hz driving, and a BT.2020 wide color gamut. The color gamut of the developed in‐plane switching liquid crystal display covers 98% of the BT.2020 wide color gamut, thanks to a laser backlight and appropriate color filters. The liquid crystal response time of 5 ms, which is sufficient for 120‐Hz driving, is achieved by adapting a faster in‐plane switching liquid crystal display, namely, the short‐range lurch control in‐plane switching liquid crystal display.     

Method to improve color reproduction on a 120‐Hz two‐field color‐sequential LCD

Conventional displays use at least three primaries for full‐color image reproduction. In this contribution, the reproduction of color images using an LCD system with two local dynamic primaries, based on a segmented backlight, will be discussed. The two primaries are chosen to minimize color error by means of total least squares. Simulation results indicate quite good color reproduction for a large set of video data even with a limited number of backlight segments. A statistical analysis of this video content shows that excellent color reproduction (?u′v′ < 0.020 for more than 99.0% of the pixels per frame) can be achieved for 74.2% of the frames using 9216 backlight segments.     

Review Paper: Multi‐primary‐color displays: The latest technologies and their benefits

Abstract— Multi‐primary‐color (MPC) display technology is one of the fastest emerging research areas in recent years. Wide‐color‐gamut display devices have been required for visually sufficient and/or accurate color reproduction. It is well known that MPC displays can reproduce accurate colors with high efficiency. In addition, not only the image‐quality improvement but some other performance of display devices is also required for display devices. This paper reviews achievements in MPC display technologies and focuses on the benefits of MPC displays: power‐savings and high resolution.