“雕塑性”建筑形象与创作

建筑的外部空间形式往往是高层次的建筑理论的重要表现途径,对建筑的形体塑造的研究与讨论虽不时兴,但却值得,这将会直接地提高建筑创作实践水平。本文拟就对某些建筑形象中的“雕塑性”形式感问题及其创造作些肤浅的探索。一“雕塑感”——建筑中的美学现象在建筑评论文章中,“雕塑感”一词常被用来品评一些具有个性的建筑形象,表达了品评者对建筑外的空间形象的心理感受:建筑的外形特征使他们联想到了雕塑艺术。例如:     

浅析“五四”女作家笔下的父亲形象

"五四"时期,女作家们借着妇女解放运动登上历史舞台,掀起了20世纪中国女性文学的第一个高潮。她们塑造了多维的父亲形象,并与男作家们一起书写对封建父权制度的反抗。通过对"五四"女作家笔下父亲形象的分析,可以深刻地透视出那个新旧交替时代的女性的特殊遭遇和心路历程,同时也能清晰地鉴照出"五四"女性作家们思想上的矛盾与冲突。     

鲁迅与契诃夫笔下的“小人物”形象异同点分析

鲁迅和契诃夫虽然是属于不同国家、不同时代的伟大作家,但是他们的作品却有很多相似之处,他们常常选取处于社会底层的"小人物"作为小说的主人公,通过对这些"小人物"悲惨境遇的描绘,来表现"小人物"的"奴性"、"庸俗味"。他们的文学作品中都以诙谐幽默的笔法描绘了众多的"小人物",而他们笔下的这些"小人物"的形象也有着共同之处,因此本文将详细分析鲁迅与契诃夫笔下的"小人物"形象的相同点,而对不同之处仅做简要分析。     

建筑形象与文学形象之比较

建筑形象是通过各种几何形体造型、空间和环境反映一定的社会生活和一定的审美情感的物化形态,其表现为直接形象。主要特点是:其一是表现艺术。建筑形象主要是各种几何形体,类似抽象雕塑,它缺乏完整的叙事描写的能力,不大可能直接反映具体思想,通过形体与空间的组合,或借助隐喻象征手法,可以赋予建筑以雄伟、华丽、典雅、轻快等艺术气氛和美学意境的目的,间接地表现特定的时代、民族、地区的艺术特征,建筑师个人意识和创作思想。我国古代有“天子以四海为家,非壮丽无以重威”的说法。西方从古希腊起就流传“建筑是凝固的音乐”的观点。可见…     

工业建筑形象的真实性

工业建筑的形象来源于对功能的真实反映,处理好建筑形象应针对其形象的真实性这一特征,从整体形象特色、结构的美学表现、严谨的细部和独特的识别性等几方面论述了工业建筑的空间与形象问题。     

“宅族”媒体形象研究

鉴于网络时代对"宅族"产生的深远影响,笔者从消费主义、眼球效应、娱乐主义等角度进行了分析,发现媒体在建构"宅族"形象中过于重视经济效应且过度营造娱乐化氛围。因此,媒体有必要利用自身公信力,在"宅族"媒体形象的建构上,更加客观与理性。     

“技术形象”——“艺术形象”——结构思维在建筑创作中的运用

建筑艺术是建立在人类工程能力基础之上的“实用艺术”,这使得建筑师的艺术创作不仅仅是造型与空间的推敲,同时还是对技术手段与力学法则的有机整合。在整个建筑艺术发展史以及现代建筑的实践中,许多经典的建筑作品无不是技术手段与艺术创作的最完美结合,本文试图从建筑艺术这种特有的属性出发,结合大量国内外作品实例,对建筑创作中技术形象与艺术形象的有机结合作一些粗浅的分析,以求对建筑创作有一定的理论与实践意义。     

建筑形象的视觉感受

建筑形象的视觉感受沈福煦一建筑形象的认知从视觉说，建筑形象只分实体和空间两部分．建筑的实体形象是指视线所及的对象（建筑实物）；建筑的空间形象则比较抽象，它指的是视线行进着的、被建筑实物所限定的部分．如图１所示，通常认为ａ是建筑外形而ｂ是室内，其实从建...     

“彭城画派”呈现国家形象的审美探析

徐州美术家作品大多描绘大好河山,传达"中国梦"理想,与国家形象的塑造不谋而合。朴厚强正、执着进取、自由探索的徐州美术精神,也是国家美术精神的体现。"彭城画派"对国家形象的审美呈现,主要体现了地方文化与艺术创作、传统文化与外来思想、自我构建与他者想象、美术精神与国家意识相结合的审美特性。这些表现为丰富和完善中国形象做出了贡献。     

新媒体时代下体育运动员形象的塑造

我国是"体育大国",体育运动是公共生活和个人生活中不可缺少的一部分,体育运动员则是家喻户晓的公众人物。改革开放以来,我国运动员形象经历了"从榜样到偶像"的时代变迁。新媒体环境下,微博、微信等社交媒体对运动员形象的塑造又有着独特的作用和影响。因此,新时期的运动员应该利用新媒体,积极、主动地塑造自己的形象。     

Valuing Iconic Design: Frank Lloyd Wright Architecture in Oak Park,Illinois

This study investigates the willingness of homebuyers to pay for co-location with iconic architecture. Oak Park, Illinois, was chosen as the study area given its unique claim of having 24 residential structures designed by world-famous American architect Frank Lloyd Wright, in addition to dozens of other designated landmarks and three preservation districts. This study adds to the limited body of existing literature on the external price effects of architectural design and is unique in its focus on residential architecture. We find a premium of about 8.5 per cent within 50–100 m of the nearest Wright building and about 5 per cent within 0–50 m. These results indicate that an external premium to iconic architecture does exist, although it may partially be attributable to the prominence of the architect.     

Dreams of an Iconic Mosque: Spatial and Temporal Entanglements of a Converted Church in Amsterdam

ABSTRACT

This article focuses on the making of iconicity through religious architecture in Amsterdam, the Netherlands. Examining the Fatih Mosque housed in a former Catholic church in the city center, we show in what ways the efforts at making this mosque iconic are shaped by the building’s iconic field, by which we denote its entanglement with other (religious and non-religious) sites in the past and the present. This iconic field is characterized by the conversion chains that preceded the mosque, material and discursive legacies of “hiddenness” and contemporary symbolic interactions with nearby sites such as the Western Church. By developing an analysis of the mosque’s temporal and spatial entanglements in Amsterdam’s urban space, we seek to revitalize a relational and diachronic approach that has suffered from neglect, particularly in social-scientific studies of mosques in the West. Rather than looking at a singular place of worship at a particular moment in time, we draw attention to the relations between Islamic and other religious architecture and to the ways in which this mosque intersects with broader genealogies and geographies of religion, not only by association but also by actual links in relationships, politics or material culture.     

像标建筑在北京

该文详细介绍了像标建筑的含义,并从标志性与文化性、国际性、大规模、高造价等四个方面阐述了北京像标建筑的现状,提出今后像标建筑的发展应以传统文化为基础的理论。     

The Perceived Authenticity of Iconic Heritage Sites in Urban Tourism: the Case of Constitutional Hill,Johannesburg, South Africa

Cultural heritage sites play multiple roles in the development of urban tourism. Amongst these roles, the authentic properties of cultural heritage generate a sense of place, are the main source of authentic tourist experience and assume an important role in reaffirming cultural and national identity. This paper provides a contribution to authenticity discourse both theoretically and empirically. The study examines and re-evaluates the main sources of authenticity of tourist experience generated from South African iconic places which serve a dual function, as ‘must-see’ tourist attractions and as places of new post-1994 national African identity building. The focus is the Constitution Hill heritage site in Johannesburg. The research explores how authentic is the individual tourist experience of the site and whether differences exist in the way domestic and international tourists perceive the authenticity of the iconic place as representative of new South African identity. The results show that the majority of tourists perceive the place as authentic and derive an authentic experience from the visit. No statistically significant differences are observed between the experience of domestic versus international tourists’ experience of the site which was measured by four variables of authentic experience, namely, attraction, attention, outcomes and feelings.     

Iconic Religion in Urban Space

Abstract

In order to understand current dynamics of religious diversity, a focus on the tangible presence of religion and the co-existence of new and longstanding religious buildings, sites and artifacts in urban spaces is a fruitful starting point. Launching the notion of iconic religion, this introduction seeks to contribute to developing a scholarly framework for the nexus of religion and the city from a spatial, material, aesthetic and semiotic angle. Situated in the interface between matter and religious meaning, religious icons are not simply carriers of meaning, but make it present.     

On conservation issues of contemporary architecture: The technical design development and the ageing process of the Jubilee Church in Rome by Richard Meier

A vast amount of iconic buildings distinguished by complex geometries have been constructed in the last two decades in the United Kingdom, Germany, Spain, Portugal, France and Italy. Overall, the construction of these iconic buildings has led to technical innovations. As these buildings are often erected following customised construction details and bespoke technical solutions that are rarely tested in advance, measuring their ageing process has become crucial to understand if these geometries are sustainable in terms of the cost of their maintenance. This study aims to analyse the technical design development and the ageing process of the Jubilee Church in Rome by Richard Meier. Only fourteen years after the opening, this building is affected by extensive decay of construction materials due to both wrong technical design choices and lack of unaffordable maintenance work. This study aims to identify the causes of the premature decay of this building, recording retroactively its technical development and mapping the current state of damages.     

曹妃甸生态城可持续发展中心

名为“晶体“的可持续发展中心是实现曹妃甸生态城环境目标的关键组成部分，它将通过其建筑和功能。展示未来可持续发展技术，传递与生态城原则一致的远景，并监督新城的建设和发展，坐落在毗邻新城行政中心的半岛上，“中心”将成为生态城发展及中国可持续城市发展首创实践的标志性象征，“晶体”与周围景观整合，示范了可持续发展技术及生态系统，以其低能源需求成为节能建筑的典范，同时展示可再生能源技术的实践，“中心”以其独特的建筑风格和展示创新的节能环境技术，将体现和促进对曹妃甸生态城至为重要的可持续发展原则。     

北京奥运建筑——“鸟巢”的城市影响及社会效应

国家体育场“鸟巢”是2008年北京奥运会的主体育场,承载了第29届奥运会、残奥会的开闭幕式以及田径、足球等众多赛事．已然成为北京北部区域的“新地标”．同时它与奥运国际盛事的契合更使其超越了单纯的建筑意义,而成为一个“符号”象征着更多的内涵,引起了国内外广泛的关注。本文试图从”图符式建筑”的角度认知阅读“鸟巢”．分析这一建筑事件作为新的中国“符号”对于城市以及整个社会有着如何的影响。文章主要从城市形象、社会效应和文化角度观察它的影响力．并试图透过这一典型事件对当代中国的“图符式地标”建筑的评价标准和发展趋势作一展望。     

将历史文化融于设计的旧建筑改造研究——以西安老钢厂设计产业园内主题酒店设计为例

研究以西安老钢厂设计产业园内的主题酒店建筑设计为例,探讨在旧建筑改造过程中,将历史文化融于建筑设计的方法和策略。在实地调研、文化挖掘、特定人群行为分析及其对应的空间模式研究基础上,运用整体规划、路线设计、历史场景再现、文化活动场所营造、标志性构筑物再利用等策略,力求营造"工业●代的怀旧与城市复兴"的空间氛围,使历史文化成为一种设计资源,契合当代的使用需求,使旧工业建筑重新焕发活力。     

The Brunswick Centre Marchmont Street London WC1

Some 30 years after completion, one of London's most iconic postwar schemes is being refurbished by Levitt Bernstein, with its original architect, Patrick Hodgkinson, on board as a consultant. Bruce Stewart describes the plans and asks what the impact of the renewal of the building might be on residents and on the immediate local area. Copyright © 2005 John Wiley & Sons, Ltd.