多元探索与结构创新——埃罗·沙里宁建筑思想及其设计作品分析

芬兰裔的美国建筑师埃罗·沙里宁凭借其丰富的教育背景，在国际主义风格盛行的时期，设计出了一系列 表达自己对现代建筑独特理解的作品。他以对时代精神、模块理念、有机主义等方面的多元化探索作为出发点， 以创新理念的材料结构为工具，对当时日渐固化的国际主义形式所笼罩的建筑环境给予了强烈的冲击，影响了之 后一大批的建筑师，激发了众多新思想的诞生。     

工业化构件的设计转换思维——埃姆斯住宅和普鲁威住宅的启示

埃姆斯住宅和普鲁威住宅是历史上两个具有原型特征的工业化住宅的案例.建筑师利用现成的工业化构件进行设计,在工业化的建造中探索空间形态和美学特征.对这两个作品进行分析和解读,揭示其中体现的设计转换思维.     

艾罗·沙里宁：塑造未来

《艾罗·沙里宁：塑造未来》是一项开发、研究20世纪建筑界最多产、最怪异、最具有争议的建筑大师艾罗·沙里宁作品的展览。     

西沙岛礁渔民屋应对环境的方式与启示——以永乐群岛为例

本文通过对西沙永乐群岛的调研,发现当地的渔民屋在选址上主要考虑基地的可建设性与运输条件;聚落形态上呈现集中式的聚落布局;建筑单体采用带有檐廊的单一空间;建筑围护结构主要用于防台风和暴雨;建筑材料主要使用回收利用的木料、竹子以及当地的珊瑚石。渔民屋虽然看似简陋,但是透过它可以看出西沙地区建设过程中所面临的问题及经验,能够为西沙地区未来新型适宜性民居的建设明确方向。     

广州城市传统民居考

该文从民居生存的客观条件，民居产生的发展的过程及民居的基本特征三个角度，对广州城市传统民居进行了考证和研究。     

Rural Studio: Incarnations of a Design-and-Build Programme

Catering for the needs of an impoverished rural community in Alabama through its design-and-build activities, Rural Studio leads the way internationally as a university-affiliated architecture programme with a social remit. Guest-Editor Michael Hensel describes how the initiative has grown and developed since it was first established over two decades ago, in 1993, by Samuel Mockbee for students from Auburn University. The realisation of tens of houses and community projects have not only helped to reshape the local environment, but with the more recent strategic approach advanced under Andrew Frear's directorship more long-term projects have been launched and greater emphasis has been placed on the responsible local sourcing of materials, energy and food.     

密斯的教育历程及思想评述

本文概述了一代建筑大师密斯的教育历程,并分析了密斯二战前在包豪斯的短暂执教和开创ⅡT教学体系的源流关系,以及在这个过程中密斯的建筑理念如何影响他的教学方针和课程设置。作为划时代的人物,密斯的思想在今天仍然发挥着很大作用,ⅡT有着良好的实践与教学互动的传统,他的传人们为此也作出了很大贡献,其中不乏优秀的建筑师及事务所（如赫尔墨特·杨、SOM）。但整体上来说,密斯很少有继承者发挥如密斯般的开创性作用,这不禁令人深思,密斯真正的思想灵魂是什么？是否得到真正的继承？因此十分有必要在ⅡT的宏观教学体系下对密斯的个性进行反思式的再解读。本文试图对密斯式教学体系中客观存在的问题和局限做探索性的解释,并立足于当代中国的实际情况总结出其对中国教育的启发。     

E·沙里宁的“有机疏散”理论及对广州的启示

“有机疏散”论是芬兰建筑师E·沙里宁（Eliel．Saarinen）为缓解由于城市过分集中所产生的弊病而提出的关于城市发展及其布局结构的理论，其规划思想对其后各国城市发展与更新产生了十分重要的影响。本文首先分析有机疏散兴起的背景，然后阐述有机疏散的主要设计理念、实践特征，最后总结它带给广州城市建设的启示。     

上下吐根哈特

阅读密斯建筑作品的平面图,常常会产生“单层密斯”或“标准层密斯”的印象。然而建于1930年的吐根哈特住宅却是一个显著的例外。本文以吐根哈特住宅为切入点,通过对它的两个差异很大的上下层平面的分析和研究,试图揭示密斯对于建筑上、下层关系处理的变化过程。这种分析也展示了密斯在其早期建筑思想走向成熟的过程中,对于“空间”、“功能”、“地形”等建筑基本问题理解的演化。它们同时显示了吐根哈特住宅作为密斯建筑生涯中“承上启下”关节点的历史地位。     

Auroville: An Architectural Laboratory

Architect Anupama Kundoo describes how ‘the dream of building a new city’ from scratch for an international spiritual community in southern India has created a magnet for architects around the world. As the city now approaches its 50th anniversary, she asks whether Auroville can keep its architectural culture of innovation and experimentation alight. Copyright © 2007 John Wiley & Sons, Ltd.     

谈密斯·凡·德·罗设计思想

在阐述密斯·凡·德·罗建筑成就的基础上，对其设计风格和设计思想进行了探讨。着重并对其“少就是多”的哲学思想进行了分析，指出了其利用线和方块进行抽象造型的特征。     

谈密斯·凡·德·罗设计思想

在阐述密斯·凡·德·罗建筑成就的基础上,对其设计风格和设计思想进行了探讨。着重并对其“少就是多”的哲学思想进行了分析,指出了其利用线和方块进行抽象造型的特征。     

Thinkorama

Thinkorama is a special section devised for this issue dedicated to ideas, thinking about ideas, writing about and making ideas. Full credit for the title must go to champion and first lady of architectural ideas, director of the Canadian Centre for Architecture, Phyllis Lambert, who coined the phrase on the eve of a presentation of Cedric Price's ‘Potteries Thinkbelt’ in November 2003 at the University of Westminster. The event, called ‘SuperCrit’, was endorsed by Price, but his untimely death in the summer of that year prevented him from presenting the project himself. It was therefore handed to a group of friends and associates to argue the profundity of this great architectural work-on-paper. As for now … Price would have us remember, it is up to all to keep on thinking. Copyright © 2005 John Wiley & Sons, Ltd.     

"上帝在细部之中"的衣钵传承--美国洛翰建筑事务所

美国洛翰建筑事务所可追溯到现代主义建筑大师密斯·凡·德·罗1940年在美国开办的事务所.这个设计师事务所由60余位致力于推进营造技艺,强调对环境负责的建筑师、规划师和室内设计师组成,以将复杂、广泛的挑战化为超凡脱俗的设计方案,并拥有持久的影响力和价值而闻名于世.     

Blurring the Lines,Case Study: Digital Housings,An Exploration of Current CAD/CAM Techniques

Domestic-scale projects can be a fertile source of technical and design innovations, as shown in a crop of houses designed and built by Massie Architecture. In this fifth instalment of the ‘Blurring the Lines’ series of CAD/CAM case studies, Andre Chaszar describes some of the novel and effective ways in which digital design and fabrication have entered the realm of single-family housing in the US, and traces the evolution of these techniques in successive applications. Copyright © 2005 John Wiley & Sons, Ltd.     

Triumph and Tragedy on the Home Front

The history of the prefabricated is one of complete ‘nonperformance’ for the most renowned designs, produced by the most famous architects. Here, Martin Pawley reviews The Prefabricated Home by Colin Davies and explains how Davies' text reconciles the production failure of seminal works such as Buckminster Fuller's Wichita House and Lloyd Wright's Usonian Houses with the Second World War's prefab boom.     

Cyprus: Nicosia and its d-visions

Nicosia, the capital of Cyprus, has been divided since the Turkish invasion of 1974 and the physical and spatial separation of the Greek-Cypriot and Turkish-Cypriot communities. In an article that exemplifies how, for many countries, the concentration of architectural effort on internal cultural problems remains a priority, Christos Hadjichristos describes how urban interventions in the divided city of Nicosia aspire to heal and ultimately resolve Cyprus's schisms. Copyright © 2006 John Wiley & Sons, Ltd.     

Malta: housing and real estate, 1980–2005

Over the past two decades, private house ownership has expanded exponentially throughout Europe. Over the past decade, this has intensified with the desire and ability among wealthier northern Europeans to own second homes in sunnier climes. It has not only driven up house prices in pockets of Europe, but has also impacted on the social and cultural lives of local communities in ‘desirable locations’, having an adverse effect on the quality of the built environment. Lino Bianco describes the situation in Malta and how, after decades of largely uncontrolled development by real-estate investors, the government is taking stock and encouraging through investment in architectural education, and property legislation, the growth of an indigenous architecture that is contextual, sensitive and energy-conscious. Copyright © 2006 John Wiley & Sons, Ltd.     

创造历史：密斯·凡·德·罗和纽约现代艺术博物馆

1947年由菲利普·约翰逊（Philip Johnson）策划,在纽约现代艺术博物馆（MoMA）举办了著名的题为《密斯·凡·德·罗》的个人作品展。布展设计是密斯本人,而约翰逊则编辑出版了关于这个展览的书籍。本文作者将约翰逊的出版书籍和由密斯本人设计的展览进行了详尽的比较和分析,展示了两者之间的不同之处。约翰逊对于密斯作品的诠释是叙事-历史性的,他认为密斯在欧洲的作品是他在美国的作品的前奏。他强调了密斯早期欧洲作品的＂传统＂风格和后期美国作品的普适化、国际化风格之间的区别和发展过程。而本文作者则从密斯对展览作品的选择和陈设,归纳出了密斯本人对待自己作品是批判性的,不受时间限制的,只注重作品本身的品质和它们所反映的思想。而约翰逊认为密斯后期作品是完全抽象化和普适化的理论也是不完全正确的,因为无论从解读密斯的作品到他本人的一些陈述,都证实了他对一个作品相关的景观、历史和文脉的重视。密斯给我们带来的遗产也存在于这些思考之中。     

Learning From Nature: Omega Center for Sustainable Living

Laura Lesniewski , Principal of BNIM, describes how Elements, an internal division of the US firm focused on sustainable design and research, made an essential contribution to BNIM's new facility for the Omega Institute for Holistic Studies in Rhinebeck, New York. Through the adoption of building information modelling (BIM) and other new tools and analysis techniques, and the optimisations of the three primary flows through the building – energy, air and water – it has realised a new standard in ecological design. Copyright © 2011 John Wiley & Sons, Ltd.