The Deep Structure of the Picturesque

The late Paul Coates was one of the first students at the Architectural Association (AA) in London to submit an international computation-based diploma, in 1969. Responsible for introducing a series of computational techniques, Coates was also the founder of the MSc in Computing and Design at the University of East London, and in 2002 the Centre for Evolutionary Computing in Architecture (CECA). In this unpublished article from 2008, which has been prepared and rewritten for publication by Christian Derix , Coates recounts his pursuit of ‘the particle physics of architecture’ - geometric rules that inform both unplanned and planned human occupation of space.     

Telling Stories …

Neil Spiller celebrates ‘the messier sides to architectural discourse’, which take in myth-making, collaged semiotics and moreover the untidy art of narrative. Copyright © 2010 John Wiley & Sons, Ltd.     

Urban Voids: Grounds for Change Reimagining Philadelphia's Vacant Lands

Dispersal is most often regarded as an upshot of population rises as the demographic grows and spreads outwards of the city centre. Cities, though, can simultaneously experience contraction and expansion. Despite being the sixth largest city in the US, Philadelphia is a ‘shrinking city’; deindustrialistion has prompted urban abandonment at the same time as the growth of urban sprawl. Deenah Loeb, executive director of the City Parks Association of Philadelphia, describes how the URBAN VOIDS competition was launched in order to trigger public discussion and the reimagining of a greened city. Copyright © 2008 John Wiley & Sons, Ltd.     

Regeneration for All Generations: The Queen Elizabeth Olympic Park

Kathryn Firth , Chief of Design at the London Legacy Development Corporation (LLDC), and Manisha Patel , a director at PRP Architects, describe how the London 2012 bid's promise to promote wellbeing and social inclusion in the Stratford area of East London is now being borne out in urban design and housing that meet ‘the evolving needs and desires of people throughout their lifetimes’. A key scheme is PRP Architects' design for multi-generation houses at Chobham Manor, on the eastern side of the Queen Elizabeth Olympic Park.     

Parallel Biological Futures

Neil Spiller looks beyond the digital and envisions a surreal future of ‘biological parallelism’ that pushes the boundary of architecture deep into the natural sciences, potentially creating ‘huge rafts of new architectural flora and fauna’. Copyright © 2009 John Wiley & Sons, Ltd.     

Convoluted Flesh: A Synthetic Approach to Analogue and Digital Architecture

Marcos Cruz and Marjan Colletti advocate their own distinct design approach that is intuitive and blissful in its opulence, evoking the sublime.Here they discuss the potential of opening up ‘new spatial, or material possibilities’ that are liberated from the self-imposed restrictions of their more technologically driven contemporaries. Copyright © 2008 John Wiley & Sons, Ltd.     

Drawing into the Cloud

Architectural designer, maker and researcher Birgir Örn Jónsson describes Islands of Vision, a speculative design project that he developed while in Unit 23 at the Bartlett School of Architecture, University College London (UCL). Acknowledging the predominance of the image and the underutilisation of the full range of visual experience in contemporary life, Jónsson set out to explore the entire field of vision, reasserting the periphery ‘as a rich and dynamic mode of sensation’. With the aid of ScanLAB Projects and their 3D point cloud scanner, Jónsson scanned the project's site at Lee Valley Park, East London.     

Blockarchitecture

Curation or selection offers up probably the greatest challenge for the contemporary architect. With the onslaught of information, the emphasis is now on what an architect chooses to respond to rather than what is available to him or her in terms of sources. Iain Borden discusses how Block Architecture's responsive position enables the firm to react with immediacy to its urban surroundings, while also resulting in highly attuned ‘architectures of suggestion and momentary thinking’. Copyright © 2005 John Wiley & Sons, Ltd.     

From planning to opportunism? Re-examining the creation of the London Docklands Development Corporation

East London's former docklands have been at the centre of planning and regeneration debates for the past four decades. The setting up of the London Docklands Development Corporation (LDDC) has been variously interpreted as ‘3-D Thatcherism’ in action, a symbol of the death of comprehensive planning and the replacement of a corporatist, Keynesian era of urban policy with a more neoliberal approach. Moving away from simplistic and straightforward interpretations of the processes happening at this time, this article uses new archival and interview material to re-examine the setting up of the LDDC and its early years, revealing a more complex and contradictory picture than existing accounts suggest. It focuses on three themes: changing forms of state intervention; the uncertain ‘break’ in the post-war consensus as evidenced by the changes in approaches to the regeneration of Docklands; and the unintended, disordered process of actual policy change. As such we aim to reveal how shifting visions, modes of governance and practices could compete and co-exist in the midst of seemingly coherent ‘eras’, as Docklands as a place and as an approach to regeneration was constantly made and re-made – a process that continues to this day.     

Renewable Types and the Urban Plan

The notion of designing according to building type for some might imply constraint, or even a reversion to convention. In Diploma Unit 6 at the AA in London, Christopher Lee and Sam Jacoby have proved typology can be used to liberating effect, producing series that harness ‘the cumulative intelligence’ of type, while ‘surpassing both its idea and its deep structure’. Copyright © 2008 John Wiley & Sons, Ltd.     

Artists of the Floating World: SANNA,Niedermayr and the Construction of Atmosphere

Hugh Campbell expands upon the mutually collaborative spatial qualities evoked in the photographic works of Walter Niedermayr and the architecture of Kazuyo Sejima and Ryue Nishizawa of Tokyo-based practice SANAA. Describing their relation as forming a ‘thickened presence’, he alludes to a particular atmosphere reliant on an ambiguity of scale, detail and discernible proximity that serves to liberate the architecture and the photographs from mere documentation whereby instead they figure as transparent recordings of spatial intentions. Copyright © 2008 John Wiley & Sons, Ltd.     

Operationalising Patch Dynamics

Victoria Marshall and Brian McGrath have developed and transferred the ecological model of ‘patch dynamics’ to urban landscape design. It is an approach that stresses the resilient, flexible and adaptable nature of cities, interacting with a ‘notion of disturbance ecology rather than a benign nature’. Here they apply their design approach to Hoboken, on the New Jersey Gold Coast, which, only a hop and a skip from Manhattan, directly across the Hudson from the Financial District, remains culturally and economically diverse. Copyright © 2007 John Wiley & Sons, Ltd.     

Futurescapes of urban regeneration: ten years of design for the unfolding urban legacy of London’s Olympic Games, 2008–2018

ABSTRACT

Much of the literature on the urban legacy of the 2012 Olympics Games emerging in recent years has emphasized the form that development has taken and the ways in which this aligns (or not) with specific promises made in terms of regeneration before the Games. Though plenty of discussion of planning procedure has occurred in this context, less emphasis has been placed on how the process, rather than the products, of urban change has been envisioned through legacy planning and urban design, and the significance of this for regeneration. Given that London’s much-heralded ‘regeneration legacy’ was, from the early days of the Olympic bid, portrayed as a long-term process aimed at addressing historical issues of socio-economic disparity in East London, and that planning and urban design would play key roles in anticipating it, this contribution to the literature is timely. The paper focuses on the period from 2008 to 2018, beginning with the launch of the what was called the Legacy Masterplan Framework. Drawing on empirical analysis of documents describing the main stages of legacy planning and design between these years, it then examines how regeneration as a ‘futurescape’ encompassing numerous aspects of timing and temporality has been anticipated, planned and evolved.     

Fearscapes: Caracas Postcards from a Violent City

Venezuelan architect, artist and educator Eduardo Kairuz reveals how beneath the stereotypical view of Caracas as the ‘Murder Capital of the World’ lies a history of savage imposition, dating back to its founding in the 16th century and its colonial past and manifested today in the stark social segregation between parts of the city. Copyright © 2010 John Wiley & Sons, Ltd.     

(Science) Fiction,Ecophysical Apparatus and Skizoid Machines: Animism,Vitalism and Machinism as a Way to Rearticulate the Need to Confront the Unknown in a Contradictory Manner

François Roche of R&Sie(n) ruminates on the contradictory nature of the present: a time that is ‘vibrating’ while ultimately ‘lacking momentum’. Reclaiming ‘the scenarios and substances that condition architecture’, he rejects the large-scale flights of fancy of international signature architects and argues for the reactivation of ‘a throbbing, complex and unfinished “localism”’. In so doing, he advocates a machinism that enables fictionalisation and speculation. Copyright © 2010 John Wiley & Sons, Ltd.     

Mathew & Ghosh Architects

The work of Mathew & Ghosh Architects (Nisha Mathew-Ghosh and Soumitro Ghosh) boldly extends an abstract Modernist language and at the same time draws from the vitality of places. While the firm's early works were small in scale, mostly residential in nature and based on a reappraisal of the early Corbusian idiom, recent projects include large-scale urban and landscape interventions with diverse conceptual and metaphorical imperatives. They have moved from a more reticent stance to the urban exuberance of their more recent projects (for example, their own office building), something akin to a ‘savage architecture’ as posited by Kazuo Shinohara in the context of the unsynchronised nature of the modern city. The architects' object of contemplation is the urban ‘box’, whether a private residence, office or part of a church. The box is first fractured and reconstructed as a bricolage of tectonic fragments, memories and events, all tenuously related as if unity in a contemporary culture is for ever denied. Like the Japanese notion of ‘ma’, the moment between fragments - a slit or an emptiness between two hovering planes - is telling. Mathew & Ghosh participate in the continuity of a historical narrative yet mark out the fissures and disjunctions; sometimes negotiations with the continuity emerge from unintended interstices. While these configurations of the contemporary urban ‘box’ are both contextual and abstract, they are also phenomenologically rich. There is a sustained dialect to the architecture of Mathew & Ghosh that includes consummate materiality and fine crafting, light as a medium, and always, as Nisha Mathew-Ghosh states, ‘good spatial possibilities’. Copyright © 2007 John Wiley & Sons, Ltd.     

Avoiding white elephants? The planning and design of London’s 2012 Olympic and Paralympic venues, 2002–2018

ABSTRACT

An issue commonly identified with the vast and costly developments that cities produce to host the Olympic Games is that they are prone to becoming ‘white elephants’ – obsolete or underused constructions that become cost burdens for cities. White elephants are particularly associated with some of the most recent Games of the twenty-first century, as reflected in accounts of ‘limping’ or obsolete venues in Sydney, Athens, Beijing, Rio and Sochi. This paper begins with a review of issues associated with spatial planning, architecture and planning process in the production of white elephants in Olympic history. It goes on to provide an historical account of London’s efforts from 2002 to 2012 avoid attracting a repetition of the critique that followed earlier Olympics. Finally, it assesses its ongoing efforts and record over the six-year period from 2012 to 2018.     

Site/Non-Site: Extending the Parameters in Contemporary Landscape

As the world teeters on the verge of environmental collapse, landscape architecture has taken on a new significance offering a longed-for sanctuary for our increasingly urbanised lives. Here, in his introduction to the issue, guest-editor Michael Spens explains how by taking its impetus from land art, landscape architecture, as an expanded field, transcends the conventional confines of site. This renders it possible to read architecture ‘as landscape, or as non-landscape, as building becomes non-site’ and the ‘site indeed materialises as the work per se’. Copyright © 2007 John Wiley & Sons, Ltd.     

Ann Pendleton-Jullian

Ann Pendleton-Jullian practises from Cambridge, Massachusetts, where she also teaches at MIT. This combination of teaching and practice allows her to consider the vital exchange between ideas and architecture that is evident in both her commissioned work and her theoretical projects. Her work has been cited for the manner in which it poeticises the intersection between pragmatic concerns and the ‘ambitions of the imagination’. Copyright © 2007 John Wiley & Sons, Ltd.     

muf architecture/art

Barking, in east London, has become the unlikely site for a regeneration project by muf that dissolves art, architecture, landscaping, psychogeography and instant mythology. Swedish architect and critic Claes Sörstedt highlights the ‘attractive combination of mystery and utility’ that he finds in this reinvented piazza. Copyright © 2009 John Wiley & Sons, Ltd.