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Maria Fernández 《Architectural Design》2007,77(4):78-87
Art and architecture have a strong tradition of humanism in which man and the human body are the centre and measure of all things. Maria Fernández describes the work of artist Rafael Lozano-Hemmer whose work transgresses and challenges these preconceptions through performance, seeking to expose the body and society's receptivity to instability, fluctuation and re-imagining. Copyright © 2007 John Wiley & Sons, Ltd. 相似文献
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Theodore Spyropoulos 《Architectural Design》2009,79(6):82-87
Over the last four decades, the onset of computation has enabled architects and designers to employ generative patterns in their exploration of emergent social, material and spatial systems. Theodore Spyropoulos provides an overview of the field and discusses how it has been developed by the Design Research Lab (DRL) at the Architectural Association into an ‘Adaptive Ecologies’ agenda. In the context of parametric urbanism, the DRL has explored models of living through behavioural patterns found in nature, examining the role of the singular and the collective. Copyright © 2009 John Wiley & Sons, Ltd. 相似文献
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Ruairi Glynn 《Architectural Design》2014,84(1):100-105
Ruairi Glynn , lecturer on interactive architecture at the Bartlett School ofArchitecture, University College London (UCL), puts the pressing question: ‘What does a world of hyper-connective, high-definition sensing offer architectural design?’ Despite the pervasiveness of ubiquitous computing – the Internet of Things (IoT) – and students' ability to speculate, build and test responsive lifesize installations, could practice itself be in danger of getting left behind? 相似文献
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Hugh Campbell 《Architectural Design》2008,78(3):92-95
Hugh Campbell expands upon the mutually collaborative spatial qualities evoked in the photographic works of Walter Niedermayr and the architecture of Kazuyo Sejima and Ryue Nishizawa of Tokyo-based practice SANAA. Describing their relation as forming a ‘thickened presence’, he alludes to a particular atmosphere reliant on an ambiguity of scale, detail and discernible proximity that serves to liberate the architecture and the photographs from mere documentation whereby instead they figure as transparent recordings of spatial intentions. Copyright © 2008 John Wiley & Sons, Ltd. 相似文献
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David Salomon 《Architectural Design》2006,76(5):54-57
David Salomon examines the history of the original World Trade Center (WTC) competition of 1962 and the more recent 2003 competition, finding interesting parallels in terms of how commercial and bureaucratic, as well as progressive, forces of innovation intersect over larger debates about control, power and questions of collaborative identity and practice within the city as a political machine, and which figure 9/11 in implicitly provocative ways. The 1962 competition featured another progressive architectural collaboration: Walter Gropius's The Architect's Collaborative (TAC). Not unlike the 2003 competition in which United Architects (UA) and other collaborative practices lost to the more stable, individual celebrity identity, TAC lost to Minoru Yamasaki. Salomon also argues that the organisational and structural qualities of UA's WTC proposal sought to embed collective operations of multiplicity rather than mere duplication of the previous WTC Twin Towers within the form of the design itself. Copyright © 2006 John Wiley & Sons, Ltd. 相似文献
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Hilary Powell 《Architectural Design》2012,82(1):124-127
Artist Hilary Powell describes how her work in film, food and the pop-up book offers playful critiques of regeneration and place making. Copyright © 2012 John Wiley & Sons, Ltd. 相似文献
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Stefano Casciani 《Architectural Design》2007,77(3):26-33
At the start of the new millennium, Massimiliano Fuksas was one of the most significant Italian architects working outside his home country. His reputation in Italy and abroad, however, was taken to a further level by his completion of the New Milan Trade Fair. Stefano Casciani, an ex-student of Fuksas, provides an insightful and intriguing account of his ‘old’ professor: a robust and seemingly contradictory figure who is capable of great voluminous expression and delicacy. Casciani also finds constancy in his unrelenting energy, freshness and wit. Copyright © 2007 John Wiley & Sons, Ltd. 相似文献
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Advocates of sustainable design since the early 1990s, HOK are intent on disseminating new research, resources and tools across their global design teams. Mary Ann Lazarus , Sustainable Design Director at HOK, and Chip Crawford , Planning Group Director at HOK, describe a particularly innovative project that the two groups have collaborated on with the essential input of the Biomimicry Guild (see p 44). Addressing critical environmental issues at the habitat scale and performance standards, they have developed ecological design tools that have been employed on masterplans for Lavasa, India, and Langfang, China. Copyright © 2011 John Wiley & Sons, Ltd. 相似文献
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面对气候过度变暖带来的严重危害,探索节能减排与环保设计的策略及措施,已成为全球建筑领域最主要的任务之一。该文以Grong镇Grong School为例,较详细地论述了挪威中小学校优化建筑体形系数与多功能利用太阳能相结合的节能减排与环保的建筑设计策略。 相似文献
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Mark Morris 《Architectural Design》2011,81(2):44-49
Does the protocell require too great a leap in scalar imagination for architects? A detail of a building is manageable but what about something smaller than the microscopic? Mark Morris encourages designers to scale down to the diminutive level of the nanoscale by providing them with some inspiring precedents in architectural theory and popular culture. Copyright © 2011 John Wiley & Sons, Ltd. 相似文献
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The output of FJMT varies greatly in scale and location. The practice has completed community schemes in Sydney's suburbs as well as accommodation for prestigious institutions in the city centre. It has adapted existing structures on heritage sites as well as producing high-tech newbuilds. As Fleur Watson and Martyn Hook explain, what FJMT's projects have in common is an unwavering commitment to the enhancement of the public realm. The firm embraces the full responsibility of building in the sensitive urban and topographic context of this harbour city with its ridges and coastal inlets. Copyright © 2010 John Wiley & Sons, Ltd. 相似文献
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Brian McGrat Hsueh Cheng Leun Paul CHU Hoi Shan José De Jesús Zamora Victoria Marshall 《Architectural Design》2009,79(1):62-67
Cinemetrics is a post-perspectival, cinematically inspired drawing system that encourages a way of working that is multilayered and multiscalar, responding to the complexities of contemporary life and the city. Here Brian McGrath , in collaboration with Hsueh , Cheng Leun , Paul CHU Hoi Shan , José De Jesús Zamora and Victoria Marshall , demonstrates how in field work in the US, Thailand and Taiwan, Cinemetrics enabled them to adopt an interdisciplinary process addressing transdisciplinary issues. Copyright © 2009 John Wiley & Sons, Ltd. 相似文献
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Francesco Proto 《Architectural Design》2009,79(1):70-75
Robert Venturi and Denise Scott Brown hold an unrivalled position within architecture. Now written several decades ago, their classic books Learning from Las Vegas and Complexity and Contradiction remain unsurpassed for their ability to shock and overturn current architectural thought. Francesco Proto talks to Venturi and Scott Brown on their present thinking about iconography, transparency, spectacularisation, architectural pornography and the contemporary architectural avant-garde. Copyright © 2009 John Wiley & Sons, Ltd. 相似文献
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Simos Yannas 《Architectural Design》2011,81(6):62-69
Simos Yannas , Director of the Environment & Energy Studies Programme at the Architectural Association (AA) School of Architecture in London, calls for a rethink of architectural processes. Presently, architecture is conceived as an inanimate material system, but to become truly bioclimatic it needs to become adaptive in tune with the behaviour and the comfort of occupiers. Shifting from an emphasis on providing fixed interior conditions, it requires a dynamic approach to building performance and the resultant interactions between occupants, buildings and engineering appliances. Copyright © 2011 John Wiley & Sons, Ltd. 相似文献
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Ravi Sundaram 《Architectural Design》2007,77(6):30-33
Over the last decade in India, intensive urbanisation, with the aid of the mass media, has unleashed a new culture of fear. Widespread access to TV, text messaging and the Internet have heightened and played upon individuals' anxieties. Ravi Sundaram describes how in Delhi, in particular, the media provided the catalyst for ‘mass hysteria’ and ‘psychosis’ during the summer of 2002. Copyright © 2007 John Wiley & Sons, Ltd. 相似文献
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Terri Peters 《Architectural Design》2010,80(3):110-115
From their office in Hackney, in London's East End, Italian duo Claudia Pasquero and Marco Poletto, have established an international reputation as ecoLogicStudio, an innovative practice that fuses digital technologies with environmental design. As Terri Peters explains, the ethos and approach of the studio extends beyond that of finding technological solutions to ecological design projects. Copyright © 2010 John Wiley & Sons, Ltd. 相似文献