Relics,protestants, things

ABSTRACT

Reformation Protestants’ detestation of Catholic sacra, holy objects, and sacred sites is well documented. To probe the later history of this contempt, this essay observes two nineteenth-century Protestants in Palestine. Both, as might be anticipated, exhibit disgust at those physical phenomena revered by other Christianities. But surprisingly, both also obsessively collect alternative things that are associated with the Holy Land. Contemporary theory—namely Bill Brown's Thing Theory—is brought to bear on the preoccupation with things represented by this substitution of safe objects for abhorrent ones. However, instead of providing an explanatory frame for this behavior, Thing Theory seems to reproduce it. The essay concludes by suggesting that a primal Protestant anxiety about powerful things continues to haunt contemporary Western scholarship.     

Transgressing religious boundaries: the power of aesthetics in tamil catholic and hindu worship

ABSTRACT

This article discusses shared material culture and sensorial practices in prayer among Hindu and Catholic Sri Lankan Tamils living in Paris, such as the clockwise circling of incense, the use of flower garlands, and the worship of Mother Mary. Rather than classifying these practices into religious categories, I argue for a need to examine how such practices come to be shared. By employing a material approach to religious aesthetics which recognizes that objects or “things” are active and have agency and affect how we sense and thus experience our world, I suggest that common aesthetic elements are able to produce feelings of religiosity and, particularly for people who share a common aesthetic in everyday life, to bridge the levels between humans and the divine.     

luther's thesenportal: a case study of a “ritual-architectural event”

ABSTRACT

This article is part of a larger field-based study of contemporary festivity and religious tourism in Lutherland, a geographic and symbolic place associated with the life and work of Martin Luther. My aim, with reference to the work of Lindsay Jones and Victor Turner, is to develop an approach for studying the intersection of material culture and ritual. Material culture does not simply signify into empty space, shining meanings into its surrounding environment as a street lamp does light. Rather, material culture is produced, handled, used in a variety of ways. An exemplary case for studying how built space and ritual performance intersect is the Thesenportal of Wittenberg's Schlosskirche, an object and performative space commemorating the origin of the German Reformation.     

Religious displays: an observational study with a focus on the horniman museum

ABSTRACT

Religious displays can help foster cross-cultural understanding. However, the extent to which they can achieve this aim is wholly dependent on the museum's displays, community involvement, background fieldwork research, and the educational and public programming provided around the exhibition, among other factors. Well-crafted displays can encourage greater understanding of a community's religious practices, customs, and cultural differences. If crafted badly, however, such displays can have either no effect or, indeed, the reverse, and actually aid in cementing prejudices. The extent to which either of these extremes applies depends on the factors listed above. This article is an observational study of how best to display objects of religious significance in the museum context, based on a detailed analysis of the key factors which contribute to a successful display. It concentrates on the Horniman Museum in south London, critically analyzing its three permanent exhibition galleries: the African Worlds Gallery, the Centenary Gallery, and the Music Gallery. In so doing, it also makes reference to other relevant religious displays. More fundamentally, this study sets out to explore the different forms of displaying religious objects within museums and consider which of these are the most successful in helping visitors understand the significance of those objects, as well as the people and communities from which they originate.     

In Defense of the Dead: Materializing a Garden of Remembrance in South London

ABSTRACT

This article examines a campaign to save, protect and convert a once-forgotten paupers’ graveyard in South London into a remembrance garden for the “outcast dead.” A vital component of this campaign was the materializing and maintenance of a roadside shrine on the graveyard’s periphery. This campaign therefore raises questions about nonhuman agency (in terms of the materials that form the shrine, graveyard and garden) and its role in the making and protecting of a contested site. At the crux of this article stands the co-constitutive relationship between people and objects, including the gates and offerings, the supporters and gardeners, the local flora and fauna and, of course, the human remains. To explore how these heterogeneous assemblages helped to defend the graveyard, this article draws on ethnographic research, paying particular attention to discussions and activities concerning the site’s boundaries, visibility and permanence.     

Engaging habits and besotted idolatry: viewing chinese religions in the american west

Through an analysis of late-nineteenth century “Asian invasion” literature and periodicals of the American West, this article compiles Protestant representations of Chinese religious practice in America. In pulp fiction and studies published by Bret Harte in his Overland Monthly, white Americans translated the peculiarities of the Chinese Other into manageable symbols and narrative conventions. While these representations appear flagrantly racist and reductive, they also reveal a genuine struggle for interpretation and commensurability. However, most scholarship in religious studies addressing Asian American encounter emphasizes the elite enjoyment of Asian theological and philosophical documents, avoiding the messier moral viewpoints of these pastoral observers and urban American Christian missionaries. I suggest that focusing instead on popular images of Chinese religions allow us to begin to reconstruct a history of religious encounter that ushers us into a different material world, one that highlights the interaction of physical bodies, buildings, and artifacts in time and space. Unless we can rewrite that Euro-American history of encounter (and include the physical and material dimensions as part of the equation), and link it conceptually to the experiences of real Chinese migrants and Chinese Americans, the story of those lost voices will always remain an interesting sidelight to the main show.     

Presence in Absence: The Formation of Reliquary Shiʿism in Qutb Shahi Hyderabad

This paper focuses on relics as indexical forms of remembrance that are powerful manifestations of the “presence in absence” of the Shi?i saints and Imams. Examples of representational material religious culture in Shi?ism include relics, replicas of tombs (?arī?, tābūt, and ta?ziya), battle standards (?alam), funerary biers (nakhl), sacred foot- and handprints, posters, and votive talismanic objects. Relics assumed a defining role in shaping a specific form of religious material culture that would find spiritual and political valence among the diverse religious and ethnic polities of the Deccan region of south central India during the Qutb Shahi period (ca. 1518–1687 ce). This paper describes how the Qutb Shahi sultans encouraged the translation of Shi?ism from an essentially Persianate form into an Indic and Deccani idiom through several complex processes of translation and indigenization that transformed the ritual-devotional, literary, architectural, and reliquary material practices into systems that were mutually intelligible to a diversity of Hindu and Muslim communities alike.     

Treacherous matters,or some notes towards a symptomatology of crisis

ABSTRACT

A stone surrendered by a Muslim to a Christian on an urban battlefield in Ambon (Indonesia), circulated with stunning effect in a Christian prayer group. Within no time it infected this core scene of Christian worship and community, triggering illness and possession, turning the group's prayers into a Qur'anic reading session and inserting the spectral presence of a North Moluccan sultan's daughter into its midst. This scene is only the most dramatic instance of the promiscuous traffic in poisonous and protective objects across religious boundaries during the war that racked the Moluccan city and its surroundings from 1999 until the 2002 peace. It also attests to the often carefully policed difference between magic and religion at the time. From rosaries flaunted by Protestants aiming to pass as Catholics, magical amulets worn alongside tiny Qur'ans or Bibles into battle, and Jesus billboards emerging as brandmarks for Christian neighborhoods, the war fostered and witnessed an explosion of religious and occult technologies along with the objects through which these technologies operate. Of particular interest is the tension and interplay between the deployment of amulets, which often functioned as boundary markers, and the war-torn terrain in which they appeared and occasionally went astray, betraying the intentions with which they were first set in motion. Attention to the capricious waywardness and mediating capacities of things as symptoms of profound crisis provides a point of departure for a larger symptomatology of crisis in which both the shape-shifting effects of objects and their taken-for-granted status as fixtures of everyday worlds are explored.     

The transformative role of rivers in the evolution of urban landscapes: a case study from urban rivers of Chelmsford in Essex

ABSTRACT

Urban rivers across Europe have a long history of anthropogenic intervention and active use that make up a key part of our cultural landscapes. This article focuses on the morphological transformation processes of urban rivers in Europe. It approaches the topic through a review of the function, meaning and identity of rivers within the urban context. This is illustrated here using the case study of the urban sections of the rivers Chelmer and Can in Chelmsford, Essex, tracing the formation and transformation of their urban character and identifying the determinants of the development of Chelmsford’s urban form over time.     

Objects that speak creole: juxtapositions of shrine devotions at botánicas in washington,dc

ABSTRACT

Devotional objects from diverse sources are arranged in beautiful and efficacious ways at local botánicas, retail stores that sell spiritual goods to a Latino-based, but increasingly diverse clientele. A two-year study of eighteen botánicas in Washington, DC, reveals a complex layering of spiritual traditions from Europe, Africa, Asia and the Americas. While the foundational hybrids of the botánica are of Caribbean origin, new immigrants to Washington from Central America, Africa and Asia are creating stunning juxtapositions of religious meaning and practice. This paper looks at the notion of creolization as a way to understand the power of the spiritual array spatialized in the botánica.     

The modern fear of matter: reflections on the protestantism of victorian science

ABSTRACT

Materiality is a quality of relationship rather than a thing in itself (Ding an sich). These relations vary. An inquiry into late Victorian attitudes towards materialism shows that modern science inherited a certain fear of matter from Protestantism, which identifies a number of these relationships as being at least latently religious. It allows us to specify how culturally and historically particular our understanding of matter, materiality and materialism are.     

The ideal democratic apparel: t-shirts,religious intolerance,and the clothing of democracy

ABSTRACT

Studies of clothing highlight the power of fashion and the ways dominant groups police deviant fashion; however, they neglect to analyze how a mainstream fashion item, the T-shirt, also helps monitor the boundaries and norms of American society. This article examines the relationship between the T-shirt form and religious intolerance. Scholars have analyzed nativist rhetoric, polemical literature, and caricatured renderings, yet clothing as a site of religious conflict remains understudied. To address these scholarly gaps, this article first investigates the history and meanings of the T-shirt, and then presents a case study of religious intolerance focused on Islamophobic T-shirts. This analysis builds toward an understanding of the T-shirt as the ideal article of democratic apparel for disseminating religious intolerance. In the end, we see how these T-shirts refashion religious intolerance as American individualism, thus perpetuating the idea that religious intolerance is only an occasional accessory to, rather than a constituent part of the clothing of, American democracy.     

An Architecture of Exception: Transgressing the Everyday – Superflex's Flooded McDonald's

In Flooded McDonald's, a film by Danish artists' collective Superflex, the familiar sight of the fast-food restaurant is replaced by ‘a slowly emerging apocalyptical composition’, as the interior floods, objects are displaced and the retail space fills with water. Jonathan Mosley describes how this destabilised and other disaster-invoked visions of architecture – structures and spaces breaking down – enable us to use our imagination to test the parameters of the everyday.     

Museological Framings of Islam in Europe

ABSTRACT

This article discusses the evocation of the sacred in the realm of material heritage practice, drawing on the creation of Freedom Park, a monumental, state-driven post-apartheid heritage project, as a case of heritage formation. Heritage formation refers to the casting of material cultural forms as heritage through sacralizing practices that set these objects apart at the center of social relations and their maintenance as powerful registers of the past for the “hailing” of collective identities. Specifically, it shows how southern African indigenous knowledge systems (IKS) and religious concepts were appropriated, translated, and employed in the formation of three material elements at Freedom Park: the//hapo, or museum, as recounting a cosmogony of nation, the Wall of Names as generating a transcendent ancestry, and the Isivivane as focalizing a national sacred center. Overall, it serves to expand our understanding of the dynamics of heritage production in a transforming South Africa, the dynamic power and appeal of heritage as sacralized material culture, and the significance of a critical religious studies approach for interpreting the dynamism of contemporary heritage practice.     

An evolutionary approach to regional housing resilience: the role of agency and the ‘epistemic community'

Abstract

The equilibrium model of resilience following shock has been highly critiqued as it implies status quo and no change in underlying power structures. This article fills a gap in the resilience literature as it applies to planning for housing by discussing the role of agency in contributing to the adaptive capacity of regions in responding shock events. A central tenet of the article is how agents can be the shock in slow-burn events. A case study of the development of regional strategic housing market assessments in an English region in the run-up to and during the global financial crisis illustrates how the concept of the epistemic community applies to planning for housing across scales. As resilience will increasingly drive global investments over the next century the aim of the article is to move away from rigid and conservative expressions of resilience to a more evolutionary approach relevant to regional housing systems.     

Ethical pleasure,visual dzikir,and artistic subjectivity in contemporary indonesia

ABSTRACT

Drawing from a long-term ethnographic collaboration with Indonesian painter A. D. Pirous, this article examines the mingling of art and religion for what it may tell us about subjectivity and the senses in a predominantly Muslim public culture. Recent statements describe subjectivity as the site of a social actor's sensibility, reflexivity, and judgment and as an annex to prevailing social, cultural, and ideological circumstances. Following some brief reflections about artistic and religious subjectivity, this essay discusses the Islamic revival in Indonesia since the 1970s, a revival that has given spirituality, and Sufism in particular, new popularity and appeal. It then turns to a set of artistic practices that Pirous associates with “ethical pleasure” and with dzikir, the “mindfulness of God” that Muslims, and Sufis in particular, are careful to cultivate. Subjectivity acquires artistic and religious dimension in these practices, particularly as the senses engage with paint and canvas in devotional-aesthetic acts of “visual dzikir.” We see that the intermingling of aesthetic and religious ideologies in the reflexive, sensorial sphere of subjectivity is not an interior or ethnographically unavailable phenomenon, but one that is cultural and public, worked out in the sensuous materiality of things and the world of social discourse.     

When is a Hat a Mountain? The Material Religion of Gesar Bards’ Hats

Abstract

Based on interviews performed in Qinghai, this article examines the ritual for creating the “mountain hat” used by bards of Tibet’s Gesar epic in the Yushu and Golok provinces to argue for its importance in constructing local ideas of identity and authority. After introducing a typology of bardic hats, this paper relates the two-week ritual to make a “mountain hat” and analyses how it unites epic narrative, local ideas of place, and the authority of Buddhist institutions into a single, distinctive object used in the performance arena. Utilizing David Morgan’s work on embodiment and identity through the act of seeing, this article argues for the “mountain hat” as a microcosm of a religious imaginary that influences and shapes the viewer’s and the bard’s self-understanding. Additionally, this article considers the interpretation of the “mountain hat” and the religious imaginary it represents in the larger context of contemporary Tibet, where competing forms of economic and cultural authority challenge Tibetans’ experience. Ultimately, this article draws attention to the central role of ritual in constructing the “mountain hat” and imbuing it with the necessary symbolic complexes to become a potent visual object of identity.     

Wearing Memories: Clothing and the Global Lives of Mourning in Swaziland

Abstract

This article situates a cultural phenomenon of women’s memory work through clothing in Swaziland. It explores clothing as both action and object of everyday, personalized practice that constitutes psychosocial well-being and material proximities between the living and the dead, namely, in how clothing of the deceased is privately possessed and ritually manipulated by the bereaved. While human and spiritual self-other relations are produced through clothing and its material efficacy, current global ideologies of immaterial mortuary ritual associated with Pentecostalism have emerged as contraries to this local, intersubjective grief work. This article describes how such contrarian ideologies paper over existing global aspects of people’s entangled relations with the dead – in three biographies of women and their objects – thus showing that memory work is not limited to people, goods, or ideas that flow between nations and expanding notions of the global and gendered practices of personhood.