Mapping Scales of Urban Identity

Ricky Burdett , Professor of Urban Studies at LSE where he is Director of the Urban Age programme, is engaged in studying cities at different scales and regional contexts. Here he looks at what gives a city like London its unique sense of scale, and how it might be possible to design in the sort of vibrancy and spatial complexity that evolve in informal neighbourhoods over time. Through examples of local initiatives in Cape Town and Mumbai, he gives concrete evidence of what constitutes this approach.     

Crisis! What Crisis? Retooling for Mass Markets in the 21st Century

From his base in Southeast Asia, Tom Verebes , Associate Professor in the Department of Architecture at the University of Hong Kong (HKU), asks what the hardcore realities are for robotics in architecture in this new ‘Asian Century’. At a time when China strives to accommodate 10 million new urban citizens each year by rolling out high-rise residential blocks with standardised serial production techniques, what hope is there that the homogeneous Chinese city will apply robotic tools of mass customisation for the construction of distinctive, rather than generic structures?     

The India Project

While pockets of India are now approaching the living standards of Switzerland, other regions are debilitated by a level of poverty that is akin to that of Zimbabwe. Sunil Khilnani asks what remains of the universalist project of India's political founders. Has architecture, in the rush for market and economic success, lost its self-understanding? Copyright © 2007 John Wiley & Sons, Ltd.     

Treatment 1: Notes from an Informal Discussion on Interinstitutional Design Research and Image Production

Since 2003, Benjamin Bratton and Hernan Diaz-Alonso have conducted a series of parallel theory seminars and design studios at SCI-Arc (Southern California Institute of Architecture). These collaborations have addressed questions of collectivity at varying scales: personal (between two individuals, each with separate professional practices), institutional (between two disciplinary positions, one analytical and the other creative) and cultural (between what is inside and outside the architectural imaginary). The work featured in the article represents another primary mandate of their interinstitutional project: the transdisciplinary implications of design as a general form of practice as opposed to the historical definitions of ‘architecture’ or the architect. Copyright © 2006 John Wiley & Sons, Ltd.     

The New Materiality

In the last few decades an entirely new conception of the material world has emerged. Here, philosopher Manuel DeLanda , whose work has become synonymous with this ‘new materialism’, introduces this novel understanding of materiality. Like any other conceptual framework, it has precedents in the history of philosophy - the work of the Dutch philosopher Baruch Spinoza is a good example - but only recently has it become coherently articulated with science and technology. Gone is the Aristotelian view that matter is an inert receptacle for forms that come from the outside (transcendent essences), as well as the Newtonian view in which an obedient materiality simply follows general laws and owes all its powers to those transcendent laws. In place of this, we can now conceptualise an active matter endowed with its own tendencies and capacities, engaged in its own divergent, open-ended evolution, animated from within by immanent patterns of being and becoming.     

The ‘valley of ashes’ and the ‘fresh green breast’: metaphors from The Great Gatsby in planning New York

ABSTRACT

Visions in planning of what a city could or should be tend to be constructed around metaphors, rhetorical tropes that crystalize the image of a preferable future city. Such metaphorizations are never innocent: they draw on pre-existing cultural narratives and activate particular frames of expectation. This article examines two metaphors used in the planning of New York City, and its shores, in particular: the spectre of the ‘valley of ashes’ and the dream of the ‘fresh green breast’. These metaphors, taken from F. Scott Fizgerald’s novel The Great Gatsby (1925), appear time and again in the planning and thinking of the New York shoreline, from Robert Moses’s plans for Flushing Meadow to Major Bloomberg’s waterfront development and Eric Sanderson’s vision of a 2406 New York in Mannahatta (2006). This article examines how the metaphors of the ‘valley of ashes’ and the ‘fresh green breast’ have been adapted throughout decades of planning New York City to accommodate changing relationships, conflicts and ideals, always infused by a pastoral undercurrent that is already questioned in Fitzgerald’s novel.     

Intelligent Cities and the Taxonomy of Cognitive Scales

Here, Guest-Editor Michael Weinstock with Mehran Gharleghi of the EmTech programme at the Architectural Association (AA) School of Architecture in London shift the definition of the intelligent city away from one that is predicated on information and communication technologies towards a deeper and more profound characterisation. They explore the possibilities of cognitive complexity in urbanism emerging out of the interaction of sensory processing and behavioural responses to the world. Within the context of large infrastructural systems, what might, for instance, rapidly developing machine consciousness have in common with collective intelligence? What could the preliminary conceptual schema be for an intelligent city that is sufficiently self-aware to synchronise its systems with climatic and ecological phenomena at regional and local scales?     

Old Dispersions and Scenes for the Production of Public Space The Constructive Margins of Secondarity

The density of development in Belgium is such that the entire country has become an open city, with little sense of where one metropolitan area begins and another ends. Bruno De Meulder describes the underlying logic of this unbroken urbanscape, and the opportunity it affords for re-editing and reinserting informal social spaces in areas of wasted land. Copyright © 2008 John Wiley & Sons, Ltd.     

Localising the Global

The received view of China and much of Southeast Asia is that it is uncritically importing Western architecture and urban design. In reality, though, urbanisation is far more complex than this. Is there more to an English-style town in China or a Chinatown district in a US city than straight pastiche? Kyong Park looks at the level of local translation involved with appropriation in a Chinese and South Korean context.     

After China: The World? Three Perspectives on a Critical Question

Are China’s cities now poised for global influence? This challenging question initiates a tripartite response from three authors: Kyong Park , Laurence Liauw and Doreen Heng Liu . In order to fully speculate on the potential of Chinese urbanism and architecture beyond its own borders: Park looks at whether China is a fully replicable capitalist model; Liauw outlines recent indicators of urban Sinofication around the world, whether it is the exporting of high-end designer furniture to the West or the injection of Chinese capital into Africa; and Heng Liu examines the dissemination of the Pearl River Delta both as an idea - first proliferated by Rem Koolhaas in the mid-1990s - and in its physical manifestations. Copyright © 2008 John Wiley & Sons, Ltd.     

Ann Pendleton-Jullian

Ann Pendleton-Jullian practises from Cambridge, Massachusetts, where she also teaches at MIT. This combination of teaching and practice allows her to consider the vital exchange between ideas and architecture that is evident in both her commissioned work and her theoretical projects. Her work has been cited for the manner in which it poeticises the intersection between pragmatic concerns and the ‘ambitions of the imagination’. Copyright © 2007 John Wiley & Sons, Ltd.     

Bricked House: How Code and Law Can Lock You Out

Could we be unwittingly divesting too much control in technology? In so doing, could we be sleepwalking into a future in which our personal assets are no longer ours, but all too easily relinquished by the bank or mortgage company? Molly Wright Steenson , an assistant professor in the School of Journalism and Mass Communication at the University of Wisconsin-Madison, thinks so. She evokes an arresting vision of a close future in which our smartphones and the operating systems integrated within our cars and homes become our friend-enemy, immediately locking us out when they are no longer programmed to respond directly to our touch.     

Computational Building Performance Modelling and Ecodesign

Khee Poh Lam and Ken Yeang call for architects to play a more proactive role in building performance modelling. They look at how this is all made possible with the emergence of accessible, cost-effective web-based systems for practices and the way that this can further be enhanced by integrated performance-based design approaches. Copyright © 2009 John Wiley & Sons, Ltd.     

Josep Lluís Mateo/MAP Architects

By focusing on a ‘scientific approach’ that emphasises the importance of cause and effect, Josep Lluís Mateo/MAP has developed a design for the Camp Nou Stadium in Barcelona that is less about spectacle and more about the people it accommodates. Croatian critic and architect Krunoslav Ivanisin admires the structure for the ‘inherent logic of its parts’, but also for its prioritisation of communal life. Copyright © 2009 John Wiley & Sons, Ltd.     

A History of Territories,Movements and Borders: Politics of Inhabitation

If the city is as much about culture as nature, then a cultural understanding of the shaping of the urban is as essential as a scientific one. Here, architect and critic Marina Lathouri , who directs the graduate programme in History and Critical Thinking at the Architectural Association (AA) School of Architecture in London, describes how the concept of planning in the 19th century became intrinsically linked to notions of territory, borders and spatial organisation. She questions whether this might now be tested, and new design technologies used, to expose underlying emerging patterns of disruptive flows beckoning the possibility of the logic of a new social disposition.     

The Institutional and Political Background to Chinese Urbanisation

Chinese cities have a very distinct history defined by their relationship to government and the land. Under imperial rule they served as administrative centres for rural agricultural areas that took precedence, economically and politically. Professor Sun Shiwen of Tongji University, Shanghai, describes how today’s urbanisation process is still informed by the city’s uniquely Chinese characteristics. Copyright © 2008 John Wiley & Sons, Ltd.     

Stereoscopic Urbanism: JG Ballard and the Built Environment

The fiction of JG Ballard was centred almost wholly on the built environment. Ballard took architectural design to its logical extreme and then contorted it further. Simon Sellars looks at how architects can learn from Ballard and, specifically, his use of urban sound as a metaphor. Copyright © 2009 John Wiley & Sons, Ltd.     

Penang Tropical City,Penang, Malaysia OMA

A mixed-use programme for Penang in Malaysia with the potential to accommodate a resident population of 27,000 required OMA to operate at a planning level, while providing architectural definition. João Bravo da Costa describes how this led to a strategy that focused on types rather than objects, and specifically a typological distribution of programme across the site.     

Peak Oil and Transition Towns

If economic growth is only possible with the availability of cheap energy, what happens as production of oil peaks, and petroleum extraction declines? Rob Hopkins , an activist behind the Transition movement, argues for a new bottom-up approach to economic development that is also more localised and nourishing. Shifting the emphasis from sustainability towards resilience, he seeks a rethinking of the way local communities feed, house and power themselves.     

Urban Wash

Sean Lally of WEATHERS urges designers to realise the performative capabilities of the ambient effects of the urban wash – the artificial light given off by cities at night. Taking up this principle of a wash within his designs for the Museum of the Second World War in Gdansk, he demonstrates how a ‘climatic wash’ could create an artificial microclimate that extends the seasonal activities of the museum's programmes.