非遗背景下龙泉青瓷文化和烧制技艺之历史传承与发展

由于其源远流长的历史和卓越的工艺,龙泉青瓷在中国陶瓷界脱颖而出,其独具匠心的烧造技艺深受人们的喜爱,这项技艺也成功入选“人类非遗”。此外,龙泉青瓷还融合了中国古老的宗教信仰、现代的建筑风格、人文理想和生活方式,使其具有极高的传承价值。本文将从龙泉青瓷文化和烧制技艺来探讨龙泉青瓷的传承与发展。     

龙泉青瓷传统龙窑烧制釉色窑变思考

正龙泉青瓷是人类陶瓷文明的杰出代表,为加快龙泉青瓷传统烧制技艺人类非物质文化遗产的传承与保护,2017年龙泉市成立了龙泉青瓷传统龙窑烧制技艺研究会,并确定了"不灭窑火"龙泉青瓷传统龙窑烧制规划,一年多来,共计烧制传统龙窑30余窑次,总计烧制青瓷作品、产品2万余件,成为龙泉青瓷和旅游的品牌项目。此其     

非遗背景下龙泉青瓷文化和烧制技艺之历史传承与发展

在国际社会越来越关注非物质文化遗产的大背景下,龙泉青瓷传统烧制技艺该怎样进行传承发展是当代非遗工作者面临的时代考题。文章认为,首先要做好龙泉青瓷文化脉络的梳理和基因解码工作,深入阐释龙泉青瓷的文化审美价值。在此基础上,突破传统,大胆创新,实现龙泉青瓷传统烧制技艺的创造性转化和创新性发展。文章结合龙泉青瓷的发展历史及现代传承,从三个角度进行分析,对龙泉青瓷烧制技艺的研究和产业文化的发展具有良好的参考意义。     

浅述非物质文化遗产“龙泉青瓷烧制技艺”

龙泉窑是宋代六大著名窑系之一,以烧制青瓷著名。龙泉青瓷传统烧制技艺,2006年5月20日被列入第一批国家级非物质文化遗产名录,2009年9月30日被列入《人类非物质文化遗产代表作名录》。研究、保护、传承龙泉青瓷传统烧制技艺,能更好地延续龙泉青瓷传统烧制技艺的生命力,更好地体现龙泉青瓷的历史价值和文化特色,更好地促进当代龙泉青瓷的发展。     

略谈龙泉青瓷烧制技艺的传承

龙泉青瓷烧制技艺的发展不仅仅是器型的创新,还包含产品的胎、釉、纹饰以及装烧技艺的创新等。因此,龙泉青瓷烧制技艺的传承必须处理好继承和创新这个矛盾,优秀烧制技艺才能代代相传,龙泉青瓷也就会有亘久的生命力。     

叶传应艺术作品欣赏

<正>叶传应,1981年出生,浙江龙泉人。丽水市工艺美术师、高级工艺美术师、高级研究员、陶瓷艺术家、龙泉青瓷烧制技艺（龙窑烧制技艺）代表性传承人、浙江省“新峰人才”、中国工艺美术师协会永久会员、中国工艺美术产业研究院高级研究员、中国五大名窑专委会委员、中国文化传承委员会与发展委员会陶瓷文化研究所副研究员、龙泉仿宋哥窑青瓷研究所所长。师承青瓷大家李怀德嫡系传人李志明和中国工艺美术大师胡兆雄,对青瓷青釉配方、大小开片机理、施釉技巧、     

浅谈龙泉青瓷的文化价值

独特的制作技艺和烧制技术是龙泉青瓷的灵魂,要想一代一代地传承下去,就要在实践中不断完善提高。挖掘其文化价值,在传承中创新与发展,这是青瓷发展的必由之路。创新,必须优于所参照的事物,如果达不到这一点,那创新就失去了意义。青瓷技艺的创新,应该做到"人无我有,人有我优"。     

传统龙窑烧制与环境保护思考

<正>2017年底,龙泉市成立“龙泉青瓷传统龙窑烧制技艺研究会”,制定“不灭窑火”传统龙窑烧制计划,努力把龙泉青瓷传统龙窑烧制技艺恢复起来。五年来,“不灭窑火”烧制计划从边实践边探索到逐渐恢复、走向成熟、走向正轨,成为龙泉青瓷传承发展的典范。并因其特有的传统文化韵味,使龙泉青瓷光彩夺目,使龙泉古城耀眼生辉,成为龙泉青瓷风景靓丽,成为龙泉旅游的金名片。     

浅谈龙泉青瓷之日用瓷的传承与创新

龙泉青瓷作为中国传统陶瓷的瑰宝之一,具有悠久的历史和独特的文化价值,但随着社会的发展和消费者需求的变化,龙泉青瓷之日用瓷在传承与创新过程中面临了一系列的困境。文章阐述了龙泉青瓷的历史发展概况、目前龙泉青瓷的主要分布情况,以及龙泉青瓷的艺术价值和多元功能,分析了龙泉青瓷之日用瓷传承与创新所面临的困境,并以此提出了促进龙泉青瓷传承与创新的有效策略。     

《青瓷·传承·复兴暨徐朝兴从艺六十周年作品展》在京举行

正导读:2016年12月7日下午,《青瓷踫传承踫复兴暨徐朝兴从艺六十周年作品展》在中国美术馆开幕。该展览以亚太地区手工艺大师、中国工艺美术大师、国家级非物质文化遗产项目"龙泉青瓷烧制技艺"代表性传承人徐朝兴的从艺经历为主要线索,聚焦龙泉窑青瓷的传承和复兴现状。展览分为溯源、重生、守望、励新、拓造五大部分,在展出徐朝兴师徒两百余件代表作的同时,还从青瓷的历史及发展脉络、烧制工具与材料、烧制技艺与文献资料等方面,全方位向观众展示龙泉窑青瓷的整体面貌。     

试论当代龙泉青瓷装饰手法的传承与创新

古代龙泉青瓷的装饰风格独特,具体表现有：（一）无纹而饰的釉色之美;（二）片纹雅饰之美;（三）刀法如笔意,布局通画理。当代龙泉青瓷艺人传承传统青瓷的独特装饰风格,创新发展了更加丰富的青瓷装饰技法,而且更加强调发挥龙泉青瓷的厚釉类玉品质优势,把龙泉青瓷人造美玉的效果发挥到极致。     

越窑、龙泉及南宋官窑青瓷等我国南方青釉名瓷的元素组成模式和显微结构特征

浙江是我国乃至世界瓷器的发源地,作为我国南方青釉瓷产地的代表,已先后创烧和发展了最早的瓷器--越窑青瓷、著名的龙泉窑和南宋官窑青釉瓷等享誉中外的青釉名瓷.在本工作中,采选了这3类青瓷标本中具有代表性的64件标本,对这些标本的胎、釉化学组成、显微结构以及工艺性能进行了综合分析测试,并采用多元统计等数据处理方法,展现了3类青瓷各自不同的元素组成模式和显微结构特点,并据此探讨了我国南方3种青釉名瓷的相互关系和工艺演变.     

论龙泉青瓷与中国花鸟画结合的方式

龙泉青瓷是我国著名的瓷器品种,传统的龙泉青瓷装饰以素为美,突出釉色和器形的美感因素,装饰手法一般用刻花、镂空和釉面开片等为主,陶瓷彩绘在龙泉青瓷上使用较少。在龙泉青瓷上彩绘是现代龙泉工艺创新的一种方式,本文就这一命题,探讨中国花鸟画和龙泉青瓷的结合,分析各种制约因素,探讨绘画方式的选择等问题。     

Composition comparison of Zhejiang Longquan celadon and its imitation in Dapu kiln of Guangdong in the Ming Dynasty of China (1368–1644 CE) by LA-ICP-MS

Identification of Longquan celadon and its imitation is more and more caught the attention of experts in different fields. In this paper, by using laser ablation- inductively coupled plasma mass spectrometry (LA-ICP-MS) and other analytical methods, body and glaze of samples from Zhejiang Longquan celadon and its imitation in Dapu kiln of Guangdong in the Ming Dynasty of China were determined. Our research reveals that (1) the celadon bodies from the Dapu kiln contain less Al₂O₃, Mo, V, Cr and Ni, and more SiO₂ content than those of the Longquan kiln; (2) the celadon glazes from both the Longquan and Dapu kilns show higher content of CaO, Al₂O₃, Ba, Sr, P₂O₅ and MnO than the corresponding bodies; and (3) both the celadon bodies and glazes from the Dapu kiln have higher ΣREE and in particular significantly negative Ce anomalies, distinctly different from those from Longquan kiln. These results would not only provide a good basis to identify the Longquan celadon and its imitation, and even to protract the global trade route in ancient time, but also be beneficial to better understanding the recovery and transmission of Longquan celadon manufacturing technology.     

宋代龙泉青瓷的研究

研究了在浙江龙泉大窑地区窑址群中出土的质量很高的南宋哥窑和弟窑片胎、釉的化学组成、显微结构和烧制工艺,分析了影响青瓷釉呈色的基本因素,讨论了青瓷釉“开片”、“鸡爪纹”、“朱砂底”、“紫口铁足”的主要成因,论证了哥、弟窑产品的不同特点及区别。     

Data-driven research on chemical features of Jingdezhen and Longquan celadon by energy dispersive X-ray fluorescence

The energy dispersive X-ray fluorescence (EDXRF) is used to determine the chemical composition of celadon body and glaze in Longquan kiln (at Dayao County) and Jingdezhen kiln. Forty typical shards in four cultural eras were selected to investigate the raw materials and firing technology. Random forests, a relatively new statistical technique, has been adopted to identify chemical elements that are strongest explanatory variables to classify samples into different cultural eras and kilns. The results indicated that the contents of Na₂O, Fe₂O₃, TiO₂, SiO₂ and CaO vary in celadon bodies from Longquan and Jingdezhen, which implies that local clay was used to manufacture celadon bodies in Jingdezhen kiln. By comparing the chemical composition in glaze, we find that the chemical elements and firing technology of Jingdezhen kiln are very similar to those in Longquan kiln, especially for Ming dynasty. This study reveals the inheritance between Jingdezhen kiln and Longquan kiln, and explains the differences between two kilns.     

PIXE study on recovery of making-technology of Chinese Longquan celadon made in the Southern Song Dynasty (1127–1279 CE)

Proton induced X-ray emission (PIXE) technique and factor analysis were used to study the recovery of making-technology of Chinese Longquan celadon made in the late Southern Song Dynasty (1127–1279 CE). Based on factor analysis, for the raw material for body and the recipe for glaze, there is a close but slightly different relationship between these Longquan celadons unearthed from the core area of Dayao and the non-core area, despite all the Longquan celadons belong to the high-calcium-glaze system. The chemical compositions of most of the tentative body and glaze samples are very close to those of Longquan celadons unearthed from the core area of Dayao and the non-core area. This study can provide a guidance for recovery of making-technology of Longquan celandon.     

龙泉大窑枫洞岩窑址出土的明代青瓷EDXRF研究

采用能量色散X荧光光谱(X-ray fluorescence spectrometer,EDXRF)对龙泉大窑枫洞岩出土的一批制作工整、纹样精细、釉色滋润、器形庞大的明代青瓷进行测试,并采用多元统计分析方法对结果进行了分析。从胎、釉化学成分入手,将测试结果与早前测试的北宋、南宋龙泉大窑青瓷以及南宋官窑青瓷瓷片的化学组成进行对比,发现从北宋到明代,龙泉青瓷釉中CaO含量显著下降,K2O+Na2O的含量逐渐增加。明代龙泉青瓷与南宋龙泉青瓷相比,CaO的含量平均下降了6.05%,碱金属氧化物总量平均上升1.51%。从胎体成分上看,龙泉大窑青瓷从南宋到明代制胎原料取用上具有连续性的特点。同时,探讨了釉色成因与化学组成之间的关系。