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1.
Research on facial animation is as vast as the many interests and needs that can be found in the general public, television or film production. For Mac Guff Ligne, a company specialized in the fabrication of special effects and computer generated images, the needs and the constraints on such a topic are very big. Morphing is often used in facial animation, and consists in mixing several expression models. As we will discover, the advantages in using morphing are numerous, but the animation workload remains long and time-consuming. Our goal is to propose a fast and reliable animation tool that is based on the same morphing technique with which the graphic artists are familiar. Our method is to inverse the classical process of morphing, and to match a real facial animation to a 3D facial animation by automatic calculation of the weights of expression models. Firstly, we discretize the real facial animation using a number of characteristic points. Then we follow the path of each point by optic or magnetic motion capture, or through the filmed images. This tracked down animation is then decomposed, for each frame, according to a basis of characteristic expressions (joy, anger, etc.) that can be automatically taken out from the real animation during the calibration stage. It means that we express a simplified shape of the face by linear composition of a series of basic faces. Finally, we can reintroduce the results of this decomposition into a more complex facial morph which has a totally different topology and geometry. The user can thus complete and modify the resulting animation using a tool he knows well. This method, used in production at Mac Guff Ligne, proves to be a solid, effective and easy-to-use work base for facial animation.  相似文献   

2.
特定三维人脸的建模与动画是计算机图形学中一个非常令人感兴趣的领域.本文提出了一种新的从两幅正交照片建立特定人脸的模型以及动画方法,首先以主动轮廓跟踪技术snake自动获取人脸特征点的准确位置,然后以文中的局部弹性变形(local elastic deformation)方法进行通用人脸模型到特定人脸的定制,并辅以采用图像镶嵌技术生成的大分辨率纹理图像施行纹理绘制,该方法以特征点的位移和非特征点与特征点的相对位置为基础计算局部人脸面部的变形,同时还能够实现人脸剧烈的面部变化和动作,与肌肉模型相结合,可很好地实时完成人脸的动画,具有快速高效的特点.最后,给出了所得到的实验结果.  相似文献   

3.
实时逼真的人脸表情动画技术是计算机图形学研究领域中一个富有挑战性的课题,文章针对已有物理模型算法的计算复杂、效果粗糙等问题,阐述在Direct3D开发平台下给出的一种将物理模型与渐变表情算法结合的组合渐变动画算法及用其生成真实感表情动画的实现过程。实验表明,这种方法极大地增强了人脸表情动画生成的真实性。  相似文献   

4.
This paper presents a hierarchical animation method for transferring facial expressions extracted from a performance video to different facial sketches. Without any expression example obtained from target faces, our approach can transfer expressions by motion retargetting to facial sketches. However, in practical applications, the image noise in each frame will reduce the feature extraction accuracy from source faces. And the shape difference between source and target faces will influence the animation quality for representing expressions. To solve these difficulties, we propose a robust neighbor-expression transfer (NET) model, which aims at modeling the spatial relations among sparse facial features. By learning expression behaviors from neighbor face examples, the NET model can reconstruct facial expressions from noisy signals. Based on the NET model, we present a hierarchical method to animate facial sketches. The motion vectors on the source face are adjusted from coarse to fine on the target face. Accordingly, the animation results are generated to replicate source expressions. Experimental results demonstrate that the proposed method can effectively and robustly transfer expressions by noisy animation signals.  相似文献   

5.
吴晓军  鞠光亮 《电子学报》2016,44(9):2141-2147
提出了一种无标记点的人脸表情捕捉方法.首先根据ASM(Active Shape Model)人脸特征点生成了覆盖人脸85%面部特征的人脸均匀网格模型;其次,基于此人脸模型提出了一种表情捕捉方法,使用光流跟踪特征点的位移变化并辅以粒子滤波稳定其跟踪结果,以特征点的位移变化驱动网格整体变化,作为网格跟踪的初始值,使用网格的形变算法作为网格的驱动方式.最后,以捕捉到的表情变化数据驱动不同的人脸模型,根据模型的维数不同使用不同的驱动方法来实现表情动画重现,实验结果表明,提出的算法能很好地捕捉人脸表情,将捕捉到的表情映射到二维卡通人脸和三维虚拟人脸模型都能取得较好的动画效果.  相似文献   

6.
With better understanding of face anatomy and technical advances in computer graphics, 3D face synthesis has become one of the most active research fields for many human-machine applications, ranging from immersive telecommunication to the video games industry. In this paper we proposed a method that automatically extracts features like eyes, mouth, eyebrows and nose from the given frontal face image. Then a generic 3D face model is superimposed onto the face in accordance with the extracted facial features in order to fit the input face image by transforming the vertex topology of the generic face model. The 3D-specific face can finally be synthesized by texturing the individualized face model. Once the model is ready six basic facial expressions are generated with the help of MPEG-4 facial animation parameters. To generate transitions between these facial expressions we use 3D shape morphing between the corresponding face models and blend the corresponding textures. Novelty of our method is automatic generation of 3D model and synthesis face with different expressions from frontal neutral face image. Our method has the advantage that it is fully automatic, robust, fast and can generate various views of face by rotation of 3D model. It can be used in a variety of applications for which the accuracy of depth is not critical such as games, avatars, face recognition. We have tested and evaluated our system using standard database namely, BU-3DFE.  相似文献   

7.
We describe the components of the system used for real-time facial communication using a cloned head. We begin with describing the automatic face cloning using two orthogonal photographs of a person. The steps in this process are the face model matching and texture generation. After an introduction to the MPEG-4 parameters that we are using, we proceed with the explanation of the facial feature tracking using a video camera. The technique requires an initialization step and is further divided into mouth and eye tracking. These steps are explained in detail. We then explain the speech processing techniques used for real-time phoneme extraction and subsequent speech animation module. We conclude with the results and comments on the integration of the modules towards a complete system  相似文献   

8.
倪奎  董兰芳 《电子技术》2009,36(12):64-67
人脸动画广泛地应用于游戏行业、远程会议、代理和化身等许多其它领域,近年吸引了很多学者的研究,其中口腔/眼睛等器官的动画一直是一个较大的难点。本文提出了一种将口腔/眼睛的器官样本图片融合到人脸图像中并根据单张中性人脸图片生成人脸动画的方法。该方法根据特征点生成样条,在极坐标上对样条插值来实现空间映射,然后采用后向映射和插值进行图像重采样得到融合图像。实验结果表明,该方法产生的融合图片较为自然,能实现口腔/眼球等器官的运动,能满足人脸动画生成的实时性要求。  相似文献   

9.
三维扫描仪可以准确获取人脸的几何形状与纹理,但原始的人脸扫描数据仅为一张连续曲面,不符合实际的人脸结构,无法用于人脸动画。针对此问题,提出了一种由三雏扫描数据进行人脸建模的方法,将一个具备完整结构的通用人脸模型与扫描数据进行初步适配,再采用细节重建技术恢复特定人脸的表面细节和皮肤纹理。实验表明,该方法建立的三维人脸模型真实感强,结构完整,可生成连续自然的表情动画。  相似文献   

10.
陈娜 《激光与红外》2022,52(6):923-930
基于单张人脸图片的3D人脸模型重构,无论是在计算机图形领域还是可见光成像领域都是一个极具挑战性的研究方向,对于人脸识别、人脸成像、人脸动画等实际应用更是具有重要意义。针对目前算法复杂度较高、运算量较大且存在局部最优解和初始化不良等问题,本文提出了一种基于深度卷积神经网络的单张图片向3D人脸自动重构算法。该算法首先基于3D转换模型来提取2D人脸图像的密集信息,然后构建深度卷积神经网络架构、设计总体损失函数,直接学习2D人脸图像从像素到3D坐标的映射,从而实现了3D人脸模型的自动构建。算法对比与仿真实验表明,该算法在3D人脸重建上的归一化平均误差更低,且仅需一张2D人脸图像便可自动重构生成3D人脸模型。所生成的3D人脸模型鲁棒性好,重构准确,完整保留表情细节,并且对不同姿态的人脸也具有较好的重建效果,能够在三维空间中无死角自由呈现,将满足更多实际应用需求。  相似文献   

11.
基于哈希方法的空间曲线匹配   总被引:3,自引:0,他引:3  
吕科  耿国华  周明全 《电子学报》2003,31(2):294-296
在许许多多出土文物碎片中借助计算机辅助文物碎片复原,迄今是一个没有被完全解决的问题.本文给出从提取文物碎片轮廓线出发,解决空间曲线匹配来达到文物碎片复原的方法.给出了用于查找三维轮廓线匹配的哈希矢量,以及基于Fourier变换的轮廓线子段匹配算法,通过比较两条轮廓线的哈希矢量来分析曲线段的相似度.从理论上给出了判断曲线匹配的性质,如果曲线段之间的距离越小则哈希矢量之间的距离也越小.  相似文献   

12.
当前,动画及其实现技术受到业界广泛关注,而人脸动画如喜、怒、哀、乐的表达其真实感还不够好.以Waters肌肉模型为基础,提出NURBS弹性肌肉模型,该方法依据解剖学知识,用非均匀有理B样条曲线仿真肌肉.通过改变曲线控制点的权重,可以找到一个动作向量控制肌肉的运动,进而合成人脸的各种表情.控制点数量越多,肌肉就越好控制,那么就可以更加真实地仿真人脸表情.  相似文献   

13.
The initial conception of a model-based analysis synthesis image coding (MBASIC) system is described and a construction method for a three-dimensional (3-D) facial model that includes synthesis methods for facial expressions is presented. The proposed MBASIC system is an image coding method that utilizes a 3-D model of the object which is to be reproduced. An input image is first analyzed and an output image using the 3-D model is then synthesized. A very low bit rate image transmission can be realized because the encoder sends only the required analysis parameters. Output images can be reconstructed without the noise corruption that reduces naturalness because the decoder synthesizes images from a similar 3-D model.

In order to construct a 3-D model of a person's face, a method is developed which uses a 3-D wire frame face model. A full-face image is then projected onto this wire frame model. For the synthesis of facial expressions two different methods are proposed; a clip-and-paste method and a facial structure deformation method.  相似文献   


14.
Speech-driven facial animation combines techniques from different disciplines such as image analysis, computer graphics, and speech analysis. Active shape models (ASM) used in image analysis are excellent tools for characterizing lip contour shapes and approximating their motion in image sequences. By controlling the coefficients for an ASM, such a model can also be used for animation. We design a mapping of the articulatory parameters used in phonetics into ASM coefficients that control nonrigid lip motion. The mapping is designed to minimize the approximation error when articulatory parameters measured on training lip contours are taken as input to synthesize the training lip movements. Since articulatory parameters can also be estimated from speech, the proposed technique can form an important component of a speech-driven facial animation system.  相似文献   

15.
In this paper, we present a technique that can be used to transform the motion or deformation fields defined in the coordinate system of one subject into the coordinate system of another subject. Such a transformation accounts for the differences in the coordinate systems of the two subjects due to misalignment and size/shape variation, enabling the motion or deformation of each of the subjects to be directly quantitatively and qualitatively compared. The field transformation is performed by using a nonrigid registration algorithm to determine the intersubject coordinate system mapping from the first subject to the second subject. This fixes the relationship between the coordinate systems of the two subjects, and allows us to recover the deformation/motion vectors of the second subject for each corresponding point in the first subject. Since these vectors are still aligned with the coordinate system of the second subject, the inverse of the intersubject coordinate mapping is required to transform these vectors into the coordinate system of the first subject, and we approximate this inverse using a numerical line integral method. The accuracy of our numerical inversion technique is demonstrated using a synthetic example, after which we present applications of our method to sequences of cardiac and brain images.  相似文献   

16.
17.
18.
MPEG-4 standard allows composition of natural or synthetic video with facial animation. Based on this standard, an animated face can be inserted into natural or synthetic video to create new virtual working environments such as virtual meetings or virtual collaborative environments. For these applications, audio-to-visual conversion techniques can be used to generate a talking face that is synchronized with the voice. In this paper, we address audio-to-visual conversion problems by introducing a novel Hidden Markov Model Inversion (HMMI) method. In training audio-visual HMMs, the model parameters {av} can be chosen to optimize some criterion such as maximum likelihood. In inversion of audio-visual HMMs, visual parameters that optimize some criterion can be found based on given speech and model parameters {av}. By using the proposed HMMI technique, an animated talking face can be synchronized with audio and can be driven realistically. The HMMI technique combined with MPEG-4 standard to create a virtual conference system, named VIRTUAL-FACE, is introduced to show the role of HMMI for applications of MPEG-4 facial animation.  相似文献   

19.
李晓峰  赵海  葛新  程显永 《电子学报》2010,38(5):1167-1171
由于外界环境的不确定性和人脸的复杂性,人脸表情的跟踪与计算机形象描绘是一个较难问题.基于此问题,提出了一种有别于模式识别、样本学习等传统手段的较为简单解决方法,在视频采集条件下,分析帧图像,通过对比多种边缘检测方法,采用一种基于边缘特征提取的人脸表情建模方法,来完成用于表情描绘的面部特征量提取与建模,并结合曲线拟合和模型控制等手段,进行人脸卡通造型生成和二维表情动画模拟.实现了从输入数据生成卡通造型画并真实地表现出表情变化情况.  相似文献   

20.
提出了一种应用于人脸识别的监督线性维数约简 算法。首先引入图像距离度量方法以确定人脸数据 之间的相似程度,之后将训练样本的类标先验信息融入到邻域保持嵌入(NPE,neighborhood preserving embedding)算法的目标函 数中,使得降维后的嵌入空间的投影数据呈多流形分布,不仅最优保持了样本空间的局部几 何结构,同时各类样本 投影的类内散度最小化,类间散度最大化,增大了各类数据分布之间的间隔,提高了嵌入空 间的辨别能力。在Extended Yale B和CMU PIE两个开放人脸数据库上进行了识别实验,结果表明,本文算法取得了很好 的识别效果。  相似文献   

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